This season is an exciting step up: the plots have a stark poetic symmetry, echoing themes without overexplaining them. When another spy couple and their daughter are murdered, and their corpses are found by their son, the Jenningses are forced to confront their own familys vulnerability. Yet, episodes later, Elizabeth is threatening a father by pronouncing the name of his child. As spies, they are deadly compartmentalizers, yet as parents they are disoriented and outmatched. When their daughter, Paige, begins to keep her own secrets, Philip and Elizabeth are too upset to face their hypocrisy: theyve raised their kids to be their cover story.
The shows trickery has an added layer: were watching actors give brilliant performances as actors who give brilliant performances. In one of this seasons most fascinating sequences, Elizabeth manipulates a virginal naval cadet to get classified information. At first, it seems to us, her other audience, that shes unable to pull off the seduction of someone so vulnerable. Im really blowing this, she whispers, tearful, as they embraceand then she rushes away, trailing excuses. At home, when Philip asks about the case, she says, Piece of cake. It turns out that shes setting a trap for the soldier. Shes playing a woman who was raped, to make her target feel protective, so hell steal classified files. Theres a palpable complexity to this, because shes duped us, too. As the viewer knows, Elizabeths rape didnt make her skittish: if anything, it steeled her as a true believer (having sacrificed so much, she has to believe its worth it, unlike Philip, who has considered defecting). And yet, as much as Elizabeth is playing a rolea shy classical-music fan in a pale-pink sweatershes also describing her real-life assault, and then playacting a new outcome, in which she is open and fragile, and a man comes to her rescue and comforts her.
This focus on performance makes the show a highly satisfying showcase for its actors, particularly the Welsh actor Rhys, a shape-shifter who snaps with unsettling ease from sad-eyed puppy to sneering enforcer, and the shows hidden gem, the hypnotically beautiful Annet Mahendru, as Nina. Because the show is on FX, theres little nudity, but its sexier than many pay-cable series, in part because its about life as kinky role-play, in part because it suggests such unnerving questions about human intimacy. Even for skillful seducers, theres a level at which doing is the same as being. To be a great actor, youve got to be honest, as George Burns once put it. And if you can fake that, youve got it made.