Fidelis Hodie
Infidelis Cras
Ash Sparrow said:I thought that was great. I personally would get rid of that shot of closing the door. I didn't think that angle worked, felt oddly a bit disorienting. The acting is pretty good so far.
Thanks, man! Any feedback, even bad, is much appreciated. I have a couple of wide shots to shoot around, so I'll definitely try them out. It hadn't ever bothered me before.
Raxel said:I started learning After Effects during the summer in my spare time. I finished my "studio" logo recently by combining 2-3 video copilot tutorials:
Studio Logo
There's a couple of old tests up there too.
Edit - After seeing some of the image quality some of you guys are posting in this thread and the other film-making one, I'm set on selling the HV20+35mm rig to get a 5D. I'm looking forward to low light shooting and having something more mobile.
I'm telling you, those little things are my savior right now for sure. I shot on the T2i (550d) and it performed exceedingly well. Shooting in 1080p (what, roughly 80 lines away from 2k which is what most smaller theaters project?) at the magical 24 frames, with a sensor that is bigger than the Red's? And on the 5dMK2 it's full frame! It's golden if you know what to work around.
As long as you have stabilization+IS or VC lens (for Jello) and take care of keeping the pesky AA lines out, you can pull some really gorgeous stuff out of the DLSR's for pretty cheap.
I'm done pushing them. I just love my camera is all.