This is the first time I've been forced to post a write-up on mobile, so hopefully there isn't too rough a quality drop. I usually try to do this stuff with a keyboard. With luck, the more limiting interface won't limit me from expressing myself. I'm sure there will be some bumps along the way. As it happens, the same can be said for "The War Prayer" itself. What's interesting here is that we just had an episode with war in its title, "Mind War", and yet neither episode technically features a war. But both episodes nevertheless hint at warlike possibilities. And while, like a keyboard, "Mind War" seems to operate more smoothly and with greater focus, "The War Prayer" is something of a mobile texting interface. Comparably clunky, but with some high-fidelity bells and whistles that signal something better on the horizon.
I lost the plot halfway into the previous paragraph but I refused to stop texting and now everything's awkward.
In a shocking twist, early Season 1 Satai Delenn (if I'm Lennier, don't tell her I said "Satai") gets some actual screentime again. We open on she and her friend laughing -- Delenn, laughing! -- until her friend calls it a night, then gets stabbed brutally and given a cursed mark on her forehead. You can see the mark in Exhibit A, and it looks like some kind of "you don't fit either gender, you freak" sort of sentiment. I don't think I need to explain how terrifyingly, um, relevant this shape of hateful rhetoric feels in 2017. Anyway, Delenn is pretty damned angry about this, and G'Kar decides to rile up a crowd (read: mob, although I dare you to go back and watch the extras in the audience; their weird apathy is hilarious). The station is weathering a new storm as Earth's forces are accused of doing nothing to stop the xenophobic pro-Earth movement that's picking at various alien residents.
Less interesting is Ivanova's run-in with an old flame. I'll level with you, any subplot that can be described with the words "an old flame" generally tends to bore me. Claudia Christian does her best to salvage the situation, but even though her character is already very good, we still aren't given much reason to care that some dude wants to bang her again. And really, until the late-game revelation that he's spearheading that aforementioned xenophobic group, that's all we're seeing. Once the guy's role becomes clear, and Ivanova and Sinclair decide to play along with the charade just long enough to nab him, things improve dramatically.
Alright, fine, damn you, your character is more engaging now.
I'm of a mixed mind on the Londo plot involving a couple of young Centauri lovers who wish to eschew marital tradition but require his approval. It's cute, I guess. There's a really great, sort of absurdist line from Londo when he explains to Vir an old quote of his grandfather's: "My shoes are too tight, but it doesn't matter, because I have forgotten how to dance." Londo gets a feel-good moment when he decides to approve the young lovers' break from tradition, telling them they should be allowed to dance, but there's just a lot of schmaltz going on here that isn't my cup of tea. The best parts are the technical achievement of tying every story strand in "The War Prayer" into the larger picture (the young Centauri male is attacked by the xenophobes) and the retrospective smile that graced me once I sat back and thought about how pleasant it is to see things going so right for Londo right now.
There's a missed opportunity near the end of the episode. Sinclair almost gets his cover blown while playing along with the Homeguard recruiter. He comes face-to-face with an alien dignitary who he'd previously verbally harassed; she's been kidnapped and in order to prove himself he's ordered to kill her in cold blood. Now obviously he'd never do this, nor would I want him to do it, but the writing is a little weak because he's let off the hook rather quickly and we don't get to see the struggle, the grief, the hope for a better way out.
But I'm nitpicking. "The War Prayer" is a solid, if somewhat uninspired and moderately cliched, episode that moves things forward in a meaningful way and illustrates a growing dark sentiment among certain subsets of humankind. So again I'm drawn to thinking of the parallels between this episode and the war-titular episode before it. Nice consistency, Babylon 5.