I understand the argument that some shows should be for the commercial channels (not sure about The Voice, for instance, especially given the dodgy connections to Universal Music) but I'd be happy with the BBC providing commercial shows so long as the profits can be reinvested into the broadcaster. (It's better than it going into Murdoch's pockets.)
If nothing else the state of the print media shows we need a public service news broadcaster who at least pretends to be balanced, but that'd be the first thing to go if you're worried about competing with commercial interests.
Well if they wanna become a production company and sell their wares to other channels, they should go right ahead, but obviously it won't net them any profit as long as it's just being shown on the BBC. OK, they can get a bit from DVD sales and for shows that are super popular worldwide like Top Gear and Doctor Who, the DVD and Syndication can be huge. But they're anomolies.
And yeah, I'm happy for them to be a public news broadcaster. I just don't understand why, in this day and age, we need to be funding entertainment via something that's effectively a tax. If people love the entertainment aspect so much more than every where else (and it's an easy argument to make that's true in some cases and not in others - for every The Office, C4 has a Peep Show, for example; The BBC certainly isn't the only broadcaster making original, decent content, but turning it into a 'which shows do I prefer' pissing contest isn't useful imo) then they could spin
that bit off into a channel that has to compete with others and keep the actual public broadcasting (documentaries, news, whatever else) as a centrally funded channel. Best of both, IMO.
The BBC's output shits on Sky, who just buy the rights to American shows (and when they don't, it's total trash, like their adaptation of Terry Pratchett's books). If the BBC cut the majority of its programming, the quality of television in this country would nosedive. Sky have shown absolutely no interest in creating programming of the calibre of Sherlock, Doctor Who, Luther, The Office, Him & Her, etc. etc., why believe they'd start if they had no competition from the BBC?
Eeesh, it's a fairly complicated discussion to have and it's not aided by the fact that it's so subjective. Him & Her, for example, I find absolutely crap. And it's not like the BBC don't buy programming (no channel in the world could produce enough content themselves to supply four channels, even if two of them are only on for 12 hours a day). The Mighty Boosh, for example, was produced independently and hocked to the BBC. Which is fine - that's the only way it'll work. And some people loved the Terry Pratchett adaptations.
The problem with comparing output, though, is that TV more than any other art-form with the exception of music, tends to be pretty auteur; To use the example of The Mighty Boosh, that comes very much from the minds of Noel Fielding and Julian Barratt. Likewise, Chris Morris very much made Brass Eye on Channel 4. These people - as evidenced by Chris Morris' existence - wouldn't cease to exist without the BBC. In fact, The Mighty Boosh existed long before it had anything to do with the BBC as a stage show. So I'm not sure I buy this idea that without the BBC, all these shows we love would never have existed. They may not have been the same, but all these smarty pants people writing great shows and characters wouldn't blip out of existence. They wouldn't cease to be. And the BBC acts a giant hoover, sucking up talent (and often putting it to good use) but it's silly to think that this void would go un-filled should it cease to perform this function. In the same way that you can't assume that the left would disappear if the Labour party shut down tomorrow, we also can't assume that a future without the BBC would simply be the same as the present, only without the BBC.
Which leads me to another point, which is that some of the BBC productions are so well funded that no one else even bothers. Nature documentaries are actually a perfect example (and even those get co-funded with big American broadcasters; Planet Earth was co-produced with Discovery, who put Sigourney Weaver on their version rather than Attenborough.) Why would Channel 4 even try and compete with that? They can't. And I'm happy for the BBC to keep doing that kinda thing,
because no one else can afford to do it as well. In other words, it's not financially viable. The Voice? Not so much.
Yuh, this is me down to the ground.