Coop living Dougie's life isn't trying to me at all yet. Every second of it, up to him riding the elevator backwards and all his coworkers yelling and pushing him out, cracked me up. If it goes 16 episodes then yeah, I'll be pissed. But at the moment I think it totally worksthe way he's moving through the world is even kinda beautiful.
He's a near-blank slate, and because he doesn't really act or react on his own he's completely left to the devices of others. He's vulnerable. And yet most of the people he's encountered have been benevolent on the whole. The limo driver, Bill & Candy Shaker, Phil. And he clearly already feels something for Sonny Jim. None have made it their mission to help him get back to Twin Peaks or anythingbut how could they? They've done as much as a random person could do: be concerned, demonstrate kindness, and try to assist him in his disabled state. Even the less benevolent like Brett Gelman's casino supervisor and his boss (and hell, Janey-E, who does not seem at all trustworthy) haven't been outright vicious.
I find it weirdly optimistic for Twin Peaks. The arc of Dale-as-Dougie appears to be this addled man mostly encountering goodness in the world. Lynch's work has always been about darkness underneath the everyday, and while there's bad in the mix here the thrust seems to be that the world errs on the side of goodness. That'll change as whoever Dougie and Janey-E owe money too comes for them, and as the assassins catch up. Hopefully Dougie's Dale by then.
So I haven't seen this idea floated around anywhere, but this season of Twin Peaks feels like a parody of mystery drama series like Lost and GoT the same way Season 1 of Twin Peaks was a parody of soap operas.
Any thoughts?
hm. I dunno. For one I wouldn't say the first two seasons
parodied soap operasparody in my mind is Mel Brooks, ZAZ, David Wain & Michael Showalter. Lynch and Frost exaggerated a soap opera until it came apart at the seams, but a lot of their use of soap opera mechanics was genuine: the intense emotions, the intricate serial plotting, all the beautiful people sleeping around.
The fractured plotting in this season definitely has ties to the puzzling of shows like Lost (is Thrones really a "mystery drama"?) but I don't think Lynch and frost are sending those conventions up. They're just embodying them in an idiosyncratic waya very Twin Peaks way. For example, I don't expect this to end with more loose ends than tied knots. Already seemingly oblique scenes, like the kid and the drugged-out mom, have been shown to have a purpose in the plot. More dovetailing is sure to come. The South Dakotans are on Dougie and Janey-E's trail, the people to whom they owe money are sure to come knocking, Dale's Great Northern key is en route. I'm confident it'll all come together.