The_Inquisitor
Member
the_log_ride said:
dammit that's the exact lens I want. why do you tease me with a mug of it?
the_log_ride said:
the_log_ride said:Mock if old, ran a google search which turned up nothing.
Words [url=http://www.pdnpulse.com/2010/03/swag-alert-canon-white-lens-coffee-mug-.html][B]HERE[/B][/url][/QUOTE]
don't want.
the_log_ride said:
hEist said:don't want.
Chorazin said:So, iPhone/touch users: what photography apps do you use? Here are mine:
mrkgoo said:I use PhotoBuddy, Darkness, Photoboard, DSLRemote and I put a PDF copy of my user manual in Air Sharing.
I've been trying to find a zoom lens I really want many times now, but I always go "meh" in the end since you have to deal with so many compromises. They never go below f/2.8 (and you have to pay a LOT to even go that big), they're big, they distort at the extreme ends (which is usually where you want to be), et cetera.Marty Chinn said:I'm thinking about getting my first lens and if I feel comfortable enough, may even try to snag it in time for GDC. What I'm looking for is something to replace my kit lens with something that I can typically carry around and use in most situations without needing to swap lenses. Looking down the road, I'm thinking I only want to be carrying two lenses on me when I travel. So I'm thinking some sort of general zoom lens now and then maybe down the road a wide angle lens to compliment it. I've just got my first DSLR which is a Canon T1i and I've been lurking around on dpreview.com to read up on info. I was eying the Sigma 18-250mm and the Tamron 18-270mm but both of those seem to have a significant issue that holds me back from getting either one. Maybe the Canon 18-200? I'm just not sure what I should be aiming for right now. As far as price, probably around $500 but I can go a bit more if needed. I'm just in the research phase right now but would appreciate any advice.
Chorazin said:PhotoBuddy looked pretty excellent, so I just picked that up!
How useful do you find DSLR Remote? And do you have the $2 or the $20 version?
Marty Chinn said:I'm thinking about getting my first lens and if I feel comfortable enough, may even try to snag it in time for GDC. What I'm looking for is something to replace my kit lens with something that I can typically carry around and use in most situations without needing to swap lenses. Looking down the road, I'm thinking I only want to be carrying two lenses on me when I travel. So I'm thinking some sort of general zoom lens now and then maybe down the road a wide angle lens to compliment it. I've just got my first DSLR which is a Canon T1i and I've been lurking around on dpreview.com to read up on info. I was eying the Sigma 18-250mm and the Tamron 18-270mm but both of those seem to have a significant issue that holds me back from getting either one. Maybe the Canon 18-200? I'm just not sure what I should be aiming for right now. As far as price, probably around $500 but I can go a bit more if needed. I'm just in the research phase right now but would appreciate any advice.
VNZ said:I've been trying to find a zoom lens I really want many times now, but I always go "meh" in the end since you have to deal with so many compromises. They never go below f/2.8 (and you have to pay a LOT to even go that big), they're big, they distort at the extreme ends (which is usually where you want to be), et cetera.
That said, these ones that are on my "may buy"-list:
Canon EF-S 17-55/2.8 IS USM - Basically a usable version of the kit lens
Canon EF 24-70/2.8L USM - A bit longer, would be a nice partner to my EF-S 10-22mm and perfect if I go full frame some day
Canon EF-S 15-85/3.5-5.6 IS - Boring aperture but would be nice as a travel lens
I've also been eying the Tamron 17-50 2.8 and 28-75 2.8 but optically they seem quite inferior to the Canon glass so I don't know if it's worth cheaping out like that.
VNZ said:I've been trying to find a zoom lens I really want many times now, but I always go "meh" in the end since you have to deal with so many compromises. They never go below f/2.8 (and you have to pay a LOT to even go that big), they're big, they distort at the extreme ends (which is usually where you want to be), et cetera.
That said, these ones that are on my "may buy"-list:
Canon EF-S 17-55/2.8 IS USM - Basically a usable version of the kit lens
Canon EF 24-70/2.8L USM - A bit longer, would be a nice partner to my EF-S 10-22mm and perfect if I go full frame some day
Canon EF-S 15-85/3.5-5.6 IS - Boring aperture but would be nice as a travel lens
I've also been eying the Tamron 17-50 2.8 and 28-75 2.8 but optically they seem quite inferior to the Canon glass so I don't know if it's worth cheaping out like that.
mrkgoo said:I have an EF-S 17-55 IS - it has great optical quality, and the versatility (wide angle, wide aperture, short tele, IS, great focus, great quality) is unmatched, but its build is really crap for the price. It won't fall apart, but it's no 'L' lens if that at all matters to you. I've had my copy break down and serviced six times in its life.
I keep hearing about an update to the 24--70 to add IS. I dunno, it was supposed to be a lock at PMA, but it never showed (in fat, Canon never showed up).
Hcoregamer00 said:Oh snap (pun intended), new Canon Rebates
http://www.canonrumors.com/wp-content/uploads/2010/03/bigrebate.jpg
They are really pushing the Canon 5D mark II, maybe we will see future price decreases or even *gasp* hints of the Canon 5D mark III to battle the Nikon D700.
Chorazin said:Oh man, nice for you Canon guys! I wish Nikon would have lens-only rebates.
Hcoregamer00 said:Oh snap (pun intended), new Canon Rebates
http://www.canonrumors.com/wp-content/uploads/2010/03/bigrebate.jpg
They are really pushing the Canon 5D mark II, maybe we will see future price decreases or even *gasp* hints of the Canon 5D mark III to battle the Nikon D700.
mrkgoo said:The three staples of a well-rounded set for me would include a wide-standard walkaround style, plus a short-medium/long tele, and a short tele prime with wide aperture.
If you don't have one, seriously consider getting a 50mm f/1.8 lens. It will change how you see/do photography for a good price.
captive said:Panasonic's leaking info on the G2 and G10
Looks like the G2 will have a tiltable swivel.
http://43rumors.com/
Marty Chinn said:Canon EF 28-135mm f/3.5-5.6 IS USM Standard Zoom Lens
I'm not as familiar with the panasonic line as i am the olympus line but isnt the G1 and 2 to the GH1 as the E30 is to the E3?Instigator said:Why not just have a GH2 without the ridiculous lens bundle that doubles the price?
There's no need for a G2.
Hcoregamer00 said:Get it, it is a wonderful lens. For something can be bought secondhand for around $250 it is probably one of the best lens values around.
I have a 24-70L, but I kept this one in case I needed the extra reach or didn't want to carry a 2.2lb behemoth.
Marty Chinn said:Curious but why get that lens over this Canon EF-S 18-135mm f/3.5-5.6 IS UD Standard Zoom Lens?
Marty Chinn said:Curious but why get that lens over this Canon EF-S 18-135mm f/3.5-5.6 IS UD Standard Zoom Lens?
mrkgoo said:IT is designated 'L', which is the top of the line pro lenses. They typically feature special lens elements made of soupier-low dispersion glass, aspherical elements, or fluorite lenses. This means the top optical quality.
They feature builds that are typically weather-sealed to prevent moisture and dust from getting into it or the camera (if that is also weather-sealed).
They typically use an ultrasonic motor for autofocus, allowing for top-class speed and precision focusing, and allows you to adjust the focus even after AF is locked, while in AF mode.
Sometimes they are made of metal for robustness. Often the rings are damped, for smoother operation.
They also are typically of wider and constant aperture. The 24-70 in particular has an f/2.8 constant. This means the aperture is wider through out the range (it's a reciprocal value - f/2.8 means the aperture opens up to the focal length divided by 2.8 at a maximum).
A wide aperture value has two effects on your images:
1) Allows more light, thus allowing lower light photography, as well as allowing faster shutter speeds (hence the designation 'fast' lens).
2) Wide apertures narrow the depth of field, giving blurrier backgrounds.
In regards to 2), the higher optical quality glass of 'L' lenses tends to mean the out of focus areas of an image are actually smoother and more pleasant looking too.
Lastly, the EFS- mount of the 18-135mm is exclusively built for 1.6x crop cameras - it won't go on a full frame camera such as the 5D. The 24-70 f/2.8L is an EF mount meaning it can go on both cameras.
mrkgoo said:IT is designated 'L', which is the top of the line pro lenses. They typically feature special lens elements made of soupier-low dispersion glass, aspherical elements, or fluorite lenses. This means the top optical quality.
They feature builds that are typically weather-sealed to prevent moisture and dust from getting into it or the camera (if that is also weather-sealed).
They typically use an ultrasonic motor for autofocus, allowing for top-class speed and precision focusing, and allows you to adjust the focus even after AF is locked, while in AF mode.
Sometimes they are made of metal for robustness. Often the rings are damped, for smoother operation.
They also are typically of wider and constant aperture. The 24-70 in particular has an f/2.8 constant. This means the aperture is wider through out the range (it's a reciprocal value - f/2.8 means the aperture opens up to the focal length divided by 2.8 at a maximum).
A wide aperture value has two effects on your images:
1) Allows more light, thus allowing lower light photography, as well as allowing faster shutter speeds (hence the designation 'fast' lens).
2) Wide apertures narrow the depth of field, giving blurrier backgrounds.
In regards to 2), the higher optical quality glass of 'L' lenses tends to mean the out of focus areas of an image are actually smoother and more pleasant looking too.
Lastly, the EFS- mount of the 18-135mm is exclusively built for 1.6x crop cameras - it won't go on a full frame camera such as the 5D. The 24-70 f/2.8L is an EF mount meaning it can go on both cameras.
Marty Chinn said:Thanks for that awesome and clear description. In keep wanting to have a lower f stop but it sure gets pricey quick =) So I know that isn't in the cards for the time being. Now I just gotta decide if 135mm is enough for now or not. Lens decisions are tough!
Marty Chinn said:Thanks for that awesome and clear description. In keep wanting to have a lower f stop but it sure gets pricey quick =) So I know that isn't in the cards for the time being. Now I just gotta decide if 135mm is enough for now or not. Lens decisions are tough!
The_Inquisitor said:Quick question photo-gaf. As I said in a post earlier my friend just paid through the nose for a 7D. Glancing through Amazon I couldn't help notice this bad boy coming out soon.
http://www.amazon.com/dp/B0035FZJI0/?tag=neogaf0e-20
Canon T2i. For HALF the price. Is the 7D really worth twice the price compared to this camera?
I may be looking into getting one of these in about a year or so, or whatever the next iteration is. How much of a difference would I notice stepping up from my Canon Rebel XS?
You probably don't want to buy prosumer quality cameras unless you really have a lot of money to blow or actually have a plan to make money off of it.The_Inquisitor said:Quick question photo-gaf. As I said in a post earlier my friend just paid through the nose for a 7D. Glancing through Amazon I couldn't help notice this bad boy coming out soon.
http://www.amazon.com/dp/B0035FZJI0/?tag=neogaf0e-20
Canon T2i. For HALF the price. Is the 7D really worth twice the price compared to this camera?
I may be looking into getting one of these in about a year or so, or whatever the next iteration is. How much of a difference would I notice stepping up from my Canon Rebel XS?
BlueTsunami said:Off the top of my head I believe the premium price of the 7D buys you a better body (physically bigger and better quality materials), much better viewfinder and better frame rate. With that said, the Rebels that come out after closely placed segments tend to meet or slightly exceed the (relatively) older tech in regards to sensor quality. It miffs some people but thems the breaks.
The_Inquisitor said:Quick question photo-gaf. As I said in a post earlier my friend just paid through the nose for a 7D. Glancing through Amazon I couldn't help notice this bad boy coming out soon.
http://www.amazon.com/dp/B0035FZJI0/?tag=neogaf0e-20
Canon T2i. For HALF the price. Is the 7D really worth twice the price compared to this camera?
I may be looking into getting one of these in about a year or so, or whatever the next iteration is. How much of a difference would I notice stepping up from my Canon Rebel XS?
Rentahamster said:You probably don't want to buy prosumer quality cameras unless you really have a lot of money to blow or actually have a plan to make money off of it.
As a hobby, you have to be really careful about what to buy. It's very easy to spend too much money on equipment that is far too advanced for one's needs.
The_Inquisitor said:I agree, which is why I find it weird he blew 1.6k on a camera. I think he got help from the school since he takes pictures for the University paper. One of the things I hate not having on my camera is the ability to shoot video. I also would mind the improved sensor all the latest cameras are getting.
That being said, I have a lot I can still learn using this Rebel XS of mine.
Hcoregamer00 said:I will give a standard answer and just tell you to improve your glass, and just buy a new camera if your Canon XS dies. If you do heavy photography, maybe get a second body, but focus on the glass.
I upgraded from a 28-135mm to a 24-70 f2.8L and 85 f1.8, that added a whole new curve to photography I had no idea existed.
Rentahamster said:You probably don't want to buy prosumer quality cameras unless you really have a lot of money to blow or actually have a plan to make money off of it.
As a hobby, you have to be really careful about what to buy. It's very easy to spend too much money on equipment that is far too advanced for one's needs.
The_Inquisitor said:I agree, which is why I find it weird he blew 1.6k on a camera. I think he got help from the school since he takes pictures for the University paper. One of the things I hate not having on my camera is the ability to shoot video. I also would mind the improved sensor all the latest cameras are getting.
That being said, I have a lot I can still learn using this Rebel XS of mine. Today I finally got enough dust on my sensor to where it showed up for the first time in photos which was a little disappointing but a good thing I can now look out for.
What do you guys recommend for sensor cleaning. A few resources pointed toward buying a Giottos Rocket Air blower. Any suggestions on methods/ what to use?
Globehopper said:The advantages the 7D has over the T2i that I'm aware of:
- 100% viewfinder, with on-demand grid lines and level meter
- 15 RAW image buffer vs 6 (huge for sports)
- 8fps vs 3.7fps (ditto)
- All-metal body with some weather sealing
- Top LCD screen (this is a pretty big deal for me... I would hate to try to use an SLR without a top LCD)
- Bigger/heavier (this could be a disadvantage, but it's more mass for more stable low shutter speed shots)
- Next-gen AF system (LOTS of reported problems with the 7D's AF on the forums though. Real or imagined? Who knows)
Is that worth another $800? Up to the individual I guess. It definitely would be for me. I'm currently having very impure thoughts about a 5dMkII though! However I probably won't upgrade from my 40D just yet, sigh.
The_Inquisitor said:Yeah it has an auto cleaner. Did not work. A blower came with my lens cleaning kit. I just ripped off the brush portion and tried using the blower portion as instructed online with the camera tilted downward. No real effect. It was really windy when I was shooting, though I thought it had calmed down when I swapped lenses. I am having trouble finding a camera store that sells a decent wet solution. Any suggestions in the Dallas area? Otherwise I am calling that camera store in Irving everyone raves about.
Hcoregamer00 said:Tell me about it >_>
Constant Aperture lenses are great, I love my f2.8L, but it comes with lots of extra weight. My 24-70L weighs TWICE as much as my 28-135 lens and has half the zoom distance. Frankly, I love the idea of having 2.8 across the whole range than having f3.5-5.6 when I zoom in closer.
A 24-105 or a 24-135 f2.8L would be around 3-4lbs and it would likely cost well north of $2,500.
BlueTsunami said:You're shooting a crop camera (Like a Rebel or 30/40/50D?). On the long end, that 135mm will be 216mm as far as Field of View. So you'll be getting quite a bit magnification and "reach" from that lens. I think it would be pretty long.
Edit: Guess that lens is an EF-S lens so yep, you'll have some range with it
And 18mm-135mm is quite a span of focal lengths and would be very versatile, I would think (if you're really needing that all in one type of lens).
Marty Chinn said:Ya, I keep wanting to get a nice low f2.8 constant lens but my wallet starts to cry when I look at what it costs.
I saw the 28-135mm lens at Best Buy tonight hooked up to I think a 50D, and the zoom wasn't as big as I thought it might be. Definite step up over what I have but not sure if it was enough.
I did see a 50-250mm lens that seemed pretty damn cheap though from Canon. Almost too cheap so it makes me question the quality of it.
I know I'm just all over the place at this point trying to figure out what a good general all in one lens is going to be that won't kill me in cost. Sigh...
mrkgoo said:Unless you plan on shooting f/8 or more much often, I would hold back on wet cleaning until you are ready to do it. Like I said, if you haven't done it before, it's quite harrowing.
On a crop sensor camera f8-11 should be fine. After that youll be losing some sharpness due to diffraction so theres a trade off.The_Inquisitor said:I kind of do actualy. So it's a big problem. My friend who bought the 7D has a friend who has wet cleaned a rebel before and is contacting him. It didn't seem so bad. Wrap the wipe around a modified spatula and wipe across. Easy right? :lol
Well I guess I will explain why I was in f22. I was trying to use the small aperture possible to make sure everything came into focus. Do you think I could get away with f/8 and get most everything still in focus?
zombi said:On a crop sensor camera f8-11 should be fine. After that youll be losing some sharpness due to diffraction so theres a trade off.
Also, at the same time I felt my photos today were not as sharp as some I took with my kit lens a few months back. When shooting with my kit lens at f/3.5 during that period, everything look nice. But today at f/22 with my 50mm prime, stuff came out a smidge blurrier than I would have liked.
Does sharpness degrade on the 50mm as aperture size decreases?
The_Inquisitor said:I kind of do actualy. So it's a big problem. My friend who bought the 7D has a friend who has wet cleaned a rebel before and is contacting him. It didn't seem so bad. Wrap the wipe around a modified spatula and wipe across. Easy right? :lol
Well I guess I will explain why I was in f22. I was trying to use the small aperture possible to make sure everything came into focus. Do you think I could get away with f/8 and get most everything still in focus? Also, at the same time I felt my photos today were not as sharp as some I took with my kit lens a few months back. When shooting with my kit lens at f/3.5 during that period, everything look nice. But today at f/22 with my 50mm prime, stuff came out a smidge blurrier than I would have liked.
Does sharpness degrade on the 50mm as aperture size decreases?