35mm is a great focal length on FF. 35mm and 135mm are the too most used focal lengths for me on my D800.So I'm thinking I should probably get a 35mm rather than an 85mm to go with a 70-200 lens. Reason being that with 70-200 and 85 and an old 50mm, only the 50mm is going to be useful in small house events and getting full body portrait shots up standing a few feet away from the subject.
On my D90, I find the 50mm lens way too zoomed in, and it's always been tough getting far enough away from the subject if I don't want a zoom shot. I understand that the D90, being a DX camera means the 50mm is acting more like a 75mm because of the cropping. (am I understanding this correctly?)
On my D90 I mainly take shots with my 18-105 lens at 18mm, which again using the cropping, means on an FX camera that'd be closer to around 30-35mm? So if I wanted a lens that can see as much on an FX camera as I can see on my DX camera at 18mm, I should probably get a 35mm prime and then use the 70-200 for zoom in shots and where I'm at least 5+ feet away from the subject. I mean I can get an 85mm down the road if I want for better bokeh/portraits, but if I'm only going to get 2 lens for everything for a start, it seems like 35 & 70-200 would cover most of the bases for everyday walking around photography shooting handheld?
http://www.dxomark.com/Reviews/Sony...S-lens-review-Outstanding-optical-performance
So I'm thinking of getting the XT10...Fuji just keeps bringing me back with the image quality. I cant justify the price difference between this and the XT1; it costs 76% more for minor differences.
I have that camera and I LOOOOVE it ^_^first pictures with it
oh damn, just saw you bought the X-T1...maybe I should have read everything else before posting lol.
I have a question I love my new X-T10 but...coming from a Nikon family, I have some lenses Like the Nikkor SC Auto 50mm 1.4 or the AF Nikkor 50mm 1.8...also a AF 70-210mm Nikkor 1:4 and my precious my Nikon Pancake Series E 50mm 1.8...all the good ol' Made in Japan.
I've been thinking about moving to fullframe for nature, night sky photography..all that nice stuff.
What do you think, with those "old" lenses..buy the D750 body only or buy it with a kit lens? my gut tells me to buy only the body, use the old lenses..but you can't always trust your gut >>..
It's up to you. I'm guessing your old lenses are of the manual focus variety? I'm going to guess that your lenses will probably be better than what the kit lens will provide you, and personally I use almost exclusively old lenses (Except for my 30mm, which is harder to find in vintage glass).
One 50mm 1.8 is a nikkor that can be used with the AF inside the D750 body ^.^ the 70-210mm is also AF with the AF motor inside the body of the D750
Everything else is MF
Ah, then yeah don't even bother with the kit lens. You've already got it covered since the 750 seems to be a full frame, so there's really no reason to get any of the kit stuff.
Anyone have any experience with lenses for the Sony E-mount cameras?
I have an a5100 and I am thinking of expanding past the kit lens for the first time.
Not sure what to look for in a lens. I have mostly been taking landscapes and photos of old barns, since I live in rural Kentucky. I have been thinking of going out and taking some photos of churches....
I have this, and I think its a good all around prime lens.
Sony Zeiss Sonnar T* E 24/1,8 ZA
Remember that the kit 16-50 is one of the worst lenses in the E-mount line up. Pretty much any prime you pick up will be a vast improvement at all focal lengths. If you enjoy the 50mm focal length the non-Zeiss 50/1.8 gets a lot of good reviews and is fairly cheap. I don't know your budget so I don't know what segment to recommend.Thanks for the responses. I find that with the kit lens I am going most of the time at the longest (50mm). I think at the shorter focal lengths it has a very strong "fisheye" effect. Faces look terribly distorted....It has an auto-correct setting for that lens in Lightroom that fixes it up somewhat, but I would not use it for portraits at all.
Usually I stay at 50 and use my feet to make the shot if I can.
I was looking at that Sigma lens. Lots of good reviews and only $200. That's pretty exciting. Maybe I'll pick out a couple and rent them to see how they do before making any purchases...
Thanks for the responses. I find that with the kit lens I am going most of the time at the longest (50mm). I think at the shorter focal lengths it has a very strong "fisheye" effect. Faces look terribly distorted....It has an auto-correct setting for that lens in Lightroom that fixes it up somewhat, but I would not use it for portraits at all.
Usually I stay at 50 and use my feet to make the shot if I can.
I was looking at that Sigma lens. Lots of good reviews and only $200. That's pretty exciting. Maybe I'll pick out a couple and rent them to see how they do before making any purchases...
Your link leads nowhere.Meyer Optik to bring back soap-bubble-bokeh Trioplan lens via Kickstarter
I discovered this lens on an old off-brand 9x12 camera that I used to own. It was an excellent portrait lens. It's pretty amazing how the Kickstarter took off the way it did, considering how obscure the lens was 10, 15 years ago...
Jelly... I really want one. I like panorama pictures, manual focus rangefinders and how it's almost a medium format camera, but still uses 35mm film.http://losangeles.craigslist.org/sgv/pho/5106576079.html
oh fuck... i don't know how long i can resist
That's the nice thing about it being 35mm, much cheaper scanners.for 2k you can get a Fuji G or GX medium format pano camera. I kind of wish I still had mine, though scanning the film was such a pain. Either crap labs did a crap job, for a moderate price, or good labs did an ok job for a really expensive price. Or buying a proper scanner, and because of medium formats density the hassleblad/imacons were the only scanners that could do a good job on them. And then the dust, my god the dust. It would take me days to completely dust an image in photoshop.
Remember that the kit 16-50 is one of the worst lenses in the E-mount line up. Pretty much any prime you pick up will be a vast improvement at all focal lengths. If you enjoy the 50mm focal length the non-Zeiss 50/1.8 gets a lot of good reviews and is fairly cheap. I don't know your budget so I don't know what segment to recommend.
The 16-50 is a blight on camera kind, and I'm fairly certain that ANYTHING you pick up will immediately be better than it (Unless of course you manage to pick up a different kit lens. :x). Any Prime lens will blow it out of the water, to boot.
Thanks. I don't have a set budget in mind, I would not mind spending 3-400 hundred at all. So what would be better for landscapes and old barns and churches for $400 max.
I don't want to invest a lot in lenses because I can already see that the investment I made in a camera for Youtube videos is mutating into something different. I had no plans of shooting stills at all when I bought the a5100 because of the good video features it has. Now I am frustrated by the lack of a view-finder and the obtuse nature of the controls. I find myself watching and reading reviews of Nikons and thinking I am going to buy another camera sooner rather than later.
So I don't necessarily want to invest too much in the Sony ecosystem if I am going to buy maybe a D5300 or something like that.
Post a photo of your gear. I love looking at camera gear!
The a5000 and a5100 are quite, um, sparse on dials. I use an a6000 with manual lenses, so I have shutter speed on the top dial, aperture on the lens (duh), and ISO on the face dial, which gives me all the controls I need. I rarely find myself using a menu for anything, aside from the Fn menu for adjusting various other things (Drive mode and Style mode, primarily for switching to B&W). White balance is handled by a button on the wheel, and for the times that I'm using an AF lens I have the AEL set to focus it. I am however looking at an a7II, primarily for full frame, but the addition of MORE DIALS almost makes me more excited haha. (That and image stabilization, which would be god send for all the old lenses I use).
I tried using my mom's Canon DSLR, and while I understand it to be a bit of an older one, I found it to be more confusing than my a6000. Partially because the thing has one dial. ONE. DIAL. WHY. So really it's whatever you get used to, though as a former a5000 I found it far more annoying to control than the a6000.
EDIT: As far as which lenses I'd go for, Sony's own 35mm 1.8 and 50mm 1.8 are great, for native lenses. Those two actually cover about 90% of what I do, though I do have an old 70-210mm Canon that I keep for my zoom needs. The Sony 50mm actually has a tiny smidge better IQ than my Canon 50mm, though I still use the Canon because it has built in dials and I'm not sure if you noticed but I love dials.
I watched a video about the D5500 today on youtube. I love the way they have the Aperture, Shutter Speed, and ISO all on big "virtual" dials on the touch screen, and you can just tap them and then adjust them. Then there are all the main settings underneath and you can just tap them to change them. I think that looks pretty amazing and all the reviews seem to be really positive.
I like my a5100 for my youtube stuff. It does the Sony 50mbps codec which is really great, and the flip up screen is good for putting yourself on as a "talking head."
I think I am going to invest in a prime for it, and use it for youtube stuff and as my pocket camera for Kentucky football games starting in a few weeks. Then I am going to research a little more and pick a full time stills camera in one of the big lens ecosystems (Nikon or Canon) to grow as a photographer.
VIRTUAL dials? Ugh. I have those on my Nokia, and while it's way better than no control, it's definitely not for me. Way too easy to slide your finger around or tap the wrong thing, and capacitive screens aren't accurate enough for me to put my controls on them. Not to mention pulling away from the viewfinder to use them. I like keeping my hands in one spot and adjusting everything from the shooting position.
Yeah, the flip up screen is pretty nifty on the a5000. I do vaguely miss it, was cool for those weird shots.
Might I ask what you mean by "grow as a photographer?" I ask this because a lot of people think that you need a DSLR to "grow", when really there's very, very little difference between a mirrorless and a DSLR when it comes to capability (Which ultimately is just in how you use the viewfinder.) On my a6000 I can shoot in bracketing, in K white balance, have full control over every setting I've ever heard of, shoots in RAW files, and have access to way more lenses than I could ever hope to own, not only just in native lenses but also older, manual lenses. Not only that, but my camera is very light, which encourages me to take the camera *everywhere*, instead of just specific trips for it. There's a lot of things that the a6000 can do that the a5000 cannot, so I think you might be discrediting the ecosystem you already have available to you, simply because most pros are a bit more comfortable with the ecosystem THEY grew up on.
I'm not saying DON'T choose a Canon or Nikon, but rather, really explore what differences there actually are, without making assumptions, before you choose to have two seperate lens systems.
EDIT: I'd recommend taking a look at Gary Fong's a6000 videos. He's an OLD pro, and has absolutely fallen in love with Sony's ecosystem, and definitely makes a case for it why it's his preferred professional setup.
I don't think there is anything wrong with the Sony ecosystem....I just think the a5100 is pretty limited....and obviously I don't know enough to make a total judgement about anything really in the photography world. I hate how hard it is to see in bright sunlight on the screen, and I want a viewfinder and more physical dials and buttons. I will check out Gary Fong.
The D5500 has caught my eye because it seems to offer a lot of smart design in the controls. More physical dials and programmable buttons, plus well designed touch screen controls.
By "grow" I guess I just mean getting experience and getting better at manual settings, etc. I understand that just spending money does not make you better...it's like golf...if you suck, expensive clubs won't make you better. I'm not expecting any magic difference!
I know that the Sony I have has a good sensor and takes good quality images. I'm not going to buy another camera right away...I'm gonna keep getting out there shooting, keep practicing shooting manual, and keep learning lightroom.
By the way, thanks, I really appreciate your feedback.
Post a photo of your gear. I love looking at camera gear!
So, I have a Sony NEX-5 with a couple of lenses that I love, but lately, I've been wanting a viewfinder, and maybe a slightly bigger body (large hands). The Fry's near my house has a returned/opened NEX-7 with the SEL 18-55 lens for ~$400. Would that be a worthwhile deal? I figure I'll sell my NEX-5 and one of the kit lenses (I have an SEL 16-50).
It seems like it could be a pretty cheap upgrade on paper.
So, I have a Sony NEX-5 with a couple of lenses that I love, but lately, I've been wanting a viewfinder, and maybe a slightly bigger body (large hands). The Fry's near my house has a returned/opened NEX-7 with the SEL 18-55 lens for ~$400. Would that be a worthwhile deal? I figure I'll sell my NEX-5 and one of the kit lenses (I have an SEL 16-50).
It seems like it could be a pretty cheap upgrade on paper.
So, I have a Sony NEX-5 with a couple of lenses that I love, but lately, I've been wanting a viewfinder, and maybe a slightly bigger body (large hands). The Fry's near my house has a returned/opened NEX-7 with the SEL 18-55 lens for ~$400. Would that be a worthwhile deal? I figure I'll sell my NEX-5 and one of the kit lenses (I have an SEL 16-50).
It seems like it could be a pretty cheap upgrade on paper.
Did anyone switch from APS-C (or FF) to M43?
Still thinking about buying an Oly, the lenses are so small, light weight an apparently of very high quality.
Did anyone switch from APS-C (or FF) to M43?
Still thinking about buying an Oly, the lenses are so small, light weight an apparently of very high quality.
Did anyone switch from APS-C (or FF) to M43?
Still thinking about buying an Oly, the lenses are so small, light weight an apparently of very high quality.
they are fantastic quality. but it switched from m4/3 to FF.
Got some m4/3 stuff for sale if you decide you want to jump in.
Thought about it before but after trying out my buddy's Oly I feel the benefits per cost is too high. I went with smaller sensor instead for casual outings. Still have my eyes on the Ricoh GR though...
Having used all kinds of cameras, primarily for video, I'm not that big on M43. It's pretty small I give you that, but so are pretty much all mirrorless cameras. We've got the Olympus E-M5 II and it's certainly a good camera with nice features. It's gorgeous to look at, pretty small and takes nice photos. But we've also got a Nikon D800E, which is FF, laying around and even though the Nikon is from a higher price class it blows the Olympus out of the water picture wise. There would be no scenario I'd chose the Olympus above the Nikon except for the size.
The Sony A7 line has pretty much the same size as the Olympus and is FF. Having used the A7s on occasion I prefer it over the Olympus, although I'm not a big fan of the e-mount lenses and adapted lenses obviously lack auto focus. But to clarify I'm way more of a video guy so that plays a big role in my decision.
Looking to buy a camera. I really like the x100t. Is there any better/similar cameras for the same price or lower?
Looking to buy a camera. I really like the x100t. Is there any better/similar cameras for the same price or lower?
With an APS-C sensor, there's the Ricoh GR. It is more compact but doesn't have a viewfinder. It has a very sharp 28mm equivalent lens.