In this installment about episode 403, Experimental Prototype City of Tomorrow, former FBI counter intelligence agent Richard Kollmar joins June and show runners Joel Fields and Joe Weisberg to talk about what it's really like to try and turn KGB spies. Plus, line producer Mary Rae Thewlis and Sr. VP of Productions for Fox 21 Bob Lemchen stop by to discuss their roles in episode 403.
Been saying that for a few seasons. Child actors can really drag a show down, but she is definitely contributing to the show's quality. Her character is naturally written with plenty of that typical angst yet it never feels burdensome. That could be because most of her worries are actually well founded lol.i dont understand why liz is still going out on missions WHEN THEIR COVER IS BLOWN
edit: they were so fortunate to have chosen such a strong actress to play Paige
Good to see some reassurance on that front. We were assuming the Korean husband was the mark.* Earlier this month, Fields and Weisberg were guests on Andy Greenwald's podcast, and they revealed something interesting about their creative philosophy for the show: they don't care if the audience can follow all the details or professional motivations for Philip and Elizabeth's various operations, so long as the emotional context of it makes sense with what they're dealing with elsewhere on the show. The subplot here with Elizabeth's new Korean friend Young-Hee fits that bill nicely, in that we have no idea yet what is that Elizabeth is going to need her to do, but we can still appreciate how genuinely happy and relaxed Elizabeth seems under her Linda Evans wig and makeup. She very badly needs a friend, even if it'd be an even faker friendship than the one Philip used to have with Stan.
Agreed. Liz and her have pretty good chemistry and there's ace dialogue between them. The pepper dance was great; I was worried Liz was getting so hot the wig would melt off.I actually kind of like the scenes with Liz and the Korean friend and family. Like damn what a huge shift in tone but still fun to watch in some ways.
I actually kind of like the scenes with Liz and the Korean friend and family. Like damn what a huge shift in tone but still fun to watch in some ways.
I actually kind of like the scenes with Liz and the Korean friend and family. Like damn what a huge shift in tone but still fun to watch in some ways.
I like how Keri Russel can play that and then in the very next scene she can be literally the female reincarnation of Josef Stalin.It's kind of refreshing in a way since Elizabeth always comes across as super serious almost everywhere else. I really like those scenes too, you can tell that she's enjoying it.
I like how Keri Russel can play that and then in the very next scene she can be literally the female reincarnation of Josef Stalin.
I also liked how it carried back home which was nice. Her feet hurting and that she liked it was sort of fun.
Help me out here a little... what is with the Mary Kay Korean sales lady? I must've missed what the objective is with that one.
They haven't indicated where that's going yet.
Agreed with everything said about the scenes with Elizabeth and Young-hee. It was so nice to see her just have a friend. On the other hand, now I feel a real sense of dread in not knowing why she's really making friends with this woman. Or maybe this is Elizabeth's EST moment.
But probably not. Probably something unfortunate is going to happen.
Yep.The fact that Philip basically asks whether she's "in" is clearly pointing to a mission in the works.
Didn't realize we're all in the dark on what it is, though. It was nice to see Elizabeth actually enjoy her time on a mission for a change.
This week just felt a bit more disjointed to me than other weeks do. It felt like we hopped around quite a bit.
Oooo, yeah, that makes sense.People on reddit are speculating that Young-Hee's husband is the guy with level 4 access to the facility their KGB buddy needs access to.
I also liked how Philip spit in that other spy's face. He does not care.
This is an excellent point. Never really thought of that. Looking back at Philip chasing down William, it's definitely reminiscent of his memories as a ten year old. Different contexts for sure, but this show always has certain aspects that mirror each other.Yep.
Oooo, yeah, that makes sense.
The spitting in the face was great. It was such a schoolyard nerd/bully moment (slightly echoing Philip's recurring childhood memory).
Yep.
Oooo, yeah, that makes sense.
The spitting in the face was great. It was such a schoolyard nerd/bully moment (slightly echoing Philip's recurring childhood memory).
This is an excellent point. Never really thought of that. Looking back at Philip chasing down William, it's definitely reminiscent of his memories as a ten year old. Different contexts for sure, but this show always has certain aspects that mirror each other.
Yeah. I think that's definitely the whole point of that. But I was thinking more of Philip chasing William, tackling him and pretty much making him help them out.I saw the spitting in the face as Philip's way of ensuring the guy was going to help them and not try to run off again. Basically, "if I'm infected, now you are, too."
Slate podcast for this week:
- The Americans S:4 | E:3 Experimental Prototype City of TomorrowIn this installment about episode 403, Experimental Prototype City of Tomorrow, former FBI counter intelligence agent Richard Kollmar joins June and show runners Joel Fields and Joe Weisberg to talk about what it's really like to try and turn KGB spies. Plus, line producer Mary Rae Thewlis and Sr. VP of Productions for Fox 21 Bob Lemchen stop by to discuss their roles in episode 403.
Although the show is about the power of deception, it wont let us fool ourselves into luxuriating in antihero escapism, the way many dramas might. In one of last seasons best episodes, Elizabeth rationalizes her life to a motherly older woman (a fantastic Lois Smith) whom shes about to kill: shes committing bad acts for a greater cause, she says. Smith replies, in horror, Thats what evil people tell themselves when they do evil things. Eerily, a nearly identical exchange takes place in Outlander, as Claire and Jamie face the fact that they are harming people theyve falsely befriended. Were doing a bad thing, but for a good reason, Jamie argues. Isnt that what all bad people say? Claire asks. On both shows, pulling off even the best-motivated con is corrosive, because, in the end, what even bad people crave isnt power, its intimacy, to be known and accepted for who they really are.
The Jenningses have sins blacker than the loving soul mates of Outlander could even imagine, among them the endless lies theyve told their children. This season, the bomb they planted in their home finally goes off, after the couples idealistic Christian daughter, Paige, spills her parents secret to her pastor. The plot moves fast, crimping in terrifying ways, letting us see the repercussions without the easy vamping that other TV thrillers engage inand suggesting that the next teen-ager Philip corrupts might be Paige. Shes the same age that Philip was, after all, when he was first trained to manipulate and seduce. In spy terms, maybe were all our parents assets.
There are plenty of pleasures to be had in The Americans, from the crazily varied spy wigs to the revelatory performances, like that of Annet Mahendru as Nina Krilova, a double agent serving time in a Russian prison, whose bleak plotline has, buried deep within it, something almost hopeful to say about moral resilience. But Im not going to lie and tell you that The Americans is a fun weekly watch. Its heartbreaking, provoking literal nausea, with a psychic hangover unlike any other show. Believe it or not, thats a recommendation.
I saw the spitting in the face as Philip's way of ensuring the guy was going to help them and not try to run off again. Basically, "if I'm infected, now you are, too."
Mail robot for life.Missed the ep live last week but caught up over the weekend. Disappointed to see only one post referencing the glorious return of Mail Robot.
Chloramphenicol
A devastating flaw during a mission forces Philip, Elizabeth, William, and Gabriel to confront the depths of their patriotism... and their mortality. In Russia, in striving to be a better person, has Nina put her life on the line?
Is it me or does Henry looks young in that picture.
Just a little bit. He looks so much older even though it's only been 3+ years between when they shot the pilot and what we're seeing now.Is it me or does Henry looks young in that picture.
- CBC Radio interview: The Americans' creators on the similarities between spies and spouses
Lol @ Henry in the header picture:
that's cool and all but why the hell aren't you watching anymore.I haven't watched this since season 2 because of Netflix but I heard this interview in the car this morning. I knew that the showrunner was ex-CIA but I didn't know that he was actually taking full advantage of that. He said that he has to run all of his scripts through the CIA in case there is any confidential info in the show and he accidentally breaks NDA. I think he said that so far they've approved them all and seem to be fans. He also said that the Soviets actually used children as spies like Paige (at least I think that's what's happening, remember, season 2, so radio spoiler :/, but I had a feeling anyway ).
It's crazy how authentic this show is.
I watched it all on Netflix like a year ago but there were no more episodes available. I just checked and if Netflix doesn't detect me masquerading as a Frenchman, I can watch season 3 now. But they'll probably know.that's cool and all but why the hell aren't you watching anymore.