Mashing said:
Point well taken. Still, AVATAR is so many leagues ahead of the rest of the hollywood, that I really can't fathom it being snubbed for best sound. It's been said before but the Hometree scene was ridiculous.
The one Oscar I dont think there is any question of this winning is Visual Effects. I dont know why they would even bother nominating anything else really.
For further "huh" moments in Sound:
2001 (74th)
SOUND
Amélie -- Vincent Arnardi, Guillaume Leriche, Jean Umansky
Black Hawk Down -- Michael Minkler, Myron Nettinga, Chris Munro (deserved)
The Lord of the Rings: The Fellowship of the Ring -- Christopher Boyes, Michael Semanick, Gethin Creagh, Hammond Peek
Moulin Rouge -- Andy Nelson, Anna Behlmer, Roger Savage, Guntis Sics
Pearl Harbor -- Kevin O'Connell, Greg P. Russell, Peter J. Devlin
2002 (75th)
SOUND
Chicago -- Michael Minkler, Dominick Tavella, David Lee
Gangs of New York -- Tom Fleischman, Eugene Gearty, Ivan Sharrock
The Lord of the Rings: The Two Towers -- Christopher Boyes, Michael Semanick, Michael Hedges, Hammond Peek
Road to Perdition -- Scott Millan, Bob Beemer, John Patrick Pritchett
Spider-Man -- Kevin O'Connell, Greg P. Russell, Ed Novick
2003 (76th)
SOUND MIXING
The Last Samurai -- Andy Nelson, Anna Behlmer and Jeff Wexler
The Lord of the Rings: The Return of the King -- Christopher Boyes, Michael Semanick, Michael Hedges and Hammond Peek
Master and Commander: The Far Side of the World -- Paul Massey, D.M. Hemphill and Arthur Rochester
Pirates of the Caribbean: The Curse of the Black Pearl -- Christopher Boyes, David Parker, David Campbell and Lee Orloff
Seabiscuit -- Andy Nelson, Anna Behlmer and Tod A. Maitland
So the only fluke was Chicago. But 2001 one had some tough competition for Sound Oscars.