SCULLIBUNDO
Banned
http://collider.com/elijah-wood-the-hobbit-interview/139603/
A lot more at the link.
Question: Whats it like to go from a TV show, where you shoot an episode in four days, to The Hobbit, where youre working with 3D cameras that shoot 48 frames a second?
ELIJAH WOOD: Oh, you know what youre talking about. Its all filmmaking, whether its on a small scale or its on a large scale. The thing thats great about The Hobbit is that, returning to that space, its largely the same group of people who had made The Lord of the Rings a lot of the same crew members and creative heads of departments, and stuff. I was definitely aware of the fact that there were more trucks now and more trailers, and the production feels larger in scale. On a technological level, obviously thats a huge part of it, as well. But, at the end of the day, its still the same group of people, making it very much in the same spirit as The Lord of the Rings, so that intimacy and that family aspect on set is still the same.
Thats a long way to explain that I think the differences arent really that different. Its still filmmaking. Its still approaching it from the same perspective. One just happens to be on a much larger scale. But, its pretty cool. The technology is amazing. Its funny, you suddenly just except things. I suppose Ive been working for a long time, so Ive seen all kinds of filmmaking. I can fit into anything, and it doesnt feel that weird or that fascinating. For instance, I was on set for The Hobbit, in Peters little tent where he has the monitor that he watches, youre watching it in 3D. That is amazing, but at the same time, youre like, Oh, okay, thats what were doing here.
Its an odd sense of just tuning into it and accepting it, but its totally amazing. And, its really cool to see the 3D on set, and to know what the images ultimately look like. The technology is so good now. I remember, years and years and years ago, video assist was really rudimentary and watching playback was so rudimentary. It only gave you a sense of what the image was really going to look like, especially when you were shooting on film and getting a video feed. Until you actually see dailies, you cant see what the image looks like. Now, because The Hobbit is being shot digitally, were seeing a full HD image, in 3D, pretty much exactly as its going to look when its thrown up onto a big screen. Thats amazing! And, it takes a lot of the guesswork out of it. They can do a lot of the tweaking on the day, which is really cool.
A lot more at the link.