uh ohVic said:I will not let this discussion go any further than this Sculli.
uh ohVic said:I will not let this discussion go any further than this Sculli.
...I guess that all depends on your definition of "the problem". :|Vic said:Bah, I've already seen it four times in the movies and I'll probably see up to eight to ten times by the end of it's run. I'll even buy the deluxe DVD edition whenever it's coming out. I'm not what you could call a part of the 'problem'.
Nothing's wrong at all with being an Ava'terdSpike Spiegel said:...I guess that all depends on your definition of "the problem". :|
GhaleonEB said:Yay. ma'issue of Cinefex came in the mail, and holy crap is it awesome. An 80-page article (over half the entire issue) on how they made Avatar, from Cameron's conception on through to final editing. I'm only five pages in, and it's just fantastic. Absolutely worth the price.
Scullibundo said:Be sure to post any interesting info we didn't already know. That is the only reason I don't want to import it. I've already got two EMPIRE UK mags dedicated to AVATAR and read pretty much everything since its inception, so its hard to find anything new on it that is worth reading.
jett said:There's also a digital release.
Plasma Storm? Wha?Because so much of the films world is virtual, Fiore was constantly matching interactive lighting with elements that would be comped into the image in post. An example of this is a plasma storm that takes place on Pandora. What is a plasma storm? No one knows its all inside Jims head! Fiore exclaims with a laugh. We had to figure out a way to create a fantastic event that no one had ever seen before. In the scene, Scully is in a remote science lab with Dr. Augustine [Sigourney Weaver], and they see the storm happening outside the windows. We had to find a way to create the effect of the storm on their faces. He turned to the DL.2, a DMX-controlled LCD projector that acts like an automated light source. By utilizing a preset anomalous pattern in the DL.2 and projecting the image through Hampshire Frost onto the actors faces, Fiore achieved a unique look for the storms lighting effects.
Well, I haven't read all of that material. Aside from the online video features, I haven't seen or read anything on how it was made.Scullibundo said:Be sure to post any interesting info we didn't already know. That is the only reason I don't want to import it. I've already got two EMPIRE UK mags dedicated to AVATAR and read pretty much everything since its inception, so its hard to find anything new on it that is worth reading.
GhaleonEB said:Well, I haven't read all of that material. Aside from the online video features, I haven't seen or read anything on how it was made.
There's a long section about how Robert Legato thought of and tested the virtual camera system on The Aviator. He got frustrated with the effects studio not following his instructions on the crash scene and the long lead times back and forth doing different versions. So he built a virtual setup inspired by a flight sim his kid was playing, and then "filmed" the different takes, edited them together and sent them to the effects house for rendering.
When he heard that Cameron was sending out feelers on Avatar, Legato called up Cameron and pitched the virtual camera system to him. It was at that point that Cameron realized he could drop plans to shoot in rain forests, and just use the virtual camera to capture environments as well as actors.
That was a page or two of the article so far. You might have heard that before, but I hadn't and thought it was pretty cool.
Groovy. I'll drop in some other stuff as I read through it.Scullibundo said:News to me! Cheers.
GhaleonEB said:Yay. ma'issue of Cinefex came in the mail, and holy crap is it awesome. An 80-page article (over half the entire issue) on how they made Avatar, from Cameron's conception on through to final editing. I'm only five pages in, and it's just fantastic. Absolutely worth the price.
Feep said:The Naa'vi were innocent. The humans were the aggressors. It's pretty simple.
Oli said:Maybe I'm just looking for something where there is nothing. It just seems strange that the humans were completely evil.
Maybe it's just a mentality coming from the fact that I just watched Princess Mononoke, a movie that shows a more complex version of good and evil.
Well anyway, I guess that doesn't matter much for this movie. I just wish the struggle had more depth.
Oli said:Maybe I'm just looking for something where there is nothing. It just seems strange that the humans were completely evil.
Maybe it's just a mentality coming from the fact that I just watched Princess Mononoke, a movie that shows a more complex version of good and evil.
Well anyway, I guess that doesn't matter much for this movie. I just wish the struggle had more depth.
First time I saw the movie, I thought Selfridge must have had some dialogue cut, because there were a number of shots where you could tell he had misgivings about what was happening. And despite going ahead with the Hometree plan, he gives a couple of opportunities to avoid bloodshed, so it was clear that wasn't his preference. But there's never a scene where his conscience is vented any further, it's all implicit.StoOgE said:That was my largest complaint about the story. The bad guys were just too evil.
The story would have been given some depth if they could have shown how critical the rock was back on Earth. Like, humans are all fucked without it or something.
Subtlety isn't Cameron's strong suit though.
GhaleonEB said:First time I saw the movie, I thought Selfridge must have had some dialogue cut, because there were a number of shots where you could tell he had misgivings about what was happening. And despite going ahead with the Hometree plan, he gives a couple of opportunities to avoid bloodshed, so it was clear that wasn't his preference. But there's never a scene where his conscience is vented any further, it's all implicit.
I think I remember there being a scene cut where he's fleshed out a bit more, but I'm sure someone who's read the full script can comment better.
GhaleonEB said:First time I saw the movie, I thought Selfridge must have had some dialogue cut, because there were a number of shots where you could tell he had misgivings about what was happening. And despite going ahead with the Hometree plan, he gives a couple of opportunities to avoid bloodshed, so it was clear that wasn't his preference. But there's never a scene where his conscience is vented any further, it's all implicit.
I think I remember there being a scene cut where he's fleshed out a bit more, but I'm sure someone who's read the full script can comment better.
Yeah, that's the scene I read about though I didn't know the specifics. It would have added a lot to his character, I think. It also explains the look he gives as Quaritch and company are taking off.Somnia said:Him and Quartich go at it big time before the "war". Q inacts some rule that gives me the ability to take control due to an impending threat basically. Selfridge did not and refused to ok an attack on the Tree of Souls.
Sometimes complicated narratives really get in the way of pursuing other, equally complicated things.y2dvd said:Watching those interviews and 'the making of' featurettes makes JC comes off as such a bad ass. He sounds intelligent enough to write a complicated script if he wanted to. Maybe he's smart enough to know that a simple story is all you need to make the 2nd highest grossing movie thus far!
Black-Wind said:Just saw this for the first time (and in 3D).
. . . HOLY SHIT!!!! O_O
Scullibundo said:The only thing of the golden globes that really interests me will be Scorsese getting the DeMille award. Scorsese was allowed to present it to Spielberg last year with one of the best montages ever and I hope Spielberg has been allowed to return the favour.
Somnia said:I hope you're right. That is something I would be very interested in seeing.
Somnia said:So apparently FX ran a 30 minute special tonight called "AVATAR: Creating The World of Pandora"...I missed it, but it is playing again at 6PM CST on FMC (Fox Movie Channel I believe). Just thought I'd give people a heads up if they are interested.
Seeing that montage really brings to light just how gigantic Spielberg is. I really hope he makes another great movie soon.Scullibundo said:Here is when Scorsese presented the award to Spielberg:
http://www.youtube.com/watch?v=t2lfiyXwOa4
Somnia said:So apparently FX ran a 30 minute special tonight called "AVATAR: Creating The World of Pandora"...I missed it, but it is playing again at 6PM CST on FMC (Fox Movie Channel I believe). Just thought I'd give people a heads up if they are interested.
Might be.... I'll post when it airs tonight again since I missed the FX airing.bkw said:Is it the Youtube thing that was posted a few pages back? This? Has the same title.
Scullibundo said:Here is when Scorsese presented the award to Spielberg:
http://www.youtube.com/watch?v=t2lfiyXwOa4
Wow... I forgot Spielberg was such a legend. I mean, holy shit.Scullibundo said:Here is when Scorsese presented the award to Spielberg:
http://www.youtube.com/watch?v=t2lfiyXwOa4
GhaleonEB said:First time I saw the movie, I thought Selfridge must have had some dialogue cut, because there were a number of shots where you could tell he had misgivings about what was happening. And despite going ahead with the Hometree plan, he gives a couple of opportunities to avoid bloodshed, so it was clear that wasn't his preference. But there's never a scene where his conscience is vented any further, it's all implicit.
ArachosiA 78 said:How come no one seems to have a problem with the villian in District 9? How is he any deeper than Quaritch? Quaritch at least has some reason to hate everthing on Pandora since it's how his face got fucked up. But the main villian in D9...the military dude...he just seems to enjoy hurting/killing the prawns for no apparent reason.
west said:I certainly think people have seriously overstated how "evil" Selfridge and even Quarich are.
Selfridge is actually the character that most changes his stance during the movie. He is definitely pitched as a Burke-like character at the start, but he clearly grows a conscience later in the film. He gives Jake a last chance at diplomacy after Grace confronts him about killing children, even if the ships are already on ruoute. He also looks just as shocked looking at the Hometree falling on the monitors as the scientists. Even in the end he is let go. I see him as a kind of misguided fool character rather than evil. It's a commentary on how companies tends to get dis joined from real life. He really thinks its just a tree. Happens all the time.
Quarich also never directly target Navis, I think this is important. During the Hometree attack he never shoots directly at the tribe, he uses gas. He only uses fire when the smoke is insufficient, and even then he targets only the tree not the people shooting him. He could probably have killed all of them during that attack, but he leaves once his mission is done. In my opinion he is more of a pragmatist, he wants to get his mission done with the least hassle possible. During the second attack he again targets a geographical site. There is a logic to how Quarich acts. He does not kill think twice about killing someone, but he never goes out of his way to do it. The only exception is Jake, that he sees as the cause of the missions failure.