ethic said:I just came into say that Thirty-Three is my favorite
Pumpkins song and one of the most charming music
videos ever made.
Macam said:I usually let Pumpkins albums spin for two weeks nonstop in my car just so I can adequately wrap myself around the new songs and sound. By that time, I'm all in. Point in case, I love Zeitgeist, especially when you add in the nonstandard tracks like Ma Belle and, the title track, Zeitgeist. Those tracks round out the album's sound more and give it a bit more range. Every now and then I just get an urge to crank Bring the Light.
It probably is related to Pastachio Medley stuff. Tarantula is so obviously an evolution of the Harmonio riff. Billy's finishing off a lot of those sounds from the MCIS demos, it seems.Infinitemadness said:Someone in passing mentioned the song is related or came from Zoom on the Pastichio medley?
Diablos said:Orellio: Zeitgeist is a great album. The production could be better, but the songs are good for the most part (save Death From Above and For God and Country, two of the worst songs Billy's ever written in his career. Every songwriter has these moments). I think people were too critical of it; basically Zeitgeist was more of a "we're back" kind of record, Billy even admitted it himself. The epic megaton Pumpkins we've come to know and love over the many years will likely be present on the next album, which the band has also indicated a couple times. Look at American Gothic -- it's good stuff. Sunkissed is a seriously underrated Pumpkins song. Damn, is that song good...
Orellio said:Also, Machina 2 > Machina 1
terrene said:That's news to me and I've been a fan for 15 years.
Woot, a pre-Gish fan? *fist-bump* for sure.distantmantra said:I'm with you terrene. I've been listening to SP for 18 years. This is new to me as well.
terrene said:Woot, a pre-Gish fan? *fist-bump* for sure.
Also, how come we haven't hung out yet?
Memo to Activsion: Next time you have a launch party for the newest version of Guitar Hero, book the happy-go-lucky Foo Fighters (oh yes, they too are available for video game launch parties, for the right price, that is). The Smashing Pumpkins arent in any mood to send blue-eyed, blond-haired marketing minions home humming "Today."
Billy Corgans message Saturday night to partygoers at a private Guitar Hero World Tour launch party? He is no corporate shill. Sure, the Smashing Pumpkins ringleader cashed the $100,000+ check his band surely received for performing at the bash, which was co-sponsored by Best Buy and took place just blocks away from the Minneapolis-based big box retailer's La Brea Avenue store in a massive sound studio -- but that doesnt mean he played nicely.
Things started out promisingly enough as Corgan took the stage around 10 p.m. The band tore through "Tarantula" with efficiency and grace before performing a perfunctory version of G.L.O.W. (which is featured in Guitar Hero World Tour as a single, the first time a band has recorded a new song exclusively for the franchise). But the second half of the set left the curious crowd, heavy on Best Buy execs and contest-winners, feeling confused, used or worse.
(Full set list plus more of the review after the jump)
"Old School...1979!" one man a decade or so removed from the frathouse yelled out, perhaps unaware that the band had just offered up a blistering rendition of "Siva," from Smashing Pumpkins debut "Gish."
With that kind of crowd staring back at the frontman, you can hardly blame Corgan for saving the entire second half of the set for working out new material, and dark, experimental feedback-laden noodling. Was this the 41-year-old's way of rebelling against "fake" guitar heroes playing the video game on one of the multiple screens set up just steps away from the stage?
"I feel like Sarah Palin up here," he deadpanned at one point during the set, perhaps referencing his comfort level at being the evening's cheerleader. Although Corgan seemed in good enough spirits (wearing a silver skirt and a tight, black shirt with a spider on it...the same exact outfit he wore to the Scream Awards earlier this month: See picture above), it was clear he wasnt in the mood to play the hits.
Instead, fans who stuck around (many retreated to the bar area after they realized Corgan and Co. werent going to play "Zero" or "1979") were rewarded with a compelling, almost-jazz-like riff fest from Corgan and his longtime drummer Jimmy Chamberlin. The imposing guitarist played with vitriolic fury during the latter half of the set, as if to show wannabes what a real guitar hero looked like.
Corgan spat on the stage as he unleashed wall after wall of dissonant, driving riffs that sometimes devolved into extended feedback loops. He broke strings, played kettle drums, hissed and sang into "the heart of the sun," as he droned in a mantra-like moment during their cover of the classic Pink Floyd song "Set The Controls For The Heart Of The sun."
I was beginning to think I was at a Liars show, and damn if it wasnt compelling for those willing to make the journey with Corgan. And while the Pumpkins have been doing this shtick on stage since at least 2000, something felt different Saturday...perhaps as a result of a new sound emerging from rehearsals (the band is getting ready for their 20th anniversary tour, beginning Friday in Columbus, Ohio; and a new "concept" record).
Even as the band embarks on a backward-looking 20th-anniversary jaunt this fall, the lanky Illinois-born songsmith proved there is plenty of gas left in the Pumpkins' songwriting oven. Case in point? Check the new song we heard last night, "As Rome Burns."
Full lyrics from "As Rome Burns" below (I grabbed the lyrics sheet off the stage post-gig). Avert your eyes, Pumpkins fans who are partial to tunes like "Tonight, Tonight": This is not a love song:
We are the new gods/same as the old gods/well take all your blood/and turn it into mud/as Rome burns/one by one/two by two/together they ride/side by side/into love/together they die/and still they want to weather the tide/as Rome burns.
Forgiveness all your days/to count what you cant save/well take out one good eye/and leave a world to fall behind/as Rome burns.
I see them everywhere out shaking to the beat/cursing out their elements/with chaos, chaos bleats/and what seemed urgent then turns wicked in the heat/as Rome burns to the mother (expletive deleted) ground
Full set list:
Tarantula
G.L.O.W.
Siva
Speed Kills
Superchrist
As Rome Burns
Sounds of Silence
Set the Controls for the Heart of the Sun
The Smashing Pumpkins DVD documentary and concert film from their 11-night stand at San Francisco's Fillmore last year, "If All Goes Wrong," hits stores Nov. 11.
Infinitemadness said:Who needs the hits?
Billy Corgan said:Observations from a delayed traveler
Sitting now at the San Jose airport, waiting for a flight to Los Angeles seeing as my other flight was canceled. I love airports! Their fake security, their non-stop noise, their Starbucks addicted minions milling about like a khaki apocalypse. Reminds me why I love America so. Remember: America, love it or leave it!
Last evening we were able to play for the first time as a 9 piece version of the band, which is very exciting. The more we let go of how the band is supposed to appear numbers-wise and more of what it is supposed to sound like heart-wise, the closer we get to a present kind of truth. It is very exciting to be making music again for the times we are living in. Playing live is such a big part of that. I had forgotten that in the fallow years of non SP, that connecting with the diverse backgrounds of our audience that has everything to do with finding that voice. I cannot thank those who attend our shows enough.
Of course, last night was not 'our show', more importantly it was 'their show', a concert to raise funds and awareness for the students of the Bridge School. We are really proud yet again to have been able to contribute to this wonderful school thru the dedication of Neil and Pegi Young, and of course, Elliot Roberts (our good friend and one-time manager of Zwan). Bridge School is the kind of place that makes me smile the biggest smile I can.
The night before we played the new Guitar Hero release party, which was great fun. I swore I kept hearing someone from the crowd yelling over and over, 'where are the Smashing Pumpkins?'. I think I imagined it but either way it made me chuckle to myself.
So two very different shows over 2 days, and we were able to play 4 new songs: Owata, A Song for a Son, As Rome Burns, and a 2012 version of Simon and Garfunkels 'The Sounds of Silence'. We've rehearsed now for 3 weeks for the 20th Anniversary tour, so I trust we have a few more suprises in store. That is, if you dare come to watch us piss on our own grave.
I've noticed in the run-up to the tour a few indications that seem to think that we are sentimental in announcing our 20th anniversary extravaganza. When you see the total set-list, particularly for the black crosses and white sunshine shows (or is it the other way round?), I don't think terms like 'harkening back' or 'sentimental' will be the words that will come to mind. This tour is a celebration of where we are, not where we've been. We are HERE! (With a big smile and a foot in your back) Enjoy it if you will, we realize its not for everybody. For that you have a whole army of fellaciators (is that even a word?) to gratefully service you. These are not angry words, by the way. We are having fun. Yes, who would have thunk it that after 20 years (or 21, who's counting?) we would not only be alive, but also loving our jobs and our shows and our experience of being in this group. The rest can go play their sad games of dominion and bridge-burning (meaning ubiquitous band 101 and 102). We have been there and have learned the lesson that there is no joy in it. Its a dead man's dance. Saying something as simple as 'we are real' is not grandiosity, it is fact. We are all real. We are all here. Life is an opportunity. We choose our opportunities wisely. Believe it or not we know what we are doing when we don't get along, don't play nice or fake our way thru the oblivion. So what about the consequences!!? What is life for if you don't make some waves or save a soul here or there? If anyone comes to this tour expecting a hand-holding, teary-eyed tribute to a dead band, forget it. That is long gone. Outside of 9 shows in 1999, that band hasn't existed whole since 1996.
Let me take this pause then to say a few things about our former bandmates...
We absolutely, without reservation, honor James and D'arcy. There is no qualification to that statement. We honor them IN FULL. They were there, then. And together we did some incredible things. But let me go one step further. When Jimmy and I decided to move forward and begin again with SP we very openly addressed the question of James and D'arcy returning. We spoke honestly with each other about our feelings and personal reservations, and decided together that the door was open to them to return. Because it was the right thing to do. Honestly though it wasn't suprising to us that they didn't want to return, because that was consistent with their general position to date (and continues to be I might add), which is they see the band as something that they got away from for their own reasons. There were no conditions ever put on a return. They simply didn't even want the conversation with us.
I can now say definitively that they aren't ever coming back. Period. There is no maybe. If the door was once open to at least have the conversation and consider the possibility, it is now closed. For good. We have moved on. We love them, and we wish them well.
The Smashing Pumpkins are now whoever is standing on that stage, on any given day, with a willingness to play those songs. Not just any songs, those songs. Because its not just what we play, its how we play them. The music MUST come first. And that's just the way it is. And to the credit of Bruce Hornsby on the whim of a memory, some things will never change. We are who we are. I know what I see. I see what I know. And nothing I know compares to you...
I am not crazy. I am just free. The Smashing too now are free, and in that we are truly insane from the mad beat.
God Bless, with love from the 7th ray and the rainbow at the end of my heart,
William
ethic said:i wonder what D'arcy looks like nowadays...
:lol :lol :lol :lolBilly said:I love airports! Their fake security, their non-stop noise, their Starbucks addicted minions milling about like a khaki apocalypse.
Billy has always done that (well, he's been doing it for quite some time). I think his voice is just a bit different and it alters the way he sings. He's getting older.terrene said:What is UP with Billy's voice these days?
The gothy affectation and weird britpop vibrato at the end of every vocal phrase are one thing. The onset of "croakiness" -- the sound of his vocal cords being dried up and resistant to producing any tone at all -- started in the Zwan days, and I am somewhat used to and think it's just part of aging. But I DO NOT GET what he is going for when he sings like he does in that Starla video, halting words unnecessarily in sort of an odd huff.
"Star.. d'EAH" (Starla dear?)
"I... 'eAH" (I'm here?)
"t'akes amat IIIEEE" (Takes so much time?)
WTF. Seriously the weirdest shit I've ever heard any singer do, who natively speaks English.
After it gets loud, he forgets to do all this shit and basically sounds like himself. Is it insecurity, or...?
SmashingPumpkins.com said:The Smashing Pumpkins will be releasing G.L.O.W. and Superchrist on iTunes tomorrow as the first ever Digital 45.
G.L.O.W. will be sold together with Superchrist as a digital 45 at a discounted rate on iTunes starting tomorrow.
We will have a direct link to iTunes first thing tomorrow so you can all get your hands on this first. The digital 45 will include all new album art for both songs.
BigJonsson said:This dude in front of me kept yelling for Cherub Rock through most of the show so Billy flipped him the bird at one point, then at the end he was like this guy over here keeps yelling cherub rock cherub rock cherub rock like I'm deaf....I wrote that song on the way to work one day when I had nothing better to do
He kept going on about Cherub Rock and said that they'd be playing it at the 2nd Toronto show
jibblypop said:I'm going to the second Smashing Pumpkins show in Toronto tonight. So fucking hyped!
jibblypop said:I just got home from the second Toronto show.
What the hell did I just watch? If Smashing Pumpkins want to play for 2 and a half hours then I am totally fine with that because I love every album they have made. However to play an hour and a half of jamming out is just ridiculous. The audience was very unimpressed and even as a huge Pumpkins fan I cant blame them.
To make matters worse they ended the set with a jam song for the encore! What the hell?
I think Billy corgan was kind of taken back that the crowd wasn't as in to it as he thought. I'm guessing he will update the set a bit and make it better for the next shows because if he doesn't I would expect a similar reaction in the upcoming cities.
PS yes they played cherub rock
PPS the good parts were SO good but the jamming was for more than half the concert so it sours my whole mood about the show.
Orellio said:Dude the setlist for the 2nd Toronto show was INSANE. I'm so jealous I wasn't there. They busted out a LOT of songs they haven't played in a while. I'm surprised to hear you talk down about it.
http://hipstersunited.com/blog/wp-content/uploads/2008/11/papersetlist2.jpgBigJonsson said:Where can I get this setlist?
Orellio said:
Orellio said:Dude the setlist for the 2nd Toronto show was INSANE. I'm so jealous I wasn't there. They busted out a LOT of songs they haven't played in a while. I'm surprised to hear you talk down about it.