My mini-review of this alternative/southern/punk/psychedelic/noise masterpiece.
1. Blue Orchid
Awesome opener. Stripped down psychedelic power riffing. The ideas for songs like these have come a long way since
Fell In Love With a Girl, heh. I always think of the color neon pink when I hear this song. That's just what the guitar tone and noise reminds me of, I guess - I don't know why. No, I've never experimented with drugs.
2. The Nurse
Awesome use of the somewhat out of place cymbal (that's mixed with a messed up guitar noise that matches it perfectly) to enhance the song's daydreaming (or perhaps high), out of mind feeling. Overall, this song is trippy as hell. Jack White must really like his drugs, but that's ok. Probably the weirdest song on the album (and their discography?)
3. My Doorbell
Why do I think of 50's music when I hear this? "My Doorbell" is my favorite song on this album so far - it has an awesome upbeat tempo, and this is definitely one of Jack's best vocal performances to date. Plus, it's a lot different from anything else the band has done (which is true for just about every song on the album, but this one isn't even guitar-driven rock - it sounds like an oldie or something.)
4. Forever For Her (Is Over For Me)
Great leadup to the chorus! Seems to capitalize on their obsession for southern/grungy rock that dominates their albums, but adapted to fit the more psychedelic feel of
Get Behind Me Satan. Damn, I love that title.
5. Little Ghost
Reminds me of an acoustic Led Zeppelin song or something, but more personal lyrics. A nice break from the madness; very mellow and folky. I was hoping it was gonna be some kind of sequel to one of my favorite WS songs, "Little Bird." But it's not.

Can't hold that against the song, though!
6. The Denial Twist
Just what the song says - a twist, and a damn good one. This is also a fine moment for Meg because this is one of her best drum performances. Great beat.
7. White Moon
I don't have much to say about this one... pretty dull. Weakest song on the album, IMO. But honestly, it's the only weak one.
8. Instinct Blues
Amplified, loud, distorted, direct, but blusey too... a mix of what the band has done on their past few albums, I guess?
9. Passive Manipulation
Sing more songs, Meg. This one is too short! But it certainly screams hippie. I like it. Cute would be the word.
10. Take, Take, Take
Starts out as folk pop, then dissolves into this messed up piano driven thing, then goes back to the folk pop. Not exactly the easiest thing to do without the result being horrible, but of course they pull it off.
11. As Ugly As I Seem
Haha, COMPLETELY out of place. I don't like it, if only because it's way, way too western for my tastes. The band is better off doing what they do best, and that would be fusing this type of sound with alternative, punk, and blues. But for what it is... it's certainly not bad.
12. Red Rain
This song rocks, plain and simple. I'm addicted to the possessed power riffing. I want to pick up a guitar and start rockin' out (if only I could.) But that's exactly what the song is: possessed. Just when I thought they couldn't do any more altering of their signature sound, they did. Jack White, what are you taking?

But yeah, this demonstrates that the Stripes somehow manage to reinvent the most simplistic of approaches to music without sounding redundant. They seriously need to be recognized for doing so.
13. I'm Lonely (But I Ain't That Lonely Yet)
Eh... a little on the boring side but obviously this is a deeper glimpse into Jack's personal life. Second weakest song on the album.
I give it a 9 out of 10. I'm not sure where to rank this because I love all their albums the same.