This was an interesting read to say the least.
So she reached out to a theatre professor and hired three actors (the two candidates and the moderator) for the performance and got a professor from the Animation department at RISD to do the graphics. Hillary was renamed "Jonathan Gordon" and Trump was now "Brenda King".
Her Opponent was performed a week after the inauguration for an audience of mostly fellow academics and press.
Some of their assumptions going in:
And some reactions:
NYU has a great interview with the theatre professor, Joe Salvatore at the end of the article.
I encourage reading the whole piece and the full interview. There's a lot more there and also a video of a rehearsal at the link.
Even watching the rehearsal is a little weird for me. It's something so obvious and yet I hardly ever second-guess what's going on in my mind watching speakers of different genders. I wish I could see this in person because it's good to be reminded of this.
Millions had tuned in to watch a man face off against a woman for the first set of co-ed presidential debates in American history. But how would their perceptions change, she wondered, if the genders of the candidates were switched? She pictured an actress playing Trump, replicating his words, gestures, body language, and tone verbatim, while an actor took on Clinton's role in the same way. What would the experiment reveal about male and female communication styles, and the differing standards by which we unconsciously judge them?
So she reached out to a theatre professor and hired three actors (the two candidates and the moderator) for the performance and got a professor from the Animation department at RISD to do the graphics. Hillary was renamed "Jonathan Gordon" and Trump was now "Brenda King".
Her Opponent was performed a week after the inauguration for an audience of mostly fellow academics and press.
”The atmosphere among the standing-room-only crowd, which appeared mostly drawn from academic circles, was convivial, but also a little anxious," Alexis Soloski, a New York Times reporter who attended the first performance, observed. ”Most of the people there had watched the debates assuming that Ms. Clinton couldn't lose. This time they watched trying to figure out how Mr. Trump could have won."
Some of their assumptions going in:
Salvatore says he and Guadalupe began the project assuming that the gender inversion would confirm what they'd each suspected watching the real-life debates: that Trump's aggression—his tendency to interrupt and attack—would never be tolerated in a woman, and that Clinton's competence and preparedness would seem even more convincing coming from a man.
And some reactions:
”I've never had an audience be so articulate about something so immediately after the performance," Salvatore says of the cathartic discussions. ”For me, watching people watch it was so informative. People across the board were surprised that their expectations about what they were going to experience were upended."
Many were shocked to find that they couldn't seem to find in Jonathan Gordon what they had admired in Hillary Clinton—or that Brenda King's clever tactics seemed to shine in moments where they'd remembered Donald Trump flailing or lashing out. For those Clinton voters trying to make sense of the loss, it was by turns bewildering and instructive, raising as many questions about gender performance and effects of sexism as it answered.
NYU has a great interview with the theatre professor, Joe Salvatore at the end of the article.
Based on the conversations after the performances, it sounded like audience members had their beliefs rattled in a similar way. What were some themes that emerged from their responses?
We heard a lot of ”now I understand how this happened"—meaning how Trump won the election. People got upset. There was a guy two rows in front of me who was literally holding his head in his hands, and the person with him was rubbing his back. The simplicity of Trump's message became easier for people to hear when it was coming from a woman—that was a theme. One person said, ”I'm just so struck by how precise Trump's technique is." Another—a musical theater composer, actually—said that Trump created ”hummable lyrics," while Clinton talked a lot, and everything she was was true and factual, but there was no ”hook" to it. Another theme was about not liking either candidate—you know, ”I wouldn't vote for either one." Someone said that Jonathan Gordon [the male Hillary Clinton] was ”really punchable" because of all the smiling. And a lot of people were just very surprised by the way it upended their expectations about what they thought they would feel or experience. There was someone who described Brenda King [the female Donald Trump] as his Jewish aunt who would take care of him, even though he might not like his aunt. Someone else described her as the middle school principal who you don't like, but you know is doing good things for you.
What did you find most surprising?
...I was surprised by how critical I was seeing [Clinton] on a man's body, and also by the fact that I didn't find Trump's behavior on a woman to be off-putting. I remember turning to Maria at one point in the rehearsals and saying, "I kind of want to have a beer with her!" The majority of my extended family voted for Trump. In some ways, I developed empathy for people who voted for him by doing this project, which is not what I was expecting. I expected it to make me more angry at them, but it gave me an understanding of what they might have heard or experienced when he spoke.
I encourage reading the whole piece and the full interview. There's a lot more there and also a video of a rehearsal at the link.
Even watching the rehearsal is a little weird for me. It's something so obvious and yet I hardly ever second-guess what's going on in my mind watching speakers of different genders. I wish I could see this in person because it's good to be reminded of this.