The jet-ski levels are also godly to look at, with moving water reflecting the surrounding buildings, but when you have to stop to aim your weapon and avoid fuel barrels, the pace is not as exciting. Although being in control of both Drake (driving the jetski) and Elena (wielding the gun) is important, the ability to shoot whilst moving might have helped here, something which is solved in the final very creative jetski section. Nothing like this has been seen before and should be praised for what it does. Sadly, both many others (myself included) presume that you still have to stop to shoot in this chapter also, until we slip our finger across the shoot button. A signpost might have helped here.
