"The women who made them claimed authority as producers, bandleaders and songwriters. They collaborated with men as equals not simply serving as "the face" and "the voice" of the hits they made, but co-writing them, even if sometimes that authorship came in the way they played instruments or turned a phrase."
This is the only justification I can think of for why a great like Carly Rae Jepsen doesn't make the list. (I'd pick Kiss, others would pick E-Mo-Tion, oh well). She has a co-writing credit on almost all of Kiss and all of Emotion, so I don't think she was disqualified, rather, she just didn't make the list.
No Lady Gaga. No Macintosh Plus (or Vektroid)?! Floral Shoppe became the face of vaporwave and is a great album in its own right. Too early, I know, for an NPR panel to recognize it, but give it a few decades and people will look at it as the beginning of a genre. (Despite the origins being traceable to before Floral Shoppe).
Lady Gaga and Vektroid should have been locks for this list. Jepsen is awesome too but had less of an impact on music as a whole, outside of Call Me Maybe (which I adore).
Madonna shows up twice, but with two forgettable albums. MDNA is overall a better album than Like a Prayer or Like a Virgin, and Confessions on a Dance Floor clearly inspired Lady Gaga's masterpiece megahit album Born This Way. Ray of Light is more meaningful too. It redefined what Madonna was and got her taken seriously (again?) as something other than a sex symbol headline-grabber flavor of the week. Even though I wouldn't pick it, I could respect the choice of Ray of Light much more than those too. Come on. Material Girl and Like a Prayer are magnificent, but the albums they appear on are full of b-sides that don't really need placement on a "best of all time" list.
No Lights? Now I'm getting desperate for my personal tastes. I still want to fight for her album "The Listening".