Aaron-Lagann
Banned
That's how I interpreted it as well so you're not alone.
Same. Though that's honestly my default for all of Xir's posts at this point.
That's how I interpreted it as well so you're not alone.
What you're saying sounds a little too rigid for writing to me. As if writing is math and there's always a perfect solution for character actions and story themes. Or I'm just misunderstanding you.
This is an alright time to mention I just finished episode 13 of Gintama. It's funny at times, but I'm not finding it hilarious majority of the time yet. People keep saying 25 or so is when it starts picking it up, so eh. I'll stick through because why not. Might just take Vidula's advice and watch an episode or two every day or so. It's just a little tempting to marathon it since I want to see it get better sooner.
Every art form has technical aspects. Painters have to paint, music has composition and sonorous qualities, and all of that is a part of how they execute. Even those things can be judged subjectively, you can personally enjoy them, but it's not like you can't compare usage of prose or something.
Not formulas as in math formulas.
Formulas as in that undefinable "secret sauce" that makes something good/enjoyable.
That's what I mean when I say formula/trends. The innovations done by predecessors before.
There's things that have established trends that things follow, but it don't think it's required, it's just a baseline that's been iterated on as a common baseline. Things like basic story structure exist, but even then authors bend or break the "formula" to suit their needs.Not formulas as in math formulas.
Formulas as in that undefinable "secret sauce" that makes something good/enjoyable.
But there are trends and formulas that are replicated with great success once innovated.
Sitcoms post I Love Lucy still to this day use the 3 camera setup. Pre I Love Lucy, there was no such thing as a "situation comedy" on television and a lot of that comedy was via radio. Before I Love Lucy, no one had any idea what a TV comedy should or would look like.
That's what I mean when I say formula/trends. The innovations done by predecessors before.
I just don't think a person needs to know some mysterious writing guidelines to make something good or enjoyable. I feel like people should just write what they want until they could possibly be proud of the work. If some people went with an entirely new set up for a some random anything genre tomorrow then that's good. They broke out of that box and did something new. That thing will then be innovated, improved, and copied except they still made that leap in the first place without relying on set patterns before. I don't know where I'm going with this really. I just feel it's weird that I'd have to follow a guideline to make a "good" thing when I could of already made good things without knowing the guidelines.
There's things that have established trends that things follow, but it don't think it's required, it's just a baseline that's been iterated on as a common baseline. Things like basic story structure exist, but even then authors bend or break the "formula" to suit their needs.
Traditional essay format is training wheels to teach people to argue, not the only way to do things.Except with my I Love Lucy example, they created the box. And it wasn't out of altruism mind you.
Those guidelines, they're not "mysterious". They're established.
You're telling me that you had a problem with writing in MLA or APA style in high school/college?
Those are guidelines and that was for purely academic writing. What was good or bad was not how well one followed those guidelines but rather how effective their argument is in convincing the reader of the voracity and legitimacy of your argument.
Traditional essay format is training wheels to teach people to argue, not the only way to do things.
You don't think that there are also training wheel programs for career writers as well?
But knowledgeable writers had to have some basis for their method.
Of course. Learning from reading other people's work and other example of the medium is the backbone to good writing. Understanding how somebody told a good story and emulating it works well, but it's just not the only way to do things. Deviations from the existing concept of structure are actually very pronounced because the traditional formula exists.You don't think that there are also training wheel programs for career writers as well?
Except with my I Love Lucy example, they created the box. And it wasn't out of altruism mind you.
Those guidelines, they're not "mysterious". They're established.
You're telling me that you had a problem with writing in MLA or APA style in high school/college?
There are. Formula is very much a thing taught in school. I take these classes and read these books. It's a concept called story structure.
Yeah, this...uh...this exists.
(Song's good though. Just a weird collaboration I never thought I'd see. And it's just as strange as I thought it'd be when I first heard about it.)
It was alright. Until the vocals came inYeah, this...uh...this exists.
(Song's good though. Just a weird collaboration I never thought I'd see. And it's just as strange as I thought it'd be when I first heard about it.)
There's definitely a common idea of basic story structure, but even the simplest things are often bent to fit the needs or goal of a story. Even something as basic as having a climax is played with to where some stories never hit a climax. 95% of them though? Yeah sure, there's commonalities.That's essentially the basis of my argument: There's a formula behind the madness of career writers and content creators with respect to characters, settings, and narrative/plot that fits cohesively to provide a good to great story.
Not an actual mathematical formula, but rather a formulaic, possibly sequential process to the madness of the writing method.
I didn't figure you were speaking in that broad of terms. There's guidelines for a story in terms of beginning, middle, end, or even the writing format you use. I assumed you were going even further as to say certain types of stories or genres need to follow this theme and style to truly be considered good.
Like others said, people always take the basis and bend it to what they see fit. There will always be some kind of preconceived bias or thought process for the person in how to write something and I find that fine since it's practically unavoidable. That person can still do whatever they want with the little knowledge they have about it and still make a good thing.
Of course. Learning from reading other people's work and other example of the medium is the backbone to good writing. Understanding how somebody told a good story and emulating it works well, but it's just not the only way to do things. Deviations from the existing concept of structure are actually very pronounced because the traditional formula exists.
That's essentially the basis of my argument: There's a formula behind the madness of career writers and content creators with respect to characters, settings, and narrative/plot that fits cohesively to provide a good to great story.
Not an actual mathematical formula, but rather a formulaic, possibly sequential process to the madness of the writing method.
Thanks Aaron and SWC for last night.
Also I actually went to that thing you sent me AGAIN Aaron, and watched the first 10 minutes of R-Evolution. So is the appeal in wrestling the grandiose and really-difficult-to-sell aerial acrobatics in between the more limp "fistfights"? Because that first Owens vs. Parker match was fun and didn't overstay its welcome.
Good evening Frienders,
For Kamen Rider, Its depends on what your looking for.Good evening Frienders,
I actually like there one song Megitsune, mainly because the annoying backup girls stay quiet(er) through most of it. It is the incredibly manufactured but I like the main girl's voice and I like it paired up with generic metal soundsI find the existence--and subsequent international popularity--of Babymetal far more confounding.
but lol what the hell am i watching
I find the existence--and subsequent international popularity--of Babymetal far more confounding.
but lol what the hell am i watching
I actually like there one song Megitsune, mainly because the annoying backup girls stay quiet(er) through most of it. It is the incredibly manufactured but I like the main girl's voice and I like it paired up with generic metal sounds
Keep your head in there, man! You'll rise through the ranks!
And that's one of the things, yeah. The "Strikes" as they call them are lame and boring, the more aerial and crazy stuff is what makes the matches actually fun to watch at first, then when you get more in there it becomes the stories on top of them that keep you invested in the outcome. Rooting for the guy you like to beat the guy you don't. And the length is what NXT does well, they keep things short and moving. One guy right now's entire gimmick is that he finishes matches in like ten seconds.
Understood!
Also are you telling me that there's a One-Punch-Man-esque guy in this? With presumably the additional point of not being impossible to beat???
Fuck, now I have to keep watching!I can't wait.
Jojo spoilers
These column men are super weak villains. Especially coming off of dio. Nowhere near as much personality, if there's any at all.
Haha, oh boy.Jojo spoilers
These column men are super weak villains. Especially coming off of dio. Nowhere near as much personality, if there's any at all.
What? Am I missing something? They seem super lame and generic to me.
Good evening Frienders,
I have decided that I'll watch Wrestling or Kamen Rider. Because I am apaerently missing out. I want to start with one of them, but don't know where to begin. I want to know about Gold dust, Pegasus kid, and why tripple H has a sledgehammer.
And I want know about Kamen rider, because they're heros in super sentai costumes fighting for justice.
Okay, that makes more sense. I was worried they'd just stay 'big bag' the whole way.Expectation spoilersThey get better. They start limper than they end up.
Do you like Madoka? Watch Gaim.
Do you like detective stuff? Watch W.
Do you like police procedurals and want to watch the current KR? Watch Drive.
Do you like wasted potential with a story that goes nowhere? Watch Wizard.
Blade's another personal favorite of mine, but a lot of the stuff it does, Gaim does better. 555/Faiz is great for awesome fight scenes and suits/equipment, but fucking abysmal for everything else. Kabuto's good until it falls the fuck apart at the end (like most pre-W Kamen Riders did). Decade's pure fanfic, but still really fun to watch even if you're not terribly familiar with KR. OOO is really fun too, great characters and story. Den-O is wonderful if you're in the mood for something a bit lighter-hearted with a lot of comedy. And that's everything I've seen, can't say much about Kuuga, Agito, Ryuki, Hibiki, Kiva, or Fourze.
Ah man, I missed all the writing talk...
I'd like to talk about a few things, mainly Death Parade/ Death Billiards, Assassination Classroom, and the second season of Durarara.
Oh shit, clearance is awesome. Got this for $10.
I think I might have a problem, because now I want more toys to go with this playset...
Is there a Dean Ambrose action figure that says "THURSDAY!" when you squeeze it?
Nyaa~These are good enough endorsements for me. Where can I find these at my local anime store?
These are good enough endorsements for me. Where can I find these at my local anime store?
Nyaa~
I started death parade, saw the opening and stopped it, because I know a friend will like it so I'll watch it with him. Assassination Classroom is open and I'm gonna start it today and I'm an episode behind on Durarara, but I'm really interested in where it's going from here. Hollywood is a really fun plotline and that guy with the blonde hair and sideburns has an awesome design.
Saw a few Mincraft books, actual stories. Apparently they are actually decent/good, I might buy one since I seen them in Kmart.
Death Parade looks kick ass. I'm enjoying the bartender who looks like Ginko from Mushi-Shi and the overall premise sounds badass. I really hope they keep the episodic nature of the show.
Assassination classroom is fantastic for no reason, it's so weird, but it's executed so well. Even if the main character is a feminine young man.
Durarara is fantastic so far, loving everything about it.
Also, has anyone looked at the 2015 spring anime chart? It's going to be amazing!
Baby Steps second season
I can't understand what my husband is saying season 2
More Gintama
More F/SNUBW
Nagato Yuki-chan no Shoushitsu
Nisekoi season 2
Yamada-kun and the seven witches
SNAFU season 2