I still think the "top 3 radiohead album" posts were too quick
Just out of interest, would anybody here who has listened to every Radiohead album rank King of Limbs as their best? If so, at what point did you first get into Radiohead?
I can understand why they didn't include Cut a Hole, but the lack of Skirting on the Surface is definitely weird. It feels like it would have fit pretty well on the album.Is anyone still sad that Skirting on the Surface didn't make it besides me? I wanted that over any other song before hearing the album. Maybe one of the 2 bonus tracks.. That could be my favorite Radiohead song if there was a studio version.
https://www.youtube.com/watch?v=5aVScbkFJ3g
Edit: Oh, and Cut a Hole is missed as well. Love that one.
Nope. King of Limbs is 2nd last for me (with Pablo Honey being last, obviously). It's not bad it's just kinda forgettable for me among all their other amazing releases. I became a fan of Radiohead when I first saw the video for "Just". It and the song blew me away and I've been on board ever since.Just out of interest, would anybody here who has listened to every Radiohead album rank King of Limbs as their best? If so, at what point did you first get into Radiohead?
I can understand why they didn't include Cut a Hole, but the lack of Skirting on the Surface is definitely weird. It feels like it would have fit pretty well on the album.
(though I'm reluctant to call it an album - I don't consider anything below ten songs an album, which sounds snobby admittedly but still)
I was about to say that. It makes sense when you consider that.It might have sounded *too* similar to be included.
(though I'm reluctant to call it an album - I don't consider anything below ten songs an album, which sounds snobby admittedly but still),
I was really looking forward to Lift personally. Maybe someday.
After numerous listens now...I absolutely love this album with the exception of the final track. After 20 years of on and off attempts, that's the studio version of True Love Waits they decide is worthy of release? So disappointing. This will be a 10 track album for me going forward.
Yeah that mentioned at some point that they were recording it. Any word on if it's going to show up on the bonus disk? or have the bonus tracks already been announced?
Never been a huge fan of it. I can't really listen to it, it's just dated britpop at this stage which hasn't stood the test of time.The hate for Pablo Honey is annoying sometimes because there are some great songs on that album.
Creep
Stop Whispering
Thinking About You
Anyone Can Play Guitar
Ripcord
Lurgee
Blow Out
Obviously their sound was less experimental then, but that's a fucking badass collection of songs that for any other band would be noteworthy.
Is anyone still sad that Skirting on the Surface didn't make it besides me? I wanted that over any other song before hearing the album. Maybe one of the 2 bonus tracks.. That could be my favorite Radiohead song if there was a studio version.
https://www.youtube.com/watch?v=5aVScbkFJ3g
Edit: Oh, and Cut a Hole is missed as well. Love that one.
I saw someone say that one of the tracks was going to be Spectre? I'd guess the other by order of likelihood is:
1.) Cut A Hole / Skirting
2.) previously unheard
3.) Lift
4.) other songs I can't think of right now
The image on the bonus disc appears to say Spectre, but this could just be a placeholder.Spectre is the B-Side for the Burn The Witch vinyl single.
Huh, that's the first track that really clicked with me. Just reminds me of classic Radiohead for whatever reason, I really dig the vocal melodies.I think Decks Dark is the only song that hasn't fully clicked for me yet. I'm sure it'll happen at some point though.
The hate for Pablo Honey is annoying sometimes because there are some great songs on that album.
Creep
Stop Whispering
Thinking About You
Anyone Can Play Guitar
Ripcord
Lurgee
Blow Out
Obviously their sound was less experimental then, but that's a fucking badass collection of songs that for any other band would be noteworthy.
:=3Pablo Honey is a fucking masterpiece. Comparing it to britpop of the era is like comparing Magnolia to Crash.
Huh, that's the first track that really clicked with me. Just reminds me of classic Radiohead for whatever reason, I really dig the vocal melodies.
:=3
My bad.
What about You?
Is this a stealth dig at BlurPablo Honey is a fucking masterpiece. Comparing it to britpop of the era is like comparing Magnolia to Crash.
Is this a stealth dig at Blur
(though I'm reluctant to call it an album - I don't consider anything below ten songs an album, which sounds snobby admittedly but still)
I love Blur. So so much. But Blur is a (the best?) pop music band. Radiohead is to Brit pop as The Wire is to detective fiction.
What? I take you don't listen to progressive rock
Blur mainly made pop records, but 13 is seriously underrated (at least in the US) and I feel like it kind of gets glossed over as it came out of OKC. They were part of the old brit-pop scene and weren't taken as seriously.
Blur mainly made pop records, but 13 is seriously underrated (at least in the US) and I feel like it kind of gets glossed over as it came out of OKC. They were part of the old brit-pop scene and weren't taken as seriously.
I get what you're saying. I don't think they were that far apart while Radiohead was still in their pre-OKC era, the best material from their Britpop trilogy compares favorably IMO. Mostly I just wanted folks to talk about Blur.I love Blur. So so much. But Blur is a (the best?) pop music band. Radiohead is to Brit pop as The Wire is to detective fiction.
BTS of Daydreaming:
I can't believe people are actually calling Pablo Honey a better album than some of the classic britpop albums from the early to mid 90s. I mean what the hell.
So I'm pretty certain now after a couple of listens that daydreaming is supposed to be played in the normal direction and then followed immediately in the reverse direction and in an infinite loop.
Blur mainly made pop records, but 13 is seriously underrated (at least in the US) and I feel like it kind of gets glossed over as it came out of OKC. They were part of the old brit-pop scene and weren't taken as seriously.
After numerous listens now...I absolutely love this album with the exception of the final track. After 20 years of on and off attempts, that's the studio version of True Love Waits they decide is worthy of release? So disappointing. This will be a 10 track album for me going forward.
Yeah I'm with you on this one. One of the things I loved most about the live version (and Mike Masse's awesome cover) was the guitars. So to get rid of them completely and replace them with the odd-tempo piano just really grates with me. Such a disappointment.
(though I'm reluctant to call it an album - I don't consider anything below ten songs an album, which sounds snobby admittedly but still),