Although, I was always under the impression that Basic Channel wasn't really very widespread or popular back during their day, it was only much later where their songs were revered (especially with the rise in 'mnml' in the mid 2000's). In a discussion about RA and how they pretty much ignore progressive house and trance, someone said "RA pretends that everybody in the 90's grew up listening to rare Basic Channel B-sides, but they were really boshing their faces off to Oakenfold and Sasha".
This is totally wrong of course. Basic Channel had such a profound influence during their heyday (and onwards) that it's quite difficult to overstate.They blew open the notion of what was possible in techno production through utilisation of dub-style production techniques. They also had a massive effect on Detroit and helped establish the Berlin-Detroit axis. They were a big, big deal, and anyone who was keeping tabs on techno at the time would have felt the shockwave and heard the music. One could go on all day listing off the artists they've inspired. There is no such thing as a "rare Basic Channel B-Side" anyway.
I never really understood why BC were later lumped with minimal, either. I think it was Philip Sherburne who'd been pushing that line, but I can't agree. Minimal, when it first really made its presence in techno, was all about Robert Hood's Minimal Nation, and to a degree Richie Hawtin's Plastikman releases. The later mnml stuff was a fad 10 years too late. BC's sound was too rich and dense to my ears to be minimal.