Neil Marshall = Battle of Blackwater, Attack on Wall
Alex Graves = Viper vs Mountain, Brienne vs Hound
Miguel Sapochnik = Hardhome, Battle of the Bastards, Cersei Play of the Game
Matt Shankman = Loot Train Attack
Bonus:
Jack Bender = Hold the Door (and the director of every important episode of Lost)
Btw, was the title "Hold the door" revealed before the episode aired? And if so, did anyone guess the meaning of it correctly?
Ah, gotcha.I think the actual title was just "The Door".
Btw, was the title "Hold the door" revealed before the episode aired? And if so, did anyone guess the meaning of it correctly?
I think the actual title was just "The Door".
Yes, that's the beautiful part. The plot's the nonsense part.
Bonus:
Jack Bender = Hold the Door (and the director of every important episode of Lost)
Did you miss the gif of Olenna opening the carriage window to see D&D winning the writing Emmy then disgustingly closing it?Also lol was looking up past directors and realized that d and d won an emmy for outstanding writing in a drama show for the bad pussy episode
Not that the emmys have any real clout but still
also dude have to ask again is your mashadar thing a wheel of time reference...
Btw, was the title "Hold the door" revealed before the episode aired? And if so, did anyone guess the meaning of it correctly?
I recall reading somewhere than a fan guessed that Hodor = Hold the door a few years ago and asked Martin about it. He came to his conclusion due to something about an elevator that Martin had mentioned before. Obviously he didn't know what this meant in the context of the story, but I think Martin said something like "You don't know just how close you are".
If anyone has the source in that I'd love to see it again!
2008
I still can't believe how awful the show's vision of the Three-Eyed Crow was. Imagine reading his description from the books and thinking "Yeah and old man sitting in a tree, sounds good."
I think that stuff is really hard to translate to the screen though.lol yeah when he was shown the first time on the TV show it was a huuuuuge letdown. In the books the Three-eyed crow is a scary motherfucker who melt into a tree with roots coming out of his freaking eyeholes. This would've been another really cool moment but again they screwed up. Same with Lady Stoneheart.. will never forgive them for removing her. It would've been the perfect ending for S3 when she stares in the damn camera but no D&D had different plans. Fuck that.
I think that stuff is really hard to translate to the screen though.
I think that stuff is really hard to translate to the screen though.
lol yeah when he was shown the first time on the TV show it was a huuuuuge letdown. In the books the Three-eyed crow is a scary motherfucker who melt into a tree with roots coming out of his freaking eyeholes. This would've been another really cool moment but again they screwed up. Same with Lady Stoneheart.. will never forgive them for removing her. It would've been the perfect ending for S3 when she stares in the damn camera but no D&D had different plans. Fuck that.
I think that stuff is really hard to translate to the screen though.
Old man who's had a recent haircut too.I still can't believe how awful the show's vision of the Three-Eyed Crow was. Imagine reading his description from the books and thinking "Yeah and old man sitting in a tree, sounds good."
Instead of getting LSH I've been sitting here waiting for Beric to die every time he's on screen, because surely he can't be important to the plot.
It was a forum post from...what...2009ish? It was an old forum post, but yeah that was pretty dang neat.
edit:
2008
Again, much better than what we got. Someone posted on Reddit asoiaf about redoing the last two episode plots that were much better than what we got.I'm surprised they let him live. I was expecting him to be the one to make the heroic sacrifice instead of Jon/Benjen. Especially after he lost his Godmode respawn power.
But I guess they really wanted to kill Benjen, and there should be plenty of opportunities to kill Beric later.
IMO they should've has Dany command Viserion to attack the NK. That would remove the silliness of "Why didn't they just kill the NK?" and "Why did the NK go for the 3-pointer on Viserion instead of the easy lay-up on Drogon.
As a bonus it gives a direct and powerful scene showing that NK>Dragons. For bonus points, they could make him immune to dragonfire to emphasise the message that, "this is going to be a lot harder than just getting Dany to ganking the NK with her dragons".
lol yeah when he was shown the first time on the TV show it was a huuuuuge letdown. In the books the Three-eyed crow is a scary motherfucker who melt into a tree with roots coming out of his freaking eyeholes. This would've been another really cool moment but again they screwed up. Same with Lady Stoneheart.. will never forgive them for removing her. It would've been the perfect ending for S3 when she stares in the damn camera but no D&D had different plans. Fuck that.
Instead of getting LSH I've been sitting here waiting for Beric to die every time he's on screen, because surely he can't be important to the plot.
I could see him having some important role now with Thoros dead. I expect him to bite it in some sacrificial manner in the battle with the Night's King.
We were aware that timing was getting a little hazy. Weve got Gendry running back, ravens flying a certain distance, dragons having to fly back a certain distance In terms of the emotional experience, [Jon and company] sort of spent one dark night on the island in terms of storytelling moments. We tried to hedge it a little bit with the eternal twilight up there north of The Wall. I think there was some effort to fudge the timeline a little bit by not declaring exactly how long we were there. I think that worked for some people, for other people it didnt. They seemed to be very concerned about how fast a raven can fly but theres a thing called plausible impossibilities, which is what you try to achieve, rather than impossible plausibilities. So I think we were straining plausibility a little bit, but I hope the storys momentum carries over some of that stuff.
Its cool that the show is so important to so many people that its being scrutinized so thoroughly. If the show was struggling, Id be worried about those concerns, but the show seems to be doing pretty well so its OK to have people with those concerns.
If the dragon is the night's king's method of getting past the wall, people south of the wall were literally better of doing fuck all and just disregarding it.
If the dragon is the night's king's method of getting past the wall, people south of the wall were literally better of doing fuck all and just disregarding it.
If the dragon is the night's king's method of getting past the wall, people south of the wall were literally better of doing fuck all and just disregarding it.
The craziest thing about the timeline this week wasn't that things travelled huge distances way too quickly -- that's just a thing that happens now -- but that it was a mess dramatically. Like this whole Boy's Trip was the first time we've seen someone travel in AGES. We went through most combinations of boy-on-boy chat. Fought a bear, set an ambush. So many long shots of vast wilderness terrain.
It was the first time in a long time that it *felt* like someone traveled a great distance, going deeper into the north. But then Gendry just runs it in apparently a few hours. There's fast-forwarding through boring downtime, which is at least a stylistic choice, but then there's this breaking physics in service of betraying the dramatic truth of the first third (or more?) of an episode.