Lionel Mandrake
Member
I'm fascinated by "lost" media. The idea that these works of art are documented, yet could be lost forever, or merely in some storage room somewhere in the Midwest. Rude Removal was a pretty big deal for me, due to a nostalgic connection, as was Crybaby Lane. With those two now discovered and openly available to watch, I'm now curious about what's ahead.
As a fan of Mike Judge and Greg Daniels, probably the one I'm most curious about is the lost pilot for a live-action King of the Hill spin-off of the Monsignor Martinez character. I don't know what it would have been like, but the idea itself sounds potentially hilarious.
The idea of a kids' show being too disturbing for its audience is always fascinating. That's what makes the "banned" episodes/segments from Sesame Street so appealing. The Crack Monster, The Wicked Witch of the West, and Snuffy's Parents Get a Divorce have all either never been showed, or pulled from circulation shortly after airing. The Crack Monster short is particularly interesting, because we know that a copy exists in private ownership and has been screened. Also, just look at this thing...
Doesn't exactly look like Sesame Street.
Aqua Teen Hunger Force's "Boston" episode is a strange one, since it's so recent, and was based on a such a big event. The creators imply that it will likely never see the light of day, but I think this one will probably show up eventually. I highly doubt tempers will remain high over the incident, and I can't imagine too much rage over a release.
John Hughes' 150 minute Director's Cut of The Breakfast Club. Personally I think a lot of the inclusions sound excessive, and might break the pace of the movie. However, The Breakfast Club is a classic movie with a lot of fans. It'd be great to see more of it.
The Day the Clown Cried is one of the more infamous ones. A big name like Jerry Lewis handling a big subject like the Holocaust is enough to make you wonder. But it's Harry Shearer's comments about the rough cut he viewed that really makes me want to see this thing.
The thing is, I don't know if this will ever be available. Lewis still seems to be completely ashamed and defensive about the thing, and I imagine he might take measures to keep it from coming out even after his death.
As a fan of Mike Judge and Greg Daniels, probably the one I'm most curious about is the lost pilot for a live-action King of the Hill spin-off of the Monsignor Martinez character. I don't know what it would have been like, but the idea itself sounds potentially hilarious.
The idea of a kids' show being too disturbing for its audience is always fascinating. That's what makes the "banned" episodes/segments from Sesame Street so appealing. The Crack Monster, The Wicked Witch of the West, and Snuffy's Parents Get a Divorce have all either never been showed, or pulled from circulation shortly after airing. The Crack Monster short is particularly interesting, because we know that a copy exists in private ownership and has been screened. Also, just look at this thing...
Doesn't exactly look like Sesame Street.
Aqua Teen Hunger Force's "Boston" episode is a strange one, since it's so recent, and was based on a such a big event. The creators imply that it will likely never see the light of day, but I think this one will probably show up eventually. I highly doubt tempers will remain high over the incident, and I can't imagine too much rage over a release.
John Hughes' 150 minute Director's Cut of The Breakfast Club. Personally I think a lot of the inclusions sound excessive, and might break the pace of the movie. However, The Breakfast Club is a classic movie with a lot of fans. It'd be great to see more of it.
The Day the Clown Cried is one of the more infamous ones. A big name like Jerry Lewis handling a big subject like the Holocaust is enough to make you wonder. But it's Harry Shearer's comments about the rough cut he viewed that really makes me want to see this thing.
Harry Shearer said:"With most of these kinds of things, you find that the anticipation, or the concept, is better than the thing itself. But seeing this film was really awe-inspiring, in that you are rarely in the presence of a perfect object. This was a perfect object. This movie is so drastically wrong, its pathos and its comedy are so wildly misplaced, that you could not, in your fantasy of what it might be like, improve on what it really is. 'Oh My God!' that's all you can say."
The thing is, I don't know if this will ever be available. Lewis still seems to be completely ashamed and defensive about the thing, and I imagine he might take measures to keep it from coming out even after his death.