thomaser said:Well, I really liked the book. I love how Pynchon has no limits on anything he writes. No compromises. Everything goes. This does lead to an almost incomprehensible complexity and way too many characters to keep track of. I don't understand all of it, but don't really aspire to either... I know my limits, unlike Pynchon. I just go with the flow, and Pynchon's flow is so unpredictable and fascinating that it doesn't matter if it's incomprehensible. Some parts are drawn-out and boring, though, but they always lead somewhere amazing.
Finished reading Kokoro today. I was a bit worried that Sensei was overselling his backstory, but after reading more I was thoroughly moved by his anguish. Great novel.
Since The Scar still isn't here, I picked up The Phantom Tollbooth. For a children story I heard a lot of praise so I wanted to check it out. Only problem is I got the annotated edition (I thought maybe the story would be 2deep4me) and it's really big to carry so I won't be able to read it on the bus.
I was thinking of buying this book but what I read in reviews and the premise of Marshall as an ideal to imitate scared me off. Can you tell me what he says about Eisenhower, Bradley, Patton, Clark ? Good/Bad ? Also how many pages does he devote to the Korean War ?
Finished The Road
I choose to believe that the man who showed up at the end was totally a passing cannibal. Him being a good guy who then led him to safety where everything was awesome (well, as awesome as things can be in this world) is just the complete opposite of what I want this story to be. The father dying, the son being all "Now what?" the end would have been way more effective.
Back to reading The Eye of the World then. Read Game of Thrones and then Vonnegut and then McCarthy instead of finishing it.
Finished The Road
I choose to believe that the man who showed up at the end was totally a passing cannibal. Him being a good guy who then led him to safety where everything was awesome (well, as awesome as things can be in this world) is just the complete opposite of what I want this story to be. The father dying, the son being all "Now what?" the end would have been way more effective.
I'm re-reading Time Patrol series by Poul Anderson, liked the series when I was I teenager. Any recommendations on books with similar setting?
After reading The Road and what that father and son went through to survive, you wanted to believe the boy was picked up by cannibals?
WTF is wrong with you? I don't even...
In Westeros? glwt
After reading The Road and what that father and son went through to survive, you wanted to believe the boy was picked up by cannibals?
WTF is wrong with you? I don't even...
This is how I felt reading that post.
Don't read this if you haven't read The Road.
What's wrong with me is my complete and utter disgust when there's drama through most of a story, but then oh god it's almost ever EVERYTHING WORKED OUT AND ALL WAS FINE THE END.
Set the happy ending up a bit, jeez.
Well, I'm just assuming. I've only watched the show, haven't read it. But I doubt justice will be forthcoming any time soon.
It was an open ended conclusion in the sense that even though the family appears friendly, there's no guarantee of their survival, hope for the future, or anything.
If still take the OPPORTUNITY of hope for the future over the kids being picked up by cannibals. I repeat myself here: WTF.
The Road spoilersDon't read this if you haven't read The Road.
What's wrong with me is my complete and utter disgust when there's drama through most of a story, but then oh god it's almost over EVERYTHING WORKED OUT AND ALL WAS FINE THE END.
Set the happy ending up a bit, jeez.
The dude of safety is introduced like a paragraph before the story ends. That just makes the whole thing sound like Ned Flanders reading Harry Potter to me.
Have him show up earlier and offer help, but the father doesn't trust him at all. Then he dies and the kid decides to go with him. Ending is still open, because why didn't the father trust him, but he doesn't appear out of nowhere in the last paragraph anymore.
EDIT: Yeah I'll just spoiler this whole thing.
What's wrong with me is my complete and utter disgust when there's drama through most of a story, but then oh god it's almost over EVERYTHING WORKED OUT AND ALL WAS FINE THE END.
Set the happy ending up a bit, jeez.
The dude of safety is introduced like a paragraph before the story ends. That just makes the whole thing sound like Ned Flanders reading Harry Potter to me.
Have him show up earlier and offer help, but the father doesn't trust him at all. Then he dies and the kid decides to go with him. Ending is still open, because why didn't the father trust him, but he doesn't appear out of nowhere in the last paragraph anymore.
The Road spoilers
I think the ending was fitting considering the whole hope theme of the novel. Not to mention the whole pattern of them starving nearly to death then finding large reserves of food constantly throughout the book made me not question the luck of the kid at the end that much. Beside I never took it as a completely happy ending. It seemed to me that it's just temporarily safety until that family runs out of supplies or face something worse. Also I think if that man met the father the outcome would have either been one of them dying or the main characters running away fearing for their life. The father would have never trusted him.
Can we get spoiler tags on the past few posts about The Road? I mean ultimately it doesn't matter since the book is so great that you should read it even if you know what happens but still - it would be nice to keep people spoiler free in this thread.
The whole point of The Road's ending is thatthe father finally lets him go. Instead of killing him out of mercy or having him commit suicide, he's willing to entrust in the boy the key to his own fate, referred to here as 'the fire.'
What I'm saying is that it's immaterial as to just who he meets in the end - the boy's story is left open on purpose, sinister or not (and obviously the movie takes a grimmer view). The story received its thematic conclusion once the father passed away; what you got was a postscript of sorts, similar to how Cities on the Plain ends, or Blood Meridian, or etc. The family's role is less as cannibals or rapists or slavers, it's more figurative, a stand-in for the past the man and the boy fled.
Finished reading Kokoro today. I was a bit worried that Sensei was overselling his backstory, but after reading more I was thoroughly moved by his anguish. Great novel.
On the hard copy side of things I finished Empire Falls and started State of Fear
State of Fear by Michael Crichton
Oh, allright.
Well then I can suggest you give it a try. Having watched the TV show then reading the source material gives you a window into how the HBO team managed to adapt the books.
Reading all of Storm of Swords will give you some closure. Enjoy book 3 cause 4 and 5 take a different turn and slow the story down completely...
I see, thanks.
By the way, I read somewhere he initially planned for 8 books but he's thinking of making it a 9 book series... Is that just a rumor or has he said anything about it?
I see, thanks.
By the way, I read somewhere he initially planned for 8 books but he's thinking of making it a 9 book series... Is that just a rumor or has he said anything about it?
I stopped after Storm of Swords, my interest in continuing reading the series took a massive nose dive when I realize I can't imagine waiting 4 or 5 years for the next book.
Still reading The Dogs of Riga. I kind of knew what to expect of Wallander from the Branaugh series, but wow, the tone of defeat and fatigue is strong in this book.The world weary detective is a well worn trope in crime fiction, but somehow Wallander still sells it, still makes me want to spend more time with the character.
As long as the next book isn't like AFFC, I can deal with the wait. Coming from Storm, it was a major let down.
I haven't followed GRRM stuff in a while. I thought it was originally 7 books?
Oh, of course, I don't follow GRRM that much.
Anyways if he really plans to make it a 9 book series, when is it gonna end, 2030? Assuming natural causes don't end the series prematurely.
The one think I personally don't get about McCarthy (granted, I've only read The Road and No Country for Old Men) is that he gets praised for doing things most other writers do, but McCarthy does the art school thing of "but no, this is what it /means/" and suddenly everyone is ok with it.
For me, at least, I had a hard time getting past the incredibly simplistic writing style of The Road and all the damn coincidences in NCfOM.