Also my friend had a bunch of leftover baking supplies from a company cookie bake and gave me what he had left. 9 pounds of premium bittersweet chocolate chips, 10 pounds of King Arthur Flour and 3 Pounds of Baking Soda. Two of those things I use in large quantities...and Nine pounds of really good chocolate chips!
So it has recently come to my attention that a short called Villainous is airing on Cartoon Network Latin America...
Why isn't this airing here? Just look at it! IT'S GREAT!
Remember The Secret Saturdays?
Remember how it ended faster than Generator Rex?
The first few chapters made it seem like Season 5 was going to be a character-based story, but it really wasn't. It was weird.
I would've (among other things) dropped the Jack and Ashi thing, and put the focus of the last few episodes on Jack realizing that the future will be gone if he goes back to the past. It's a real moral dilemma, means a lot more to long-time fans, and fits the samurai "transitory nature of the world" trope that the series has used before.
Maybe, but it's not like Jack and Ashi's relationship was especially well-developed. On the other hand, Jack's spent like 50 years in the future, and pretty much everybody he knows and has worked for are from the future, and it's hard to believe that he wouldn't care. His fall is even symbolized by him not going out of his way to save people.
And more importantly, the viewers have an attachment to the Jack's future. That's why they all came back for the big finale, and that's why we had that flashback episode. Having Jack realize the meaning of it all going away would've had a lot more impact.
Yeah, but it'd be just as easy to spin that the other way. Jack dismisses the idea in Episode 1 because he's just arrived and has no attachment to the future, but literally, he's spent fifty years there! It'd the just kind of thing someone like Jack wouldn't realize the true import of until the very end, and it would've been easy to pull off with the attachment the viewers have to the setting, by rewriting the last few episodes (and honestly, the entire season after episode 3). The series not even pausing to think about it rang a lot more hollow to me.Jack had known this future was fleeting from the start though. Hell, he originally didn't want to help the dogs because it wouldn't matter once he got back to the past. All his personal demons were focused on that, on not helping them by ridding the world of Aku. By not changing the future.
Having his big emotional thing be "oh man this future is going to be gone" would have rung hollow. Also I disagree about the Ashi thing, I thought it was perfectly fine for what they wanted to do. Any more wouldn't have been in the vein they were mining and would have taken more episodes.
vaguely...generator rex was a decent show
Yeah, but it'd be just as easy to spin that the other way. Jack dismisses the idea in Episode 1 because he's just arrived and has no attachment to the future, but literally, he's spent fifty years there! It'd the just kind of thing someone like Jack wouldn't realize the true import of until the very end, and it would've been easy to pull off with the attachment the viewers have to the setting, by rewriting the last few episodes (and honestly, the entire season after episode 3). The series not even pausing to think about it rang a lot more hollow to me.
Jack and Ashi's relationship makes sense, but it doesn't really mean anything to me. The execution wasn't convincing, it suffers from the same lack of character development the season does. People say they didn't have enough time to do it right, but they didn't really use what time they did have well either; I'd change a lot about how Season 5 played out.
You don't need personal relationships to make it work. Like, why was it hype when all the people Jack's saved from the last seasons showed up again? Because they do have relationships with Jack, even if they're not literally personal relationships.
I can't see why it wouldn't work with those. You just need to write it right.
But he does have a relationship with them. It's literally the point of the first 3 episodes, that Jack's grown bitter to the point where he doesn't save people anymore.
And Jack's literally the kind of guy who'd be gung-ho about erasing the future until he realizes what that actually means. It's the kind of perspective change the original episodes used all the time. Sure, he didn't give a shit in the actual season 5, but it isn't a far-fetched idea that he would.
And, again, it would make sense to the viewers, because they literally have that attachment to the future. If they didn't, the callbacks and the returning characters would've been meaningless, but they weren't, so.
And it's not like the future is some Warhammer 40k perpetual hell. It's a dystopia, yes, and maybe it would be better if it never existed...but that's not a clear-cut certain thing, and that's the entire point.
I wonder if Trunks could fly to new namek and if Porunga could wish back all of the dead people.
Yeah, and then it's followed up by a scene of him seeing Scaramouche destroy a city in the distance, and deciding to drive away.Except the first scene in the show is literally him saving people.
Jack knows what he'd going to know, but that doesn't mean you can't write it as him not understanding what it would really mean. The show didn't do that, but that doesn't mean it can't.I disagree with your point about Jack not realizing what he's set out to do. He's always seemed pretty clear on it throughout the series. He's literally been seeking to undo the future that is Aku. I don't think you're giving the character enough credit here.
The viewers having an attachment to this future literally does not matter here. We'd need Jack to have an attachment to the future for the idea to work. That's the only way it works. Without some kind of attachment, there's no conflict to be had here. Jack needs some reason to maybe not want to change the future.
Yes, it's a hot garbage of a future. But it wasn't a grimdark future. There are people who have happy lives, usually because of Jack, and there's more things going on than just depression. And we have personal attachments to those characters, and even if the Scotsman and Ashi were ultimately the only one Jack interacted with multiple times, do you think Jack wouldn't care if he met the Spartans again? Or the Atlanteans? Or the Blind Archers? That he wouldn't care about losing them?Also, yes this future is literally perpetual hell. Aku is literally bringing in criminals from around the universe and giving them free reign on Earth, beyond that he's pointing them towards innocent people trying to live their lives. We've seen Aku do this a couple of times in the series. People were actively trying to escape the Earth in a hope there's something better out there. It's a future run by evil space demon Hitler. I feel like you're downplaying how shit it is.
But it kind of did. The first three episodes specifically set up a character arc for Jack, but...it didn't actually go anywhere. Like, look at Jack's issues with killing humans, he has a major moment of personal conflict, has a flashback, comes to terms with it, and then resolves it, followed by a major moment of return.Which might be OK, since it at least didn't introduce these threads, only to leave them hanging. It kept it's focus, it maintained it's "show, don't tell" style, and it left enough open so that we can speculate and enjoy it for ages to come.
But it kind of did. The first three episodes specifically set up a character arc for Jack, but...it didn't actually go anywhere. Like, look at Jack's issues with killing humans, he has a major moment of personal conflict, has a flashback, comes to terms with it, and then resolves it, followed by a major moment of return.
By comparison, his angst over being stuck in the future, mad Jack, and the Green Horseman, they got resolved...pretty much arbitrarily. It's the opposite of what the first three episodes promised, like they changed focus. They even dropped the symbolism of mad Jack looking like old Jack, not to mention the symbolism of the Green Horseman. Ashi has similar issues with her arc.
And while they could've done with more episodes, I don't think they used the time they had well. Like, for example, mad Jack and the Green Horseman could've been tied together directly since they relate to the same issue, rather than dealt with separately where they couldn't be fully addressed. Or Ashi fighting that army was cool, but made the thing with her Mom feel pretty random.
E X T R A T H I C C
https://www.youtube.com/watch?v=WAFjOoawIWIBruh...it's vaporware.
yeah, likeAgain, us having an attachment literally does not matter.
You need to give Jack a reason to not want to change the future. Without that instance there's no internal conflict to be had. SAB CA is absolutely right when he says Ashi could have been played that way, but short of rewriting the entire series it's the only way to get there.
For you to get the conflict you want, you need to give Jack a reason to keep this future. Ashi would work because of his personal attachment to her. Whatever reason you give would have to be enough to override him making 1000's of years worth of people's lives infinitely better. You'd have to give him a reason that could override his desire to save his own parents. The best way to get there is a strong emotional attachment on Jack's part, something like love.
given Tokyo Ghoul's ratings, I'm betting posts like these are going to look really silly in retrospect, hehLooks like I'll be starting the HxH manga sooner than I thought.
alright now that my annoyance has gone down a bityeah, like
what future is Jack supposed to be worried about losing exactly?
thousands of years of suffering, slaughter and oppression for everyone on the planet? what kind of asshole would he be to say "nah all that's okay I made 3 friends here, no need to go back and finish what I started"
it's like in Chrono Trigger if the kids were like "yeah but what about the five friends we made in that one dome in the postapocalyptic wasteland? i'm really struggling over whether we should actually go back and defeat Lavos"
I'll continue doing what I'm doing then. I kind of want to see more of Togashi's art style but at the same time I don't know which art style the scan sites are running around with for certain parts.Just post anime
I mean they did forget to add a certain someone in the beginning, but I guess if it's 1:1 enough what's the point.It's my first time watching, but the HxH anime is so close to the manga that it's probably unnecessary to go back and read. Maybe read a few of the early stuff they censored or left out.
Wait, who?I mean they did forget to add a certain someone in the beginning, but I guess if it's 1:1 enough what's the point.
Wait, who?
(and don'tcha want to read about the details of Kurapika's nen power)
Oh yeah, that guy.Kite and the encounter with the Bears on Whale Island
I'm not sure what Tokyo Ghoul has to do with it.given Tokyo Ghoul's ratings, I'm betting posts like these are going to look really silly in retrospect, heh
Pretty sure it'sWait, who?
(and don'tcha want to read about the details of Kurapika's nen power)
Oh, I thought it was that thing people've been saying lately about picking up the HxH manga since they might move the anime back. Nevermind.I'm not sure what Tokyo Ghoul has to do with it.
But I guess my post was slightly off topic.
Like is it going to make anymore sense or is just going to be Jojo Part 5 all over again?Wait, who?
(and don'tcha want to read about the details of Kurapika's nen power)
They're not less popular, but serialized cartoons have to be shown in order, and the networks don't want to put in the extra effort. Plus, frankly, the people who run this stuff have nothing but contempt for children.Can someone tell is it that story driven shows don't work or is it that they don't make much money as TTG and networks not knowing what to do with them