killertofu
Member
It seemed inevitable with IFC's deal with Criterion anyway, but Richard Linklater confirms Boyhood as a future Criterion release.
Nice...
It seemed inevitable with IFC's deal with Criterion anyway, but Richard Linklater confirms Boyhood as a future Criterion release.
It seemed inevitable with IFC's deal with Criterion anyway, but Richard Linklater confirms Boyhood as a future Criterion release.
There aren't any valid non-member coupons right now.I hate to ask this as well, but do any of you guys have an active B&N coupon code or two that you wont be using? I wanted to pick up Insomnia and one other title today. Feel free to PM me if you can help, thanks!
What app is that? I need something on my phone to keep track of my collection.
It is the official BD tracking app for Blu-ray.com where the big BD forums are. The app is called My Movies by Blu-ray.com and it's a fantastic app to keep track of your collection with tons of features, sorting options, and makes it very easy to add titles on the go...
https://itunes.apple.com/us/app/my-movies-by-blu-ray.com/id514571960?mt=8
ooh I'll have to grab this later.
Yeah, it's pretty great. It even has the bar code scanning ability so you can just scan them and then bam, it is in your collection.
Branded to Kill has to be a C selection right. I have 9 criterions now. So proud of them.Just wait until you get to the "C" and "D" selections. So many good choices.
I was going to guess 'Night of the Demons'.
Branded to Kill has to be a C selection right. I have 9 criterions now. So proud of them.
This is my final haul for this round...
- A Hard Day's Night
- Fantastic Mr. Fox
- Godzilla
- Insomnia
- Judex
- La Haine
- Pickpocket
- Picnic at Hanging Rock
- Red River
- Rififi
- Riot in Cell Block 11
- Scanners
- Seconds
- The Darjeeling Limited
- The Freshman
- The Life Aquatic with Steve Zissou
- The Royal Tenenbaums
I now own more titles from the Criterion label than I do than any other studio, haha...
I hate Satyricon. I had emailed Criterion asking them if Fellini's The White Sheik (which is OOP on DVD) would ever get a Blu release and Jon Mulvaney replied, and I guess he was hinting at some Fellini coming to Blu...but why does it gave to be this one? It's such a weak Fellini film.
It was a part of their deal with MGM.
Also, I am so fucking excited for the release of Phantom of the Paradise next week.
I didn't know they had a deal with MGM. Hope it means they'll release Duck, You Sucker on Blu.
I didn't know they had a deal with MGM. Hope it means they'll release Duck, You Sucker on Blu.
Great picks. I really should have picked up Breaking the Waves. Maybe next time.
I really hate how Criterion experimented with those stupid combo packs. Thankfully that has ended and they will soon be offering the option to buy normal cases and artwork for the titles that they screwed up on.
Which covers did they mess up? (Like Someone in Love's is terrible) I do find it annoying to have to get the blu-ray disc out from behind the booklet and my DVD's are basically all useless now. I do hope they keep including a copy of the novel when the opportunity arises. Getting the novel with Red River and Picnic at Hanging Rock was cool and unexpected.
Last week, we announced that in November, Criterion will begin releasing dual-format editions, including both DVD and Blu-ray discs in one package. The response was overwhelmingly positive, but we knew there would be questions. The most common by far were: “Will the package be Blu-ray or DVD size?” (Answer: Blu-ray size, except the Zatoichi box, which will be Blu-ray height in one dimension, DVD height in the other.) “Will it take up more space on my shelf?” (Not if we can help it.) And “Is this going to be true forever?”(Nothing is forever, but as long as it works we’ll keep doing it.)
Those were the easy questions, but we knew there was another, tougher set of questions, because they were the same ones we had wrestled with as we arrived at our decision: “Aren’t you just making DVD customers buy discs they can’t use and Blu-ray customers buy discs they don’t want? Doesn’t this mean lots of waste? Aren’t DVD customers worse off, because they’ll pay more? Why are you doing this? And why now?”
It’s been five years since Criterion announced its first Blu-ray titles. During that time, we’ve taken measures to support our audience no matter which format they prefer. Every Blu-ray release has always been available on DVD as well, and as DVD pressing prices dropped, we’ve even passed along some savings to our DVD customers by pricing new DVD releases at $29.95 instead of our traditional $39.95.
Today, something like 60 percent of the discs we sell are Blu-rays, 40 percent DVDs. The good news is that the growth of Blu-ray has more than made up for the slide in DVD, and our overall audience is growing. But now, instead of having one physical product to produce we have two, and that’s where the problem starts.
The only way we can afford to produce the packages we are known for is to print large runs, because at small quantities the cost per unit kills any hope of breaking even. Larger quantities may cost more up front, but as long as we sell the copies, we can capture the savings over time and deliver you a better, more beautiful product.
Having two physical packages to produce has cut those economies of scale in half. Instead of one big, cost-effective run of DVD packaging, we now need two different runs, each about half as big, one for Blu-ray and one for DVD. But to make the packaging affordable on a per-unit basis, we still need to run the original big, cost-effective quantity of each, meaning, essentially, making twice what we need. The Blu-ray may sell briskly, and the packaging may need to be reordered fairly soon, but the DVD stocks will take longer to dwindle. When we finally run out of DVD packaging, printing another big, cost-effective run will not be an option, because we would never sell enough of the copies to pay for the packaging. And at the price for printing a small run, we might be losing money on every copy we sell. What do we do?
Looking around the industry, we saw lots of answers we didn’t like. We could stop making beautiful, substantive packaging, but that wasn’t really an option. We could stop making DVDs, but that would mean cutting off 40 percent of our customers, including most schools, libraries, and universities. We could just take the DVD out of print after its initial run, but we have always strived to keep all our titles in print as long as we have the rights to them. We could strip down the DVD packaging after the initial run and drop the booklet, but then we wouldn’t be publishing the edition we think our customers deserve. None of those solutions would serve our DVD customers well, and more importantly, all of them would run counter to our mission to keep up the quality of our product and serve our audience as well as possible, regardless of which format they prefer.
The model we kept returning to was dual-format releasing, and the more we looked at it, the more sense it made. What seemed like more waste was actually less. Instead of printing big overruns on two packages, we could now make one big, efficient run again. That would mean less wasted packaging. Discs can be printed in small quantities as needed, so there would be no wasted inventory there either. The savings we’d been passing along to DVD customers had evaporated at this point, but while DVD customers would be back to paying a higher price, they would also be getting a product that was “future-proofed” against the day when they might upgrade to Blu-ray. Blu-ray customers would not pay more for the addition of the DVD discs, so they would be no worse off, and they could even use their DVD copies as loaners to introduce their friends to their favorite films. Most importantly, it would allow us to continue to publish the best possible product, which is what we think you want from us.
So that’s how we got here. We’re still finding our way a bit, but we have a good feeling about this. We’ll still release straight Blu-ray upgrades from time to time, but you can expect all of our new Criterion releases to be dual-format for the foreseeable future. Occasionally, we’ll retire existing DVD and Blu-ray editions and replace both with a single dual-format edition. We’ll continue to use a mix of plastic and paper packaging, but we’re going to do our best to make sure the new packaging doesn’t take up extra space on your shelf. (Check out how compact the Zatoichi set is!) All special features on Criterion discs will appear on both formats, but Eclipse will remain a DVD-only line, in keeping with its original goals and identity.
That pretty much covers the range of questions we received after last Thursday’s announcement. For us, all the questions boil down to one: how can we serve the films and the audience, make the best thing we know how to make, and make enough money to do it all over again tomorrow? Today, the best answer to that question is releasing dual-format editions. We’ll see how that shakes out!
Last November, when we announced that we would start releasing dual-format editions, we hoped that we had found an alternative that would address our concerns about packaging costs across two formats, while guaranteeing that both DVD and Blu-ray customers would still have access to an identical product. While we did solve that problem, no one seemed particularly happy with the solution. Blu-ray customers didn’t like making room for DVDs they didn’t want, and DVD customers didn’t like paying more to get a Blu-ray they couldn’t play. We soon found that we had to start releasing stand-alone DVD editions alongside the dual-format ones because a fairly large proportion of our audience has not made the leap to Blu-ray yet. And once we had separate DVD editions, what was the point of putting DVDs in with the Blu-rays? A good question.
With that in mind, when we announce our September titles at the beginning of next week, we'll be going back to releasing separate DVD and Blu-ray editions. In most cases, the contents of the releases will be the same in both formats. This may come as welcome news to many of you and perhaps as a disappointment to some, but please know that we’ll keep thinking and listening, experimenting and exploring, so do let us know your thoughts and preferences.
I believe they stated somewhere that these places were their largest purchasers of DVDs still.I'm sure a large number are libraries and other institutions.
Do you guys own any OOP Criterions?
I own a number of them. Most notably The Third Man.