Well, if you are afraid that Shirobako is some kind of exposè, you really have nothing to worry about. It's not a 30 for 30 documentary about animators manipulating race relations in America in order to get away with murdering their wives.
wut
Well, if you are afraid that Shirobako is some kind of exposè, you really have nothing to worry about. It's not a 30 for 30 documentary about animators manipulating race relations in America in order to get away with murdering their wives.
So despite Delta having a really good episode, I still don't think that highly of the show as so many aspects feel weaker than their Frontier counterpart. The art direction, music, CGI, performances, and dogfights are worse. Good lord half the time the characters are off-model, thanks Satelight. The characters are generally worse as well besides a couple of exceptions, mainly Freyja is a better heroine than Ranka as Freyja is more likeable and a bit more proactive. I also think some of Freyja's issues are more interesting conceptually such as her short life span compared to Ranka's difficulty rising to the top of the idol world. However then you have Mirage who is as interesting as a piece of paper left in the recycling bin.
Anyone see the Project Itoh movies yet? How are they?
I think the best impressions you can read are duckroll's for Harmony and Empire of Corpses.
Thanks! really want to see Genocidal Organ. Does it have a release date set? Out of those, Harmony sounds right up my alley.
Impression Note:
That scene where you see yourself in the room with a younger Nagisa....well, it's back but this time you see the little girl putting metal object in a bucket and somehow turn into some sort of a robot. Still, don't know what it mean but seeing this scene now twice, it now become an important scene to remember. Still don't know the meaning about it except of what they say about it.
OJ Simpson is basically the man of the year because of TV this summer. lol
The enyire first season slows things down to fully flesh out each character, which is what Sionji meant by the show "showing it's VN roots" throughout the first season. There is a reason for that.... The same for the little girl. Just watch and listen to ehat she has to say. As we said earlier, it will all make sense much later...
I gather that some people are disappointed that this show isn't a more cynical and bitter look at the animation industry, and Tsutomu Mizushima would certainly be capable of something along those lines considering the current of black humor that runs through much of his work. But I appreciate that it balances the struggles of the work with the creative inspiration that keeps people motivated to work. It's neither blindly idealistic nor unrelentingly cruel.
Having only watched the first half of the show, it definitely didn't touch on any of the difficulties of working in anime during those episodes.Yeah, I think Shirobako threads the needle quite well. There's a good mix of both showcasing the passion and love the people working on anime have, as well as some of the shit that can really drag things down. I think the second cour especially manages to showcase some of the really crappy things that can happen in the industry, but it can do so while still maintaining a sense of optimism about things and portraying the cast as people who really love what they do.
I think it's more effective than a bitter take would be, because you can really understand why these people would subject themselves to working on anime despite the shitty working conditions and low pay.
Having only watched the first half of the show, it definitely didn't touch on any of the difficulties of working in anime during those episodes.
Having only watched the first half of the show, it definitely didn't touch on any of the difficulties of working in anime during those episodes.
For me, it was a bit depressing when Gintama showed brief shots of Sunrise studios and it looked like 30 guys in tiny cubicles trying to churn out anime as fast as possible. And if Sunrise is supposed to be one of the bigger studios making anime that airs in prime time, I can only imagine what it's like working at one of the smaller places churning out 3AM anime about lesbian witches fighting tentacle cthulu monsters from another dimension.
only reason I can is because my wife's work has an awesome 5 year bonus which is a sabbatical that they will pay for a decent chunk of the trip (as they will pay a good amount of the airfare and give you a daily allowance that will cover most hotel costs as long as you haven't been to the country you are in before).i wish i could afford to go to japan
Who needs to go to Japan.
I'll organize a trip we'll go to Vegas. Where we watch anime, with blackjack and hookers!
More people need to watch Kurobako.
Worst post I've ever read in this thread.Screw C++. Java all the way.
Man I just realized, this season is gonna be rough for you if you're a fan of Berserk and Danganronpa.
Hell yeah.Zero Time Dilemma
We are not worthy of a series like Zero Time Dilemma. Good fucking Lord. Good luck to anyone even attempting to create something as compelling and incredibly complex as the Zero Escape series.
So this episode was sorta weird and disjointed in a similar way that the Tales of Zestiria anime was. There's not a lot of transitions between scenes and so as a result it comes off as a bit scattered. It doesn't skip around physically like Zestiria does but it comes as choppier than it needed to be. Zestiria had multiple issues besides the editing while here I think it's primarily just an editing issue. I went back and read the first chapter to see if the manga was like this and no the manga isn't, it flows a bit better. Now I don't know how the director is going to pace the show so it might be that the first episode was a bit rushed or they could be going a really fast pace for the entire run. I'm going to assume the show will be two cour as there are multiple scenes in the OP that don't take place till way later in the manga. That said, a faster pace might be beneficial so we get to the Fate/Zero stuff sooner.
I'm not a big fan of the art direction as it unfortunately reminds me of Index. A number of JC Staff's shows, especially Takashi Watanabe's, have this sort of coloring and processing to them that I don't like. It's not unlike Ufotable's post processing, as it gives off this 'fake' element to the background work in a shortcut way to add atmosphere. The bigger problem though is the seeming lack of inbetweens. This is a true sakuga show in the original meaning of the term. By that I mean the rest of the show will be animated badly but then you'll get some insane cut to counterbalance the rest of the show being poorly animated. It's weird because this is the first episode and a lot of the techniques would be stuff I would expect from much later in the run, such as zooms or static motions. Maybe they're just allocating all the effort for the fight scenes? Something I appreciate is that even when the animation isn't going to hyper levels, the effort put into Seigi's stances and motions help give it a sense of realism and weight.
One big thing of the manga and also of the anime is the quick transitions between comedy and seriousness so if that makes you grit your teeth then it's better to drop this now. It jumps around a lot in tone but I like that as it helps downplay how serious some of the later events become and prevents it from being too grimdark. My favorite scenes in the episode were the comedic ones so hopefully they keep delivering on that front, even if they're ripping all the jokes straight from the manga. Anyway despite my issues with the episode I still generally liked it but I'm worried about the action scenes and whether the staff can deliver.
Hell yeah.
I binge played the rest of it yesterday. Took 16 hours. Felt amazing afterwards.
And the second half, I think, goes even heavier into that stuff than the first half did, touching on stuff like various production committee members trying to shift the casting in order to sell more CDs or event tickets, dealing with a manga publisher and original author making unreasonable demands, the amount of work that goes into changing character designs because they don't work/don't please a partner in making the show, and the horrors of outsourcing.
I think the show ultimately does a great job of showing a lot of the shit that can go wrong in the production of an anime, without wallowing in a pit of negativity about the whole thing being complete shit. That might be sort of interesting to watch in its own way, but I appreciate the approach that Mizushima and his team made. A lot of bad shit can happen during the making of anime, and it's not really a glamorous business, but the people largely love what they're doing. And this is backed up by the strength of the cast. Almost every character in the show's fairly large cast is an interesting person to watch, with their own life story and they're all pretty memorable and well handled.
I get the joke...
(shiro = white, kuro = black thus you are making some sort of joke in regards to shirobako)
but at the same time...
I don't get the joke >.>;
Again, the second half may be a lot different. And perhaps part of my lukewarm reaction comes from the fact that my interest in anime production basically ends at the scriptwriter level (which probably makes me a "bad" anime fan, but I guess that's a whole other discussion).
Hmmm...
...Ugh, I've been out of anime for at least 3 years, but subscribing because I am planning on getting back into it... and watching literally everything I've missed. Wish me luck.
...Ugh, I've been out of anime for at least 3 years, but subscribing because I am planning on getting back into it... and watching literally everything I've missed. Wish me luck.
...Ugh, I've been out of anime for at least 3 years, but subscribing because I am planning on getting back into it... and watching literally everything I've missed. Wish me luck.
rip Saint Seiya?Especially when they betray you and write good shounen movies.
I think the only one of the "main girls" that I was interested in was the actress (Zuka?), and that was because she had a complicated relationship with the industry.Watching the first half of Shirobako and coming to the conclusion that the focus was on the production as opposed to the characters is a strange reading to come to I think. It seemed pretty apparent that the question was about how the characters were coping with the conditions they were under as opposed to a sole focus on whether or not the show was going to get made. There's a lot of stuff on home life, on her juggling all the duties, how the stress is affecting the various characters etc. I mean, I don't want to say your reading is invalid, but I can't imagine it'd be the common way to see that half.
As Kuwabara says the second half I think goes even further
New Game 1
Filth.
Metroidprimerib has a name.
Please provide pictures of the deployed thing.
Man I just realized, this season is gonna be rough for you if you're a fan of Berserk and Danganronpa.
I think the only one of the "main girls" that I was interested in was the actress (Zuka?), and that was because she had a complicated relationship with the industry.
If you're looking for a good drama that shows what people who work in the industry are like and how their relationships, hopes, dreams, ambitions, and failures impact their lives, there's very little of that.