The Italian Renaissance setting is pretty fun even if they just change all the names to be not the European countryside. Some of the hardcore economic schemes are way over my head though.
When watching this, my wife already used the phrase, "just fuck already!"
The Italian Renaissance setting is pretty fun even if they just change all the names to be not the European countryside. Some of the hardcore economic schemes are way over my head though.
When watching this, my wife already used the phrase, "just fuck already!"
Nice emotional episode. Kumiko and Kōsaka's hike up the mountaion was easily the runaway best part of the episode. Listening to those two talk and Kōsaka showing that she knows a whole lot about Kumiko's personality. Bit of a tear-jerker at the end but that's to be expected.
Great episode, and I guess she might actually have feelings for the boy after all. Btw was it just me, or did this whole episode feel extremely "yuri" lol, specially the second half in the mountains.
Also worth noting was how beautiful this episode was in terms of colours and such, everything looked great.
By this point it's literally just filling time before the episode can continue - it has long since stopped being evokative or meaningful because it's played so frequently.
Great episode, and I guess she might actually have feelings for the boy after all. Btw was it just me, or did this whole episode feel extremely "yuri" lol, specially the second half in the mountains.
Also worth noting was how beautiful this episode was in terms of colours and such, everything looked great.
Bah, Lucky Star is one of KyoAni's best shows, or at least it's one of their best on my list... sure, I haven't watched much of their stuff in some time, but Lucky Star is a great show. It's very funny stuff.
The first half of the first episode isn't much like the rest of the show. I actually kind of wish there was more of that, but there isn't; it's a different show form episode 2 on. More otaku comedy, less ten minutes of talking about chocolate cornets.
That would be because Azumanga Daioh and Lucky Star are great comedy shows that are very funny beginning to end, while K-On is ... nothing. It's not funny, it's not dramatic, it's just ... nothing. Boring nothing. And nobody in either of those shows is even a fraction as annoying as Yui is.
Really, it's K-On that mostly ended my interest in KyoAni, they haven't been the same since.
So yeah, on my list, K-On is kind of bad, and Lucky Star pretty good.
Azumanga's jokes didnt always hit their marks but that show felt like it was about something. Extremely episodic, but it was the exploits of a group of high school girls and their teachers set in a comedy setting. I think what some people really dont like is just the 4-koma layout and how it translates to anime. It seems to have started right around the time adapting those got popular. Maybe because the limited panels meant a lot of improvisation and scene chewing? K-on simply furthered this idea and made it extremely popular and visible, but the 4koma adapatations were alive and well before that.
Basically,
Kadokawa rights to KyoAni shows (minus Nichijou/Hyouka due to niche interest in NA) = Funimation license
TBS rights to KyoAni (or any) shows (minus AIR/Kanon due to Sojitz issues) = Sentai license
Asahi Broadcasting rights = clusterfuck
Pony Canyon rights = Pony Canyon USA
That's pretty much how it goes with those exceptions listed
Hibike! Euphonium 8
The yuri is strong in this one. I don't think the Shuichi Kumiko relationship is going anywhere tbh. Anyway it was a nice episode, really liked the scene at the top of the mountain.
Brynhildr in the Darkness ep. 12-END
Well, I'm glad I can finally clear one off my list, but that ending.... WTF was up with that ending. Yay,
She's alive but lost her memories again? WTF is this $hit. Oh wait, the cute freak is alive too! He really needs to get his freak on with that one: Seriously.
Oh well, it wasn't all that bad, but there were a lot of gaps in the story, a lot of weird happenings at the end, and WTF happened with the
alien
angle? However, the story was interesting and it had some funny parts,
especially when she was dying and was just sad she was a virgin and wanted to have him kids.
There was a lot to take in this episode. To start, I actually didn't mind the love triangle subplot, though that's mostly because it was just a footnote in the grand scheme of things. (Kumiko's "vision" of how it would play out was pretty funny). On the other hand, I can't say I care for Shuuichi; I don't dislike him, but I feel like he should have gotten a bit more development beforehand. Or rather, his relationship with Kumiko could have been fleshed out more. I get that they're intentional hush-hush about their past, since it fits with the show's general style of past events are simply being history, but I think I might have been more invested in the idea of Shuuichi having feelings for Kumiko if their onscreen chemistry was stronger. As it stands, i'm pretty apathetic towards him.
That scene between was... wow. Wow. Wow! I have trouble putting it words. It was so... so charged. So bold! So passionate! Romantic or not, there's a definite connection between these 2 character that transcends normal friendship. Those 2 have shared a deep, invisible connection for a while now and it's only now that they've been able to explore that relationship. And it was good! Again, romantic or otherwise I really enjoy the interactions between them. Hopefully this means that Reina will start hanging out with Kumiko now in the coming episodes. Yeah i'm going to mark it, that was probably my favorite scene in the entire anime; lots of character development for both characters, the music was pleasant and the visuals were gorgeous. It was a good time.
I can sort of see why people recommend this censored it probably turns what is just graphic gore porn into laughable censorship.Though, honestly, I can't imagine this show doing much for me either way. They found a ton of ways to turn my stomach with gore and body horror, but I mean... so? It's not even an unexpected heel turn since the violence just gradually ramps up until the final scenes with the bunnies. I know I'm probably not supposed to be taking this show seriously, but it really did strike a particular feeling of soullessness when
the bunnies started gathering people into a meat sack and blendering them.
Haha, at the end of the day who the hell was this for? It's just sort of sad. There was absolutely nothing of value to be found in this story.
I guess the surprise at the end
that the town was a big setup just for the experiment with Saya was an ambitious turn, but without any proper characterization with the main cast, who the fuck cares that they're all actually dirt bags? And they were already supposed to be dead, so...? It's almost like they brought them back just to kill them again, haha.
It has the irreverence for a weird, pulpy horror, but not the competence. Too bad.
I decided to pick this up from the sort of notoriety it has around here so that I could maybe get a laugh out of it or be surprised, but getting any of either was few and far between. There's really no reason to watch this show unless you're into really abject body horror. Mizushima's pretty good at that.
This sorta show is exactly why the List was made. Its fully aware of how much it is bullshitting people and it magnificentluy revels in every second of it, culminating in one of the all time most spectacular displays of not giving a single fuck I have ever seen in anime.
Outside of the bits with really striking visuals (the opening bridge scene,Tessai vs Jubei, Benisato's snake tattoos, the lovely black & white flashback, limited color palette & strong use of shadow during Jubei vs Shijima), this is kinda bad to average upon revisiting.
In my personal experience, the reverence that Blood-C receives from myself and others hinges almost entirely around the fact that
every instance of Saya's laughable incompetence was actually deliberate. Some people become increasingly incredulous at every instance of Saya arriving to a slaughter too late, passively watching as people die in front of her before deciding to act, etc. and so the revelation that it wasn't actually terrible writing but was, rather, intentionally designed to evoke these responses in the viewer to prime them for the revelation was cathartic on a level that anime narratives rarely are and immediately earned Blood-C a reputation as a comically malevolent troll show
. The meme of using "protect" as a euphemism for "get killed through incompetence" was born during the show's run primarily because the essence of discussion from episode to episode could be summarized as "what the fuck is Saya doing?!" If Saya's actions through the show weren't a strong source of rage and confusion for you, I can understand why it fell flat for you because the series relies on the viewer becoming increasingly frustrated.
Planetes came out a long long long time before Space Brothers. One could argue that Planetes success paved the way for other hard sci fi shows like space Brothers in the first place. I havent seen anything else like those two shows before outside of maybe Wings of Honneamise.
Twinkle Swag. Tough mom to deal with. Very tough. I like how Kirara got her epiphany before the fight started. Avoided the mid-fight despair. Next episode is where things get interesting.
Another terrific episode off the heels of the last. The show's really found its' footing in this last half, and I'm really glad it has. I think I'll depart from the current sentiment and say that I really enjoyed the romantic angle to this episode, and that's owed largely to the time the show's put into Katou and the pay-off consequent to that. I think Katou's part in the triangle, more than the romance itself, served more to punctuate how far she's come as a character - hence her line about how tuba players support the others from the wings. It's another step forward for her character, and retroactively made me appreciate her focus episode a lot more. It helps that it tip-toes around a lot of bullshit typical of love triangle arcs - there's hardly a whiff of romantic misunderstandings, protracted confessions, or pointless drama to the situation, and the players involved were aggressive where they needed to be.
Of course, it's Kumiko that has finally strong-armed the spotlight after the last couple episodes, and the show has done as much for her as past episodes have done for other characters. Her and Kousaka's relationship is fascinating, and the show does a lot to capture the attraction - and the space - the two have between each other. It's visually really well represented. Rarely is the scene that the two share beside each other, and rare is the scene where they're speaking to each other where both are in frame. And when the distance closes, it's Kousaka who steps into Kumiko's space, and it's Kousaka who leaves Kumiko behind to let her trail after her (in what was my favourite shot in the episode, and I also just noticed how the bush is acting as another separator). When they finally are on equal terms, it's when they're playing music, and there's really nothing I have to say for that other than it was incredibly well done.
All this in mind, while it's easy to say that a lot of what the show does between Kousaka and Kumiko is yuri pandering, and I wouldn't necessarily disagree to a certain point, I also wouldn't call it pointless. That scene of Kousaka dragging her finger along Kumiko's face is, yes, intimate, but it's a strong way to impress upon you the power that Kousaka has over Kumiko.
And nowhere else to put this, but I wanted to mention that the montage of 'perfect people' that appeared as Kousaka was explaining how she wanted to be special was a great little way to punctuate that segment.
Euphonium is still, by far, the season's best show.
Brynhildr in the Darkness ep. 12-END
Well, I'm glad I can finally clear one off my list, but that ending.... WTF was up with that ending. Yay,
She's alive but lost her memories again? WTF is this $hit. Oh wait, the cute freak is alive too! He really needs to get his freak on with that one: Seriously.
Oh well, it wasn't all that bad, but there were a lot of gaps in the story, a lot of weird happenings at the end, and WTF happened with the
alien
angle? However, the story was interesting and it had some funny parts,
especially when she was dying and was just sad she was a virgin and wanted to have him kids.
I've failed you, Cornbread. Back when you were asking for general impressions on Brynhildr, I was meaning to provide some sort of warning but forgot about it. OTL
Main dude was hilarious in those tail episodes though. He was a jobber when it came to anything physical for the entire series, and then BAM
he turns into an ACTION HERO in the finale and even delivers a surprise INAZUMA KICK to save the day
Seriously though, good episode, although we've upgraded the yuri levels
awesome
. The scene at the end was great, and Sapphire's little clone is cute as hell. Also this might be the first time I've seen someone get injured from wearing heels in an anime? PROGRESSIVE
If you're still interested in it you should give it a shot when you get time, it's been absolutely brilliant so far.
I just detest the way it looks, puts me off straight away and just doesn't grab me at all. I'm the sure the show is good but my backlog is just way too amazing right now, things that are making me squeal just at the notion of finally watching them that 'going of course' and watching anything else doesn't sit well with me.
That is REALLY unfortunate because if theres one show I feel deserves extremely high praise, its that one. I truly think you are doing yourself a disservice if you skip this one.
At the risk of sounding like a broken record, Euphonium makes it even more clear just how masterful Hyouka was. The main weakness of Euphonium is that the cast is very lopsided. Kumiko and Reina, as the main characters, are top notch, and I guess Kazuki and Sapphire are fun too, but I can't bring myself to really care about them. Shuichi is just whatever, and so are prez and the Madonna (I don't even know their names). Only Asuka and Taki-sensei stand out and they haven't been getting a lot of screen time.
Whereas, with Hyouka, not only were the main four interesting in their own ways, but the people who interacted with them were sympathetic as well. The council president and their doujin circle drama, the manga club and their debate over artistic merit, Irisu and the film club, and finally Oreki's sister. There aren't any really duds in the cast, and even if the mysteries themselves are mundane I never thought "oh god I don't care about these people, just go back to Oreki".
At the risk of sounding like a broken record, Euphonium makes it even more clear just how masterful Hyouka was. The main weakness of Euphonium is that the cast is very lopsided. Kumiko and Reina, as the main characters, are top notch, and I guess Kazuki and Sapphire are fun too, but I can't bring myself to really care about them. Shuichi is just whatever, and so are prez and the Madonna (I don't even know their names). Only Asuka and Taki-sensei stand out and they haven't been getting a lot of screen time.
Whereas, with Hyouka, not only were the main four interesting in their own ways, but the people who interacted with them were sympathetic as well. The council president and their doujin circle drama, the manga club and their debate over artistic merit, Irisu and the film club, and finally Oreki's sister. There aren't any really duds in the cast, and even if the mysteries themselves are mundane I never thought "oh god I don't care about these people, just go back to Oreki".
Character bloat. The show tries to juggle too much at once and some of the character issues overlap as well, resulting in parts feeling redundant thematically.
Character bloat. The show tries to juggle too much at once and some of the character issues overlap as well, resulting in parts feeling redundant thematically.