Tawney Bomb
Member
Finished A Clockwork Orange. Think I'm going to start The Bear and the Nightingale next.
Reading Dune Messiah.
Man, the book is kinda hard to read. It doesn't help that I read the original Dune years ago, and although I do have a vague recollections of the book's events, they are kinda foggy. What the heck is a Mentat? Kwisatz Haderach? It's partially my fault because I waited so long to continue the series, but the books could give the readers some heads up.
<3Just finished with
The writing is beautiful and the way all of the layers of the story slowly converge is incredible. The only other Atwood I've read is The Handmaid's Tale, and I enjoyed this even more. Anyone have a recommendation for what to read next from her?
Finished Clockers by Richard Price yesterday. Its association with The Wire ended up being both a positive and a negative. For starters, the only reason I know about it and picked it up is because he wrote for the show. And it is The Wire, from the street, to the resolution, to a couple of anecdotes that were taken from this right into the show, the flavor is unmistakable. The problem is I've watched and rewatched the show multiple times over the years and it's just not eye opening for me reading this book. The plot and characters are more than serviceable, it's one murder investigation so to stretch it past 600 pages is stretching it thin, but it's good. Just not special to me.
Just finished with
The writing is beautiful and the way all of the layers of the story slowly converge is incredible. The only other Atwood I've read is The Handmaid's Tale, and I enjoyed this even more. Anyone have a recommendation for what to read next from her?
Okay, FINALLY finished Marquez's One Hundred Years of Solitude. This is a case where a probably great book was overshadowed by its OH MY GOD THIS IS A LIFE CHANGING EXPERIENCE reputation. As I've said previously, in 1967, maybe this novel hit like a bomb going off - I was busy being born, so I don't know - happy 50th to me AND the book. And I'm fairly sure it birthed or at least influenced much that followed, so I read it in that context as well. When you go into something with astronomical expectations, how often are they met? Rarely. Still, taken for what it is, and adding in its historical context, it was indeed pretty damn good. Just not OMG AMAZEBALLS.
Just finished volume 2 of The Gulag Archipelago and about to start volume 3. Absolutely fascinating.
Okay, FINALLY finished Marquez's One Hundred Years of Solitude. This is a case where a probably great book was overshadowed by its OH MY GOD THIS IS A LIFE CHANGING EXPERIENCE reputation. As I've said previously, in 1967, maybe this novel hit like a bomb going off - I was busy being born, so I don't know - happy 50th to me AND the book. And I'm fairly sure it birthed or at least influenced much that followed, so I read it in that context as well. When you go into something with astronomical expectations, how often are they met? Rarely. Still, taken for what it is, and adding in its historical context, it was indeed pretty damn good. Just not OMG AMAZEBALLS.
*fist bump*Just finished A Canticle for Leibovitz (literally picked it up for 50c at a second hand store) and perhaps one of the better books i've read in my life.
*fist bump*
The only Urban Fantasy works I have ever read are the Dresden Files books (which I originally LOVED and still look upon fondly, but can see their flaws more clearly), does any one have any recommendations for something Urban Fantasy that is at least as good? Or is Dresden the tops for Urban Fantasy?
The only Urban Fantasy works I have ever read are the Dresden Files books (which I originally LOVED and still look upon fondly, but can see their flaws more clearly), does any one have any recommendations for something Urban Fantasy that is at least as good? Or is Dresden the tops for Urban Fantasy?
I get what you're saying. But to me it's equally mind-blowing reading it and seeing a clear line between what started it all and all the things I love now. I had the same experience with Neuromancer. It's like with every page seeing the genesis of modern sci-fi. Something like Cowboy Bebop suddenly makes complete sense. You don't see life changing experience because you've already been influenced by it long before you ever read it.Okay, FINALLY finished Marquez's One Hundred Years of Solitude. This is a case where a probably great book was overshadowed by its OH MY GOD THIS IS A LIFE CHANGING EXPERIENCE reputation. As I've said previously, in 1967, maybe this novel hit like a bomb going off - I was busy being born, so I don't know - happy 50th to me AND the book. And I'm fairly sure it birthed or at least influenced much that followed, so I read it in that context as well. When you go into something with astronomical expectations, how often are they met? Rarely. Still, taken for what it is, and adding in its historical context, it was indeed pretty damn good. Just not OMG AMAZEBALLS.
Dragon Springs Road
I didn't really know what to expect with this, and for a good chunk of the earlier parts of the novel I had a lot of difficulty reading it naturally because it felt like a book about a period Asian setting written by someone who cares deeply about the culture and setting, but writing it in a very western way for a western audience. It felt awkward to me. But once I managed to get over that and let the narrative just flow, it was pretty good. The setting is neat, the supernatural elements are handled in a very matter-of-fact way which doesn't get in the way of the historical setting or character drama. It never feels cheap, just hauntingly beautiful. There's a lot of tragedy in the tale, but it's handled with a lot of optimism as well, which is what I like in this sort of stories. I liked the final third of the book a lot.
Can't wait for the Hollywood adaptation with Emma Watson in the lead.
This is pretty good, isn't it? Kinda makes me want to chuck it all and go back to being a hunter/gatherer, modern life being evil, and incompatible with our genetic makeup, and whatnot.
This is pretty good, isn't it? Kinda makes me want to chuck it all and go back to being a hunter/gatherer, modern life being evil, and incompatible with our genetic makeup, and whatnot.
I just finished reading Robin Hobb's Elderlings books -- all of them.
While I enjoyed the series overall, the final trilogy is basically a compilation of Hobbisms that could be used an an example of why some people aren't fans. By the end it just got to be a drag. There's nothing wrong with hurting your characters, but at some point it turns into sadism. Of course, by then you don't mind so much because if you have to read another two-page discourse by Fitz over how terrible he is and how everything is his fault, you don't so much mind it when she grinds him to paste.
Genuinely, the final trilogy made me like nearly all the major characters less. This is the Farseer line at its worst, being abominable human beings all around, with the Fool being the biggest asshole of the bunch.
I've moved on now to new Bujold (Squee!). Penric and Desdemona are back and hunting for foxes. Unfortunately, I'm already sixty pages into an 84 page novella, so I'll be hunting up something to read again tomorrow.
Wait, is this actually going to happen or is this just a joke?
Anything is possible right?! Okay, okay, maybe Sophie Turner now.
Anything is possible right?! Okay, okay, maybe Sophie Turner now.
I would love if Sophie Turner stopped acting tomorrow.
Emma Watson at least has some chops. Colonia was pretty good.
I finished A Game of Thrones last week and I'm 100 pages into Ready Player One. I'd like to be further but school and work have taken up a lot of reading time.
So far I'm enjoying it. The first four chapters are slow (some could say the fifth chapter is too but I liked the biography of Halliday) but after Wadehas an epiphany of the location of the key I blew through three chapters.
This is pretty good, isn't it? Kinda makes me want to chuck it all and go back to being a hunter/gatherer, modern life being evil, and incompatible with our genetic makeup, and whatnot.
Similar to another poster, I enjoyed the first third of the book where the author focused mostly on the origins of modern humans. The later parts of the book were far too speculative for my liking. I felt like the author was pushing an agenda and was quite prone to making sensationalist statements which flew in the face of the relatively well-cited materials in the early part of the book. I believe the author defends imperialism at one point because it offered stability to citizens. Sure, if you ignore the murder and enslavement of millions of people.
I won't read anything by the author again, despite enjoying first section of the book.
That's what I'm finding a bit frustrating as I wade further into the book - he does a good job of saying things like 'acceptable wisdom is' and 'these two theories don't agree', but there is also this sense that he might be pushing an agenda without necessarily making it overtly plain that he's doing so - like the whole vibe of 'large societies are garbage' that is driving the part of the book I'm currently in...
Also re-read Sense & Sensibility by Jane Austen. Always the simplest Austen novel, and perhaps the one with the fewest layers, but I found a lot of new aspects to love in this re-read. One thing that strikes me perhaps even more clearly in this novel because of its simplicity is how awful the people who talk the most about good manners and correct behaviour are, with what dirt on their hands they are portrayed by Austen. It actually gets genuinely unpleasant in the book's second half, when a family widely praised for their tact and grace throws a good man out of their house and breaks off all communication because of their ideas of proper connection. On the other hand there are plenty of people here with well-described flaws who come out of the affair with a sympathetic portrayal because they didn't act with so much hypocrisy. She really hates hypocrisy. The judgement does not fall as hard on the binary division of sense & sensibility.
Add to that scenes of sickness that I couldn't remember being this vivid, that feel a little raw and sweaty coming from Austen, and the novel did indeed leave more of an impression on me than before.
I just finished reading Robin Hobb's Elderlings books -- all of them.
While I enjoyed the series overall, the final trilogy is basically a compilation of Hobbisms that could be used an an example of why some people aren't fans. By the end it just got to be a drag. There's nothing wrong with hurting your characters, but at some point it turns into sadism. Of course, by then you don't mind so much because if you have to read another two-page discourse by Fitz over how terrible he is and how everything is his fault, you don't so much mind it when she grinds him to paste.
Genuinely, the final trilogy made me like nearly all the major characters less. This is the Farseer line at its worst, being abominable human beings all around, with the Fool being the biggest asshole of the bunch.
Sadly, a good chunk of GAF would say otherwise. This site has some sort of strange hate relationship with her. Probably because of the recent Beauty and the Beast remake. Or maybe I'm just looking too much into things.....
Finished The Rise and Fall of D.O.D.O. by Neal Stephenson and Nicole Galland.
This turned out to be an action packed romp, sort of. Stephenson can and does write straight action, as you know if you've tried Reamde, and this is not unlike that except the premise(as the title suggests) is a history of an organization that has a number of episodes with largely discrete casts of characters and settings besides the main thread. To break up this plot plot action action, the book is written in an epistolary fashion which I've never seen work well in sci fi. Exposition/info dumps written in character voices with all the "lols" and tone of a layman breaking it down to the reader? On the flip side, narrative passages masquerading as mission reports and such(here's what went down, but first a paragraph on the nature of that day's sunset) or more blatant, one character explaining something fundamentally obvious in a letter to another so the reader is clue'd in, perhaps with a couple of "as you well know" interspersed to sell it? Yes, yes and more besides. I'm sorry to ramble on about this, but it irks me. As do developments late in the game, it's one of those don't think about this too hard or it will fall apart deals, which fits the style of an action packed romp to be fair.
Overall, I enjoyed it, but it falls short in a way that really hurts. A book like this needs characters you cheer on or worry about or despise, get invested in somehow, we don't have any of that here. Oh there's a cast, but it falls so short of the mark I wonder what the hell happened. They are outlines and very familiar at that, nothing that endears them, no chemistry between them. It's bewildering, 700+ pages, 2 experienced writers, you gotta do better than that.
I disagree to a degree about the characters. I enjoyed that there's no villain in the traditional sense of the word. In fact, the brief period in which one is introduced is the part of the book that veers closest to tropeville that we've already seen before. It was way more fun to watch the organization come crashing down under its own weight, particularly in the way it occurs here. The last act was bonkers, and I loved it.
I've heard similar things about Discworld. I've only ever read Colour of Magic but it was so long ago that I don't really remember anything more than a few bits and pieces of it. Mort, and Guards! Guards! are supposed to be good entry points.25% into it. I have not liked this no sir. Maybe I have read around that this is not the easiest book to get into Discworld and maybe I would agree. The style is very confusing and sometimes I don't know wtf is going on.
Half way trough, enjoying it but seems like jo is trying to tie as many plot lines as he can, is this the last Harry Hole book?