Solo said:And unlike JP, Jaws is actually a great film.
What the fuck
Solo said:And unlike JP, Jaws is actually a great film.
Real stunts can look pretty off. Like Not Arnold Schwarzenegger and Not Edward Furlong here.Xeke said:Yeah T2 still looks great today. Real stunts > fucking CG.
JoshuaJSlone said:Real stunts can look pretty off. Like Not Arnold Schwarzenegger and Not Edward Furlong here.
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Aeris130 said:
brandonh83 said:because Stan Winston is god.
DonMigs85 said:
Retro said:Fixed that for ya. Seriously, the special effects in JP hold up well because Winston knew when you use CG, when to use models, when to use robots, guys in suits, big mechanical props, puppets, etc. It wasn't just "CGI it all in and call it done."
It all depends on the scenes and what you want to do in them, how you want them to look. Having a physical object on a set is also invaluable to having a target for your CGI to match.
Another good example is Aliens. The entire Alien Queen sequences use a variety of special effects, from CGI to models to puppets. But it all blends together because Stan Winston was a fucking special effects GOD and since he's died things have steadily gotten worse since the next generation of special effects people are all committed to CGI.
Jabba totally looks like he's trying to say "Kill me... please" with his eyes in that picture.
Retro said:Fixed that for ya. Seriously, the special effects in JP hold up well because Winston knew when you use CG, when to use models, when to use robots, guys in suits, big mechanical props, puppets, etc. It wasn't just "CGI it all in and call it done."
It all depends on the scenes and what you want to do in them, how you want them to look. Having a physical object on a set is also invaluable to having a target for your CGI to match.
Another good example is Aliens. The entire Alien Queen sequences use a variety of special effects, from CGI to models to puppets. But it all blends together because Stan Winston was a fucking special effects GOD and since he's died things have steadily gotten worse since the next generation of special effects people are all committed to CGI.
Jabba totally looks like he's trying to say "Kill me... please" with his eyes in that picture.
I watched it on BluRay on a 19" HDTV with a friend. We both noticed it and had to rewind and pause it. Laughed for like a minute. We then agreed we had to watch rest of the movie and play "spot the doubles" :lolFurret said:Yeah, I'm sure you noticed that one in the cinema.
i always notice it when i watch it at home. it's also really easy to spot in true lies. kinda ruins the scenes.Furret said:Yeah, I'm sure you noticed that one in the cinema.
Zombie James said:A couple of reasons:
- Stan Winston.
- CG was used sparingly and only when needed, something modern film makers know nothing about.
- Attention to detail.
JoshuaJSlone said:Real stunts can look pretty off. Like Not Arnold Schwarzenegger and Not Edward Furlong here.
Furret said:I have a hard time believing this. Do you have any proof?
Furret said:Sounds like you didn't learn anything.
It was a Brachiosaurus.
Any five year old could have told you that. It's a very famous dinosaur and they specifically refer to it by name in the film.
Retro said:What specifically? That Jurassic Park / Aliens used different effect types for different shots that were cut together to great effect?
The Alien Queen was a full scale model, "operated using a mixture of puppeteers, control rods, hydraulics, cables, and a crane above to support it. Two puppeteers were inside the suit operating its arms, and sixteen were required to move it. All sequences involving the queen were filmed in-camera with no post-production manipulation."
In Jurassic Park, I know the T-Rex foot was it's own robot, there was a full scale head/torso of the T-rex, and then there was CGI-Rex. There was stop-motion dinosaurs for long distance shots, puppets for some of the Raptor shots and almost all of the Spitter shots. It's been a while since I watched it with the commentary on, but I'm pretty sure Spielberg or Winston mentions that CGI is only exclusively used in scenes where you can see below a dinosaurs knee, everything else was traditional effects or effects touched up with CGI.
MyEpitomeCliché said:The scene where the T-Rex comes through the electric fence is iconic and still looks great today. JP will always be a classic in my eyes.
Furret said:No, I meant specifically the CGI for the Alien Queen (I tried to bold the word but it doesn't really show up very well).
I know it was a mixture of large scale puppets and models but I have a hard time believing there was any CGI, as we understand it today, in there. Especially in 1986 for a fairly low budget film.
Gigglepoo said:something as innocuous as a glass of water shaking.
Retro said:Ah, didn't notice your bolding until just now. Yeah, there wasn't anything approaching modern CGI in Aliens, I think that statement wasn't specifically concerned with Aliens when I started it and that got left in.
Yeah, no CGI in Aliens, obviously. Completely a fuckup on my part :lol
Interesting fact; that effect is done by resting a glass of water on a guitar and plucking the strings. Nowadays it'd probably be CGI.
Heh, I would've been what, 6 or 7? I still remember vividly my old step-dad sitting there in the dark auditorium and then jumping about a foot outta his chair when the raptor snorts on the glass window on the kitchen door. It was awesome in the theaters.friskykillface said:Watching it right now, one of my favorite movies, wish I could have seen this in Theaters, I was 4 or 5.
Absolutely not.PetriP-TNT said:I was channel surfing just now and SW: Episode 2 was on and holy crap it looks hideous. Was the GCI praised back in the days, can't remember? But I am sure that neither 1 or 3 look this horrible.
Good.Zombie James said:Absolutely not.
Not quite - the use of subsurface scattering for Yoda was enough to win a technical achievement Oscar. But overall it wasn't up there in quality with something like LOTR at the time.Zombie James said:Absolutely not.
That's nice and all, but Ep.2 still looked like shit even at the time of release.XiaNaphryz said:Not quite - the use of subsurface scattering for Yoda was enough to win a technical achievement Oscar. But overall it wasn't up there in quality with something like LOTR at the time.
Another interesting bit to note was that Ep II was the point where ILM made a major transition in terms of hardware and software. It was their first show after the big SGI -> Linux studio transition, and the first time a lot of their in-house proprietary tech was used for a major project including facial animation, mocap, and digital doubles. The tech would eventually mature and become what you see used for stuff like the Pirates films and characters like Davey Jones.
I was refuting the statement that it wasn't praised at all. It was, albeit just for one specific item. ;PZombie James said:That's nice and all, but Ep.2 still looked like shit.
PetriP-TNT said:I was channel surfing just now and SW: Episode 2 was on and holy crap it looks hideous. Was the GCI praised back in the days, can't remember? But I am sure that neither 1 or 3 look this horrible.
Heh, fair enough. The CG fruit in Ep.2 still pisses me off every time I see it.XiaNaphryz said:I was refuting the statement that it wasn't praised at all. It was, albeit just for one specific item. ;P
Zombie James said:That's nice and all, but Ep.2 still looked like shit even at the time of release.
That pretty much set the baseline for hard surface material work which would eventually lead to the Iron Man suit.Marty Chinn said:2) Every clone trooper was CG. Not a single suit of armor was built. There are shots where I just assumed it was a guy in a suit.
Solo said:The problem with the prequel's CGI isn't the CGI itself, but rather that the art/character design was atrocious, and everything looked far too clean and sterile.
curls said:The clean look was done on purpose and was to convey the shift in technology production in the SW universe from single hand designed ships (the yellow/chrome Naboo ships) to mass-produced, angular X-wing/TIEs designed to be bashed out quickly for the lowest cost. Similar to the revolution of mass production on design at the beginning of the 20th century.
Solo said:I know why they did it, but it just didn't work. I think of that scene in AOTC in the desert somewhere with all those clonetroopers fighting, and the colored laser beams are flying all over and its just a giant WTF.
curls said:It was interesting to see the evolution of the technology within the universe, but in a lot of respects some things just look too good, too futuristic - even for SW. For example the energy reactors during the final duel in EpI. I do like the visuals of EpI though, EpII and III just don't look as good visually.
It wasn't just that though, it felt like half way through EpII Lucas or whoever decided to change the actual camera technique, deciding to film the cgi battle through a zoom lens. A complete clash to the other films.
Medalion said:The people who are complaining about the CG in the prequels... the movie is a space opera based on the old sci-fi serials, the CG is meant to look a little off and cartoony, it was not meant to be ultra realistic like other movies that blend into the background it is to be a big spectacle, bright, colorful, explosive, that jumps off the screen... ILM is capable of more realistic grittier CG but this is a sci-fi adventure that demanded flair than hiding the fact.
Maklershed said:
curls said:Well I wouldn't describe the intention as cartoony but I get what you mean. You cite the early 20th century science fiction as a influence and I agree. I liked the visual style of Ep I because of this, and I would describe the visual style of that film as grandiose to the very extreme, very much like 20's and 30's cinema. Coruscant is Metropolis.
But I think the lack of realism took me out of the world a bit, I mean the opening shot of Star Trek XI shits on EpIII's opening shot visual wise, whilst retaining that semi real essence.
Willy105 said:That's because it's 4 years later, and with different art styles. J.J. Abrams' Star Trek was meant how the bright future would look from today's cameras, complete with dust on lens, huge lens flares, and a grainy and dirty look.
The Battle of Coruscant was meant to be as if you were really there, with no camera in-between you, so it was all sterile and clean.
They have little wheeled platforms underneath that move them around.GDGF said:What is this sorcery?
GDGF said:What is this sorcery?
curls said:The opening shot, there was nothing effects wise that couldn't be done by ILM back then. There were 2 ships and a lot of debris, opposed to several hundred capital ships. EpIII does not look sterile at all, it looks like it was rendered with the grain filter set to max.
thechemist said:Cannot wait for the blu-ray one of my favourite films if not the best.