It comes as no great shock that best episode of the first small stretch of
Babylon 5 features the introduction of one Alfred Bester. That's not a pun -- it's pure logic.
There's something iconic about the man from the first. There's a popular internet "board" game called Mafia; sometimes it's called Werewolf. Bester is the best kind of maybe-scum. He keeps audiences on-edge. He's smarmy, he's elitist, he's scornful. But there's an element of delicate politeness and the suggestion of humanity cradled beneath the 1984-clad surface. He's
intriguing.
And he's joined by one Ms. Kelsey, an arrogant Psi Cop sidekick played by the talented Felicity Waterman. Unfortunately for Ms. Kelsey, her role here is episodic. She'll be vaporized by hour's end, but Bester? Well, I could write a book about Bester.
Or three.
Pictured above: the theatrical poster for the 2017 feature film reboot of the timeless Straczynski classic, "Brave Ironheart".
But let's talk plot. First and foremost, "Mind War" is a Talia Winters episode. A man named Jason Ironheart, her former instructor and -- we eventually learn through Sinclair's perspective -- also her former lover, is stowing away aboard the station so that he can finish "becoming." Becoming what, you ask? That's the million dollar, million year question. In a nutshell: the Corps commits dark, seedy practices in the name of human advancement, and Ironheart volunteered, in the hopes of successfully creating that oh-so-rare, legendary holographic of testaments: a telekinetic. Instead, Ironheart has begun to rapidly
evolve, if you will, into something
else. Something beyond humanity, a shade of the future. Bester and Kelsey violate Talia's mind (all within the parameters of the Corps,
of course) in order to gauge that she hasn't had contact with the man. Sinclair abhors this, and Ivanova fires off snark.
"Lady, you
are the problem."
Eventually, Ironheart comes into contact with Talia, who favors him once she learns the truth. This is good development for her character, and it showcases Andrea Thompson's range. And while Ironheart inadvertently quarantines a whole section of the station via a #winning combination of shouting and visual effects, Talia will plead to Sinclair to heed her and help her friend.
The result: a dead Kelsey, a blistered, blustering, nevertheless ball-playing Bester, and a Jason Ironheart who has moved beyond this mortal form and into the unknown. Of note: Sinclair tells Garibaldi he'd rather not speak with the Senator about this, because
eff that noise. Friction is forming with Earth.
There's also a B-plot, but it's probably just hogwash, right?
Wrong. This is in fact a crucial, fun B-plot, in which Catherine Sakai wins a deal to go scope out Sigma 957 because EDI says there's Element Zero or whatever and G'Kar tries to dissuade her by saying "don't go there." Sakai's no slouch. She's seen the first several episodes and she's read the early fan theories on Telnet. She thinks G'Kar's being an opportunistic scoundrel so she's go there anyway. All's well until...
...an alien remnant illustrated by award-winning auteur Tetsuya Nomura throws her vehemently off course whilst waltzing about like they own the place. She spends the next few scenes flustered at how right G'Kar was until a couple of Narn ships show up led by a guy who's like "heh, G'Kar was right" and she's escorted back to safety.
The final scene is pitch-perfect. Catherine confronts G'Kar over why he helped, for which he reiterates an earlier-stated, series-encompassing quote:
"No one here is exactly what he appears."
It's the best moment in the show's brief history up to this point, and as the pair discuss what in blazes those Sigma 957 "Walkers" could be,
Babylon 5 closes its first completely standout hour.