Halloween by Matthew Peak
Halloween Variant by Matthew Peak
SCYTHE
$30.00
Image of Scythe
8"x8", printed by Static Medium on cotton rag using archival inks. Signed and numbered timed edition.
HIMALAYAN BULBUL
$35.00
Image of Himalayan Bulbul
8"x10", printed by Static Medium on cotton rag using archival inks. Signed and numbered timed edition.
HONEY BEE
$10.00
Image of Honey Bee
3"x3", printed by Static Medium on cotton rag using archival inks. Signed and numbered timed edition.
That's not Mike Miller's site.http://www.sirmitchell.com/
Three new timed editions up from esteemed frog face artist Mike Mitchell.
That's not Mike Miller's site.
Framed up my Tong Mulholland Drive recently. Turned out well.
Great combination, how do you choose the mat colors and frame?
"In The Warmth of the Great Northern" by Scott Campbell. 13" x 20" giclee print. Signed and numbered timed edition, $60
Today, Wednesday, May 10th, starting at 10am EST through Wednesday, May, 24th at 12am EST in his shop:
"In The Warmth of the Great Northern" by Scott Campbell. 13" x 20" giclee print. Signed and numbered timed edition, $60
Framed up my Tong Mulholland Drive recently. Turned out well.
Framed up my Tong Mulholland Drive recently. Turned out well.
Framed up my Tong Mulholland Drive recently. Turned out well.
Phenomena by Jessica Seamans. 18" x 24" screen print. Numbered edition of 225, $45
Phenomena (Variant) by Jessica Seamans. 18" x 24" screen print. Numbered edition of 125, $65
Wes Craven's New Nightmare by Mike Saputo. 24" x 36" screen print. Numbered edition of 250, $50
Friday the 13th Part 3 by Gary Pullin. 18" x 24" screen print. Numbered edition of 250, $45
Looks amazing!!
I've finally got round to ordering frames for the Cyclops Works Frozen pair I bought at the back end of last year.
*waves at Mockingbird*
Looking forward to finally hanging something this year, given that I've bought nothing to date.
Awesome! Post pics please!!!
Size: 24x36, 9 Colors, Numbered edition size 47, US$ 80
Kung-Fu Panda by Patrick Connan. 24" x 36" screen print. Numbered edition of 160, $50
Pixar Pack - Regular The Good Dinosaur & "Thanks for the adventure" by Mark Englert. 24" x 36" & 12" x 36" screen prints. Numbered/AP editions of 335/40, $120
Pixar Pack - Variant The Good Dinosaur & "Thanks for the adventure" by Mark Englert. 24" x 36" & 12" x 36" screen prints. Numbered/AP editions of 100/40, $140
Now that you've climbed to the pinnacle of the printed poster world, the Mondo show was amazing, how about a Kilian Eng commission for Shadow of the Colossus and The Last Guardian?
I'm sure these hastily taken pictures do not do it any justice but man, I went for the museum glass on this one and it almost looks like there is no glass at all. Definitely doing that for future prints. I'll post a better shot once I hang it somewhere.
The print is so busy I wanted to do something a little less crazy for a frame (and no mat). Went with a black wooden frame with some red highlights, pretty happy with how it came out.
I'm sure these hastily taken pictures do not do it any justice but man, I went for the museum glass on this one and it almost looks like there is no glass at all. Definitely doing that for future prints. I'll post a better shot once I hang it somewhere.
The print is so busy I wanted to do something a little less crazy for a frame (and no mat). Went with a black wooden frame with some red highlights, pretty happy with how it came out.
Great frame up.I'm sure these hastily taken pictures do not do it any justice but man, I went for the museum glass on this one and it almost looks like there is no glass at all. Definitely doing that for future prints. I'll post a better shot once I hang it somewhere.
The print is so busy I wanted to do something a little less crazy for a frame (and no mat). Went with a black wooden frame with some red highlights, pretty happy with how it came out.
Deep Forest Pavilion by Kilian Eng. 17″ x 24″giclee. Numbered edition of 75, $60
Tech Fauna by Kilian Eng. 12″ x 17″giclee. Numbered edition of 60, $45
I'm sure these hastily taken pictures do not do it any justice but man, I went for the museum glass on this one and it almost looks like there is no glass at all. Definitely doing that for future prints. I'll post a better shot once I hang it somewhere.
The print is so busy I wanted to do something a little less crazy for a frame (and no mat). Went with a black wooden frame with some red highlights, pretty happy with how it came out.
Thanks dudes! I haven't hung it up anywhere yet but I had a good while to just stare at it propped up against a wall yesterday and I'm really blown away by that museum glass and the print itself... the crazy composition plus how vivid the colors are is just really something else. When I get it hung up I'll try to take some better photos that show how recessed the print is in the frame, which I also dig.
Related question for the thread- one of the Dangers I have custom framed is super dark and the glass in the frame, possibly because of how dark the print is, is very reflective. Do you think it's worth going back to the framer to have them cut museum glass for it to help with that issue? Print in question:
A lot of Dangers suffer from that same issue, especially the ones printed on black paper. Museum will make anything look better, but the only thing that will improve visibility is more light. You'll definitely need the uv protection if you put that under a spot. I've been holding off on framing my Ghost Ship because I don't have an open wall with sufficient lighting.
A lot of Dangers suffer from that same issue, especially the ones printed on black paper. Museum will make anything look better, but the only thing that will improve visibility is more light. You'll definitely need the uv protection if you put that under a spot. I've been holding off on framing my Ghost Ship because I don't have an open wall with sufficient lighting.
So subtle!Y'all notice that stealth Ghost Ship brag
Related question for the thread- one of the Dangers I have custom framed is super dark and the glass in the frame, possibly because of how dark the print is, is very reflective. Do you think it's worth going back to the framer to have them cut museum glass for it to help with that issue? Print in question:
I'm sure these hastily taken pictures do not do it any justice but man, I went for the museum glass on this one and it almost looks like there is no glass at all. Definitely doing that for future prints. I'll post a better shot once I hang it somewhere.
The print is so busy I wanted to do something a little less crazy for a frame (and no mat). Went with a black wooden frame with some red highlights, pretty happy with how it came out.
Yeah, I'd do it. I've got a Danger in my office that is hard to see because of the same issue. Although I'd try museum plexi, depending on the size.
Can you share how much that frame job is costing you? I went expensive and all out on my Cowboy Bebop prints, but after that was hurt so bad I went with the Spotlight Displays after for everything else. I have an Evangelion print still I need to get custom framed because of the size and can't decide to go with the Spotlight Display (affordable/cheap) or a nice custom job.
Is there a Matt Ferguson Blade Runner commission going on right now? He just changed his facebook profile pic to the origami unicorn. If you have details please pm me.
So my frames arrived... on the same day that my dad goes on holiday for 2 weeks. Prints are on his dining room table being flattened.
Such is life :-(
That's been his personal logo for years. He doesn't do commissions anymore, as far as I know.
An American Werewolf in London by Matt Ryan Tobin. 24" x 36" screen print. Numbered edition of 300, $50
An American Werewolf in London (Variant) by Matt Ryan Tobin. 24" x 36" screen print. Numbered edition of 150, $75
Halloween II by Gary Pullin. 18" x 24" screen print. Numbered edition of 250, $45