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Thoughts on the "Mighty Whitey" Trope in Fiction

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This isn't the first time I've heard someone say Doctor Strange was guilty of that trope and I still don't understand. The school seemed to be pretty diverse, and the one in charge of it all was white, so I don't get it.
 

Slayven

Member
Remember when T'Challa saved Bucky, offered him shelter, protected him from the outside forces that would hunt and kill him?


Why can't Marvel do that?




I wish Marvel was more like Warner Bros and just have an almost all-white magicians cast, except for the token black woman, covering both gender and race diversity in ONE ROLE!
They should cancel the Cyborg movie and make a Bloodwynd one
486938-bloodwynd3.jpg
 

El Topo

Member
As much as I want a new big budget and well adapted Dune movie I realize its a pretty glaring white savior story even if its one of the essential scifi classics.

I disagree to an extent.
The story/prophecy that Paul and his mother make use of were deliberately spread by the Bene Gesserit and while Paul is extremely successful due to his upcoming, it is certainly debatable whether his actions are any good. The reflections in the second book in particular show his failures. Storywise he is also not the first foreigner to be accepted by the Fremen, as (iirc) Pardot Kynes was an Imperial that studied Arrakis, joined the Fremen and came up with their transformation plan, which, now that I'm typing it, I realize also satisfies the trope. I have to admit it is indeed very reminiscent of the "White guy goes somewhere and becomes better than the locals" trope.
 

Croatoan

They/Them A-10 Warthog
Yes, it was, but I'm just saying it made the trope extremely lucrative and attractive to filmmakers, in the same way Tarzan and John Carter of Mars did for a lot of writers.

Can something that is true be a trope though?
 
As much as I want a new big budget and well adapted Dune movie I realize its a pretty glaring white savior story even if its one of the essential scifi classics.

Dune is a subversion of the white savior story. Paul fits all the criteria for your standard mighty whitey, then when he succeeds he realizes that his victory will launch a holy war of unprecedented scale. It's a story about how white dudes fucked up the Middle East looking for oil, after all. Still, it's probably best we never get a remake, since Hollywood would likely just cut out the ending.
 

El Topo

Member
Dune is a subversion of the white savior story. Paul fits all the criteria for your standard mighty whitey, then when he succeeds he realizes that his victory will launch a holy war of unprecedented scale. It's a story about how white dudes fucked up the Middle East looking for oil, after all. Still, it's probably best we never get a remake, since Hollywood would likely just cut out the ending.

I agree, although Paul satisfies some of the trope (given that he becomes accepted and outskills the Fremen quickly). There's also Pardot Kynes, the guy who begins the terraforming project.
 
Yes, it was, but I'm just saying it made the trope extremely lucrative and attractive to filmmakers, in the same way Tarzan and John Carter of Mars did for a lot of writers.

If you're doing a story that's immersed in a different culture, you need a way for the audience to understand and relate to the culture. Easiest way to do that is to have someone relatable be the focus of the story, and they learn about the culture along with the audience.

More about having someone from a western culture than it is about race, but the race aspect is because there are more white moviegoes than black moviegoers. And Hollywood like money.
 
I'm pretty sure this is a popular trope anywhere. Have you watched Anime, they spend an almost unhealthy amount of time glorifying Japanese people/culture.

It's the same for pretty much anywhere. We all like to hear stories of people overcoming great adversity and triumphing. One think the makes people like these stories even more is one where they relate to the main character.

The story of Jame Bond may not go down as well in Japan, but the story of Tokyo Ghoul will defiantly be well received.
 

gforguava

Member
It is a prophecy/legend sowed by the Bene Gesserit though, i.e. an artifical story deliberately spread as propaganda. Also I would say it is debatable if he is a savior, given the events he causes and his own conclusions from the second book.
Yeah, the "mighty whitey"-ness of Dune is kind of important. Maybe less so if you are just planning on adapting the first book only but a key point of the following books is the degradation of the Fremen and how resentful they become after their culture has been subsumed by the Atreides. The books are pretty critical of their 'heroes'.

To quote Herbert himself "Heroes are painful, superheroes are a catastrophe. The mistakes of superheroes involve too many of us in disaster."
 

Litan

Member
I'm pretty sure this is a popular trope anywhere. Have you watched Anime, they spend an almost unhealthy amount of time glorifying Japanese people/culture.
Japan is, like, one of the most homogenous countries in the world. Pretty terrible comparison.
 
As much as I want a new big budget and well adapted Dune movie I realize its a pretty glaring white savior story even if its one of the essential scifi classics.

Interestingly, Paul purposely uses the Missionaria Protectiva to insinuate himself with the Fremen by claiming to be the Madhi.
 

Lunar15

Member
If you're doing a story that's immersed in a different culture, you need a way for the audience to understand and relate to the culture. Easiest way to do that is to have someone relatable be the focus of the story, and they learn about the culture along with the audience.

More about having someone from a western culture than it is about race, but the race aspect is because there are more white moviegoes than black moviegoers. And Hollywood like money.

Oh, totally. Take something like Mass Effect, which is the exact same trope, but replace "white people" with "Humans". There's no racial implications because I can make my character whatever skin color I'd like, but at the end of the day it's still this one person that uses our earth-based perspective and applies it to all these foreign cultures, ultimately becoming a savior figure for the entire galaxy.

The trope in itself isn't inherently bad, but in terms of hollywood and a lot of western fiction, it was born out of a specific, white-dominated society with a thirst for exploration and a growing distaste for modern society. Mighty Whitey isn't even the only negative trope to come out of this either, a lot of the stories we have about lost ancient civilizations were born out of inherently racist ideas from around the same time. The idea that the people currently living there (IE: Africans, South Americans, Asians) couldn't have been the ones to build these amazing ruins.
 
It's has a lot to do with it actually. I was just discussing this in another thread, but humans haven't been shown to be historically racist. Modern colorism or racism is largely a product of European colonialism and the slave trade. Racism came about as a way to justify the inhuman treatment of slaves.
Another common narrative became that of the white savior. The idea that the white man was actually helping these "savages". Again, it's a pretty modern idea. When Europeans first started colonizing the Americas, the American Indians weren't viewed as savages. That kind of rewriting of history and racism came later.
The mighty whitey trope is merely a continuation of this racist tradition... the idea that it was okay to abuse and enslave Africans and Indians because they weren't advanced or cultured or educated enough.
It actually subsided a bit during Reconstruction but in the post Reconstruction era it came roaring back. Southern whites needed to justify their violence against the newly successful freed men. Once again came the narrative that whites were a superior race, that's continued to this day. Even after the Civil Rights movement, it's a common line of thought (you see it a lot with anti welfare or anti affirmative action arguments that blacks simply aren't capable of succeeding) that let's people conveniently ignore the systemic injustices that led to our current situation.
Are u for real?
The world doesn't stop to US of A

If you take Arab slave trade for example:
http://atlantablackstar.com/2014/06...vement-of-black-people-not-taught-in-schools/
They had nothing to envy to European slave trader.
 
I thought that the film fixed this trope (which the comics were definitely guilty of back when they told his origin). The school is diverse. They protect the world and have branches all over the world.

Sure the school itself is in Katmandu and looks like a building in Katmandu might but that's easily handwaved away as that being elements of the local culture seeping in, rather than the school itself being eastern in nature.

And he thwarts a white threat, threatening the world. He doesn't just save the natives or the locals. He stops someone who has betrayed humanity to a multidimensional godlike being.

This isn't 'thank god whitey was there to save them Chinese looking wizards!'
 
More about having someone from a western culture than it is about race, but the race aspect is because there are more white moviegoes than black moviegoers. And Hollywood like money.
African Americans, Hispanics, and Asians are the majority moviegoers actually, compared to whites.

https://www.washingtonpost.com/amph...002564-9774-11e5-b499-76cbec161973_story.html
Every year for the past half-decade, the average white American has bought a ticket to fewer films than the average black, Hispanic or Asian moviegoer, industry data shows. Though 37 percent of the U.S. population, minorities bought 46 percent of the $1.2 billion in tickets sold in the United States last year.

Minority audiences, of course, did not flood only minority films: People of color bought more than 60 percent of the U.S. tickets to last year’s “Transformers: Age of Extinction,” a $245 million blockbuster whose cast was almost exclusively white.

The power of minorities’ spending, particularly in movies with more diverse stars and stories, has become impossible to ignore. “Furious 7,” which made more than $1 billion worldwide, pocketed 62 percent of its $350 million gross in the United States from minority moviegoers. Notably, “Compton,” which far outpaced financial projections, counted a box-office audience that was 75 percent nonwhite.

“If you try to be diverse for the sake of being diverse, it’s going to fail,” Jeff Shell, the chairman of Universal Filmed Entertainment, the studio behind “Compton,” told Variety last month. “The real reason to do it is that it’s good business. Our audience is diverse.”
 
Are u for real?
The world doesn't stop to US of A

If you take Arab slave trade for example:
http://atlantablackstar.com/2014/06...vement-of-black-people-not-taught-in-schools/
They had nothing to envy to European slave trader.

I don't think that disproves my thesis though, that the otherification came about as a result of slave trades and imperialism. I certainly never meant to imply that only Europeans engaged in slavery (slavery is in fact quite common among most human societies throughout history).
 

Akuun

Looking for meaning in GAF
I think having a story like that can make for good storytelling, but it's definitely overdone and is sometimes pretty callously dismissive in its portrayal of the demographic that it's trying to "save".

It's kind of the same thing as the whole "fuck yeah 'murica saves the world" trope, but more widespread. Fun if you do it well once or twice, but if it's common enough that you can name a trope after it, then it's probably overdone.
 
I walked away from Dr. Strange kinda feeling like he
was NOT superior to Wong and Mordo at all, he just got lucky with Dormammu and/or beat him with a bit of logical trickery, not mastery of the craft. In other words, he's kind of a poser still (albeit rapidly rising) and got lucky at the big game, but within the fiction, I'd still probably bet on one of the other guys to save the day next time. (I mean, outside the fiction we know otherwise, of course; the name of the franchise is "Dr. Strange", not "Wong".)
 
The Doctor Strange movie is kinda interesting in how it tries its damnedest to walk on the fine line with regards to this trope. For example, while the school is in Nepal, its disproportionately diverse for the country its seated in, and is shown to draw on mysticism from all corners of the globe. There's sanctums in America, Europe, and Eastern Asia, and the masters of them that we see, well, aren't White. Yet at the same time they did take a previously Tibetan character and make them celtic (discounting of the political arguments in this regard, I do wonder if the Ancient One is meant to be Merlin now), and the lead is a Brit playing an American who becomes a master sorcerer within the apparent span of months. Yet Strange also isn't actually
the Sorcerer Supreme at the end of the movie - just the apparent master of the New York Sanctum, as an equal counterpart to Wong.

But yeah, really what makes the trope so troubling as it is, is that there's not a lot of the reverse. Immigration and integration are powerful, broadly commendable themes, but when it its used exclusively or primarily to the benefit of white males, it becomes egregious and rather insulting. Its not as if history doesn't provide plenty of opportunities in this respect either, even if they were relatively rare for their time and place - not as if the usual suspects weren't either.

With regards to Hollywood, I do wonder to what extent the commercial failures of films like the 13th Warrior may have contributed to things, having learned of it a couple of years ago. For those who don't know, the film is based on a real life traveller by the name of Ahmad ibn Fadlan, albeit sending him even farther north than he actually went so that he's smackbang in the middle of a loose adaptation of Beowulf. It also cost somewhere in the region of 150 million dollars to make back in 1999, and barely made more than 60 million at the box office. Regardless of the film's actual quality in itself, its not hard to see how producers could easily point to such things, just as they have with prior female superhero films, to justify not undertaking similar projects.
 

Monocle

Member
Or maybe it's just a fun story about a guy becoming a wizard.
Clearly it's more of a story about how White Liberal Hollywood Elitist Tilda Swinton is wiser and stronger and better than all Asians. Indeed, the character of Dr. Strange exists only to take the story to a point where it can be dropped at her Caucasian feet so that the mockery of the original version of The Ancient One can commence.
 

PSqueak

Banned
I hate the trope, but in the defense of Dr. Strange, the order he joined in the movie was actually pretty multicultural, so it lessens the effect of mighty whitey since he didn't come to a monolithic group of people.
 
I'm pretty sure this is a popular trope anywhere. Have you watched Anime, they spend an almost unhealthy amount of time glorifying Japanese people/culture.

Japan is like 99% Japanese. Multicultural/melting pot-ism has never been a tenant on which Japan's society was built upon.
 
Being aware of tropes regarding race =/= using said tropes is racism

I thought it was fine in Doctor Strange. The Ancient One is only passively identified as Celtic and certainly doesn't fixate on race given the whole multiverse thing. She's only one of a set of master sorcerers as well.

I'd honestly say calling the Ancient One as some awful racist trope as a possible but shallow reading.
 

Brakke

Banned
Doctor Strange is a bad example of this. There's nothing even really Buddhist about the magic school except that it's in Nepal. The top dog is a Celtic lady and Strange's main mentor is a black dude. And the bad guy performs his Evil Ritual in a cathedral.

They don't even teach Strange to meditate or anything. They make a little joke about that not being necessary. I guess they like kinda do tai chi?
 
The whitewashing of the Ancient One seems like a far more glaring problem imo

Mighty Whitey trope is an issue that persists but seems less a problem in Dr Strange considering the circumstances
 
How is Strange a mighty whitey when he is set up to be Socer Supreme of the entire universe not an ethnic tribe or something?

That logic Superman, Green lantern, and Quasar are mighty whitees

more people of color in the world than not b

you don't throw a brick at a fish tank and then say the glass isn't broken because the water isn't
 

qcf x2

Member
If you're doing a story that's immersed in a different culture, you need a way for the audience to understand and relate to the culture. Easiest way to do that is to have someone relatable be the focus of the story, and they learn about the culture along with the audience.

More about having someone from a western culture than it is about race, but the race aspect is because there are more white moviegoes than black moviegoers. And Hollywood like money.

It's a self perpetuating cycle. It also bleeds into race relations and all the way over into preferences as well. Hollywood isn't the only reason white is considered ideal/right/superior, but it proudly shoulders a lot of the responsibility.
 
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