Y'all are begging me to drag, but I will remain calm.
... because she clocked herself.
Incidentally, I was reading a book about singing earlier this week called The Contemporary Singer: Elements of Vocal Technique, written by a teacher at Berklee College of Music. It had some interesting things to say about vocal technique, and some of what it said made me think of a certain someone. Tell me who this makes you think of:
"Develop your vocal range to its fullest capacity, but remember that expression, and color are more pleasant to most listeners than pyrotechnic displays of high and low notes. This kind of vocal "showing off" can become crass, unmusical, and draw attention away from the music. Riffing with improvised melodic embellishments is exciting, but only if you do it with taste that adds beauty and expressiveness to the song."
and
"If your voice is resonating well, it will feel flexible. A free tone is more likely to resonate well. The tone should feel as if it could go up or down in pitch, be louder or softer, or change to a darker or brighter color. If you feel "stuck" on a note, or your throat feels closed, tension is probably interfering with good resonance.
[...]
A resonant voice sounds as if it flows without tightness in the throat and neck muscles. Efficient use of resonance can help you increase volume without force. In other words, if your voice is resonating well, you do not have to use force to create volume.
A resonant voice sounds in tune. Your ability to match pitches accurately is affected by resonance. A tone that does not resonate well can lack overtones, making pitch sound flat."
and
"Why does belting require special attention?
[...]
2. There is a tendency for singers to add unnecessary pressure to the throat and the surrounding vocal mechanism because of the emotional nature of belted songs. Women especially have a tendency to add more weight to their middle voice than is natural, and must be cautioned against pushing.
[...]
4. Many singers lack a sense of the delicacy of the vocal mechanism and feel they are invulnerable to vocal problems."
and
"Belting is a very exciting, emotional style of singing, but use caution. If you feel tightness or tickling in your throat when singing, you are probably pushing. While some singers can sing using an easy, unforced belt voice without straining, for others it seems impossible to develop a good sounding belt without forcing, or sounding as if the tone is swallowed. Forcing your voice not only detracts from the emotion of the music, it can lead to vocal strain and serious vocal problems. Singers who do not exhibit a healthy inclination for belting should explore other styles of singing."