Psycho (and much of Hitchcock's filmography) was innovative in general, not just within the confines of horror. It broke a bunch of taboo standards at the time (this was 1960, mind you), and it threw out the narrative rulebook that pretty much all films adhered to. I think it's safe to say it was the opening shot in a decade of innovative filmmaking that completely transformed the film industry.
It created a sub genre that survived mainly On Kevin Williamson production.
http://shitmoviefest.blogspot.fr/2012/12/the-scream-clones-poster-round-up.html
I do not think this sub genre is very active any more, it was just a marketing wave. When the clones failed to ignite the charts, producers moved on.
Oh come on. The only thing most of the movies listed on that blog are similar is in that they are contemporary horror movies with mostly young leads... like that's in any way a new thing since Halloween!
Scream was a post-modern comedy slasher. How many of the movies listed are that?
The Scary Movie franchise was prime beneficiary of Scream, and kept its profile high due to its association.
Ironically the most remarkable thing about Scream is that it was a successful franchise that left almost no mark on the genre.
Check out the first draft, Wes Craven's New Nightmare.
People keep arguing against the word but noone actually argues against the reasons.
How was Scream not innovative without cementing the idea of day time kills? How was it not innovative by breaking the 1 killer rule?
Bobby Roberts was the only one in this thread to imply other movies did this before but he never gave examples and I doubt any of these movies were so good you could clearly draw a line of influence to future movies.
I don't know if Scream is the most innovative but considering how the horror genre expanded into new territory after The Blair Witch Project I would argue Blair Witches' innovations had far more wide ranging influence on how horror movies were made than Scream.
I actually ended up watching the whole series again today
Such fun movies, 4 was a blast in cinemas, big throwback to 90s slashers
Great movie that offered something different during a really bad downtime for horror movies. 90's horror was terrible till Scream came out.
I liked Scream, but I HATED what it wrought. That whole "style" of MTV gen horror/pre-CW "soap opera" horror with popular young actors/actresses that pretty much spanned the mid-90s (after Scream) throughout the majority of the 00s (even trying to inch into the early 2010s) was my bane. I'm glad we've mainly moved from that type of shit. Trends can be a bitch, which also perfectly echoes the reason why pre-Scream 90s horror was failing. That post-80s trend aiming to milk bullshit sequels and horrible concepts until horror was on its death bed.It created a sub genre that survived mainly On Kevin Williamson production.
http://shitmoviefest.blogspot.fr/2012/12/the-scream-clones-poster-round-up.html
I do not think this sub genre is very active any more, it was just a marketing wave. When the clones failed to ignite the charts, producers moved on.
.It probably seems pretty crazy that the killer in Scream wants to turn life into an 80s slasher movie. You're right, it is, but all of us come up with narratives - our "life story" - to help us make sense of the terrifying, incomprehensible chaos of the world; to find the meaning of life.
Thing is, the events our stories describe may have actually happened (usually), but the narratives we make out of them are our own creation. Meaning isn't inherent to the universe, we provide it ourselves.
This is why the killer in Scream fails. He tries to apply the "rules" of a horror movie to real life, but he is only deluding himself. The real world has no rules. The ending is a near-comical series of moments where people who "should" be dead turn out to be alive and things are not where they're "supposed" to be, all while the killer and competing characters try to weave their preferred narrative on the fly ("I've got an ending for you!").
The last scene of the movie has news woman Gale Weathers beginning her report of the events that just transpired - telling the story. Narratives, meaning, systems of thought must be created through hindsight and confirmation bias. Real life is too vast and complex to ever be distilled to an ideology. Cling too tightly to the way life "ought" to be and it's only a matter of time before the universe makes a fool of you.
It's a common misconception that Scream is an ironic movie. It's actually completely genuine, it's just that, like life itself, it only seems ironic because it doesn't adhere to rules. Sometimes the star dies in the beginning. Sometimes people win the lottery. Sometimes the guy you're certain killed your mother was innocent all along. Sometimes reality TV moguls become president. Sometimes the killer really is your really suspicious-looking boyfriend.
I do think the innovative label applies.
Horror is a genre that often stales, people get bored by it because it focuses to much on shock and little in storytelling, thats why you will always hear from fans that "horror is dead".
Which is why this movie had to have done something right, beyond just deconstructing tropes, because it ignited the genre like never before. This is specially true because the movie was never advertise as a "parody" or " satire", and most people didn't realize what the movie was doing back in the day.
Ironically the most remarkable thing about Scream is that it was a successful franchise that left almost no mark on the genre.
Scream was a parody tho...
I'm I the only one who can't remember the difference between Scream and I know What You Did Last Summer?
I'm I the only one who can't remember the difference between Scream and I know What You Did Last Summer?
The kill scenes in the series are horrid. They utterly failed to capture the tension of the movie chase scenes through the sets. I like the show well enough in a "fuck this shit, but at least it's stupid entertainment"-way, but on that level it simply can't compare at all. Having a few bloody murders on MTV doesn't change that.The Netflix series is pretty good though, at least the first season (haven't watched the 2nd yet). It really pushes the envelope about how hard you can lean on the 4th wall without breaking it and it's horror scenes are almost on par with the movies. It's a good adaptation in my book.
It can't be "meta" and "innovative" at the same time, otherwise there'd be nothing for it to metatextually comment on/incorporate.