I actually enjoyed Bertie's story the most this episode.
Not that I didn't love everything else in it.
Edwards could go blind in the one eye if he gets hit though.Edwards and Gallinger are overdue for a throwdown. I just want Gallinger to say "Mr. Paris Shoes..." to Edwards and then promptly catch an uppercut. It doesn't have to make sense, it can be a dream sequence, but I NEED it.
every brain scene, i was squirming like a bitch ass.
jesus, im soooooo not cut out to be a doctor
There Are Rules
Bertie is faced with a quandary at Mt. Sinai, which leads to him take matters into his own hands and enlist help from Algernon; Thackery considers using hypnosis, while taking an interest in conjoined twins. Later, Lucy lobbies Henry for an invite to a gala; Cornelia visits the brother of a deceased immigrant who had ties to Speight; Gallinger has an unwelcome dinner guest; Barrow checks out a new home for Junia; and Harriet agrees to make some changes.
Clive Owen says a third season is "up in the air"
If it does end up getting cancelled I feel Cinemax deserve to be the sideshow cable network it aspires not to be.
I think, as Ratsky has pointed out in this thread before(?), it's probably up to Soderbergh and Owen whether or not there's more seasons of The Knick. If there is interest from them, I'd guess that Cinemax/HBO would be up for it. I also don't know if the "up in the air" refers to where they might go in the future or whether or not there will be another season.Q: Is The Knick in production now?
A: We've done the two seasons and we're all talking about where to go possibly in the future. It's all a little up in the air at the moment.
Q: So many great stories are being produced for streaming TV platforms like Netflix, etc. Do you find that you're seeing more interesting projects that are being produced for "television" as opposed to movies?
A: Not particularly, not personally. The Knick came out of nowhere, really. I have no TV in front of me. That just came from Steven [Soderbergh]. To be honest with you, when we were shooting it, it never felt like TV because you shot it like a 10-hour movie.
What [Soderbergh] was attracted to and what people are attracted to and why it seems to be such a good age of TV at the moment, is that you can deal with subject matters that would be hard to wrap up in a 90-minute format and sell out there in the commercial film market. You can dig deep; you can win over people's loyalty. The one thing about The Knick that I thought was the strongest thing is it was so visceral and out there, but by the end of the first season, we had taken it to such a place. It was so exciting going into season two knowing we already put all of that groundwork in. It felt like now we can really push, now we can really go to places and discuss things with themes because all of the setting up has been done. There's something really fulfilling and satisfying about not doing things quickly and neatly.
Q: Did you ever get nauseated at some of the more extreme procedures that are depicted in The Knick?
A: Not really, no. Those days were always the toughest days logistically so in some ways it was also practical. Yes, it was all there, there was blood and people's intestines were being pulled around. But those days you have to get in there and work out how you're going to do the operations, how you're going to relate to each other, how you're going to engage this surgical theater audience over there. The rhythms that were set early on with the operation kind of dictated the dialogue. There was so much focus very quickly in the early part of those days because you were going to set the template for what was coming. I'm never really very squeamish.
Q: Do your kids get grossed out watching it?
A: Yeah. But it tickles me sometimes when I see some of the stuff we've done. When we watched the first episode at a press screening it was like watching some kind of pantomime. The room was going like "Oohhh, ahhhh!" And Steve and I sat there knowing that there's much worse to come; they've seen nothing yet.
Clive Owen says a third season is "up in the air"
If it does end up getting cancelled I feel Cinemax deserve to be the sideshow cable network it aspires not to be.
I did some quick googling:Out of curiosity, do we have any idea what the budget per episode is or the budget of the season as a whole since they are filming and it's entirety at one time?
Wall Street JournalMichael Sugar said:So the budgets on The Knick and True Detective are tantamount to a studio movie. So you have all the comforts and creative toys that you need to get it done.
What are the normal budgets? $2 million for an episode?
Were looking for between $3 million and $6 million an episode, for a high-end cable show.
Really? Because you have a period piece with The Knick, so thats expensive. But Clive isnt getting paid like he might have been paid for a movie.
Its expensive. Well, no, but its a different model. What happens is, the show can sell all over the world, just like a movie its not that different. But the asset of a TV series can be much more valuable than a movie and television, because you can be selling it over and over again. Thats why Friends sold for $1 billion in syndication. The economics have shifted in television, so that you can attract people that need to make a living, and theyre taking as much of a pay cut as you might think. But what is really compelling them isnt the money its the opportunity to tell a story over a period of time.
When Mr. Soderbergh and his producing partner Gregory Jacobs presented the show to Michael Lombardo, HBO's president of programming, they asked to be on Cinemax. ("It took us about two seconds to make the decision," Mr. Antholis says.) They believed "The Knick" would stand out more on Cinemax than among HBO's many high-profile series. And they knew it would be easier to get the necessary budget if they were on Cinemax's books, instead of tapping into the same resources as costly HBO series such as "Game of Thrones." Mr. Antholis says "The Knick" is more expensive than Cinemax's other original series but declined to discuss the budget, noting that the speed at which Mr. Soderbergh shotnearly 10 hours of TV in 73 daysmade it cost-effective.
I can assure you that quote is in reference to the very existence of season 3, as even Jack Amiel has tweeted that he and co-author Michael Berg cannot confirm a green light on season 3.I also don't know if the "up in the air" refers to where they might go in the future or whether or not there will be another season.
This doesn't bother me so much visually, but it gives me flashes of the vivid descriptions of the smells that my ex gave to me about draining or excising an abscess. Fucking vile. Happy to not have smellovision.FWIW, I work in a surgical department. And while that scene didn't get me, the attempted eye surgery and the drainage of that leg pus earlier this season had me squirming. This show has not shied away from the gruesome.
And holy shit Gallinger is a monster. When you thought his character couldn't get any more despicable.
]Im guessing Gallinger's wife poisoned John Hogman?[/B] I like that this season is really pushing the limits of the Showalter's superficial progressiveness while showing that behind their rigid exterior the Chickerings are actually pretty fucking decent people.
Dude this most recent episode was SO GOOD.
Bertie's mom's surgery. The conjoined twins.
The scene when Thack is talking to the twins and asking them about their true story and the music plays. Good lord almighty.
I would imagine Cinemax would want to keep it. Even though ratings aren't that great, it's their first true prestige show and it earned them a Peabody award and Emmy and Golden Globe noms. And this is still the network that shows softcore porn right after their original shows. So yeah, I'm pretty optimistic about it getting renewed. Granted Soderberg and Owen are interested in continuing.
But yeah, this was a great episode. I felt horrible for Bertie and his family. The throat surgery was pretty brutal, but I'm glad he's back at The Knick. I just hope they'll have a successful surgery soon, they've been having nothing but losses for the most part.
The only thing that's bothering is how they already moved past the unintentional lobotomy from the last episode, and how Algernon's wife, or his eye problem, aren't brought up all that much.
Do they still do that in America? Cinemax never did that where I live.