BEST MIKI
Also, reminds me of a certain recent Disney character who looks unfuckingbelievably cute with short brown hair.
YOOOOOOOO! Miki just went top-tier!
BEST MIKI
Also, reminds me of a certain recent Disney character who looks unfuckingbelievably cute with short brown hair.
Both.I'm covering some of your comments with spoilers just in case. We don't have the same spoiler policy as other TV show threads in here.
Which one? Maria or Shun?
Isn't that a pretty obvious thing to do?It's clever thinking.It's not the act of creating wind, it's the act of forcing away the poison gas, that impresses the villagers.
Maybe because we've only seen things from Group 1's perspective were we see them block arrows, stop explosions, make whirlwinds, fly, create fire etc. I find it hard to believe that they didn't have the rudimentary abilities required to defend themselves.This is explained.As the young boy says, Yakomaru's forces retreated at sunrise to lull the villagers into a false sense of security - these are people with only rudimentary battle skills, as Saki herself says. The humans are exhausted and not properly on their guard. By sending the monsters in through the canals - which the humans aren't expecting - they gained the element of surprise again.
Who's to say they won't? They've only just established that the queerats are using a Fiend for certain. When have they had time to come up with a plan? At least with the previous Fiend they weren't also the target of a co-ordinated attack by a large army of suicidal sentient rats - who have actually done most of the damage thus far, rather than the Fiend. They are just not prepared for the situation.
Why's the boss against scripts?
Kyoto Animation is a bad animation studio, and Shaft is the best!!!
Well that's dumb as hell.
apparently it was only for a month so I wouldn't worry about it
God Nichijou is hilarious. I've only had less than a dozen skits I skipped due to boredom. Which is admittedly a higher hit rate than Lucky Star, but I don't think I've laughed as hard before.
Is there a list somewhere of its EDs after it switches to the second cour? I get the feeling that they're changing, but I don't know what the songs are. A few sounds familiar.
Who cares, Toei is more relevant than both anyway.Kyoto Animation is a bad animation studio, and Shaft is the best!!!
quote fishing ot?
Kyoto Animation is a bad animation studio, and Shaft is the best!!!
Who cares, Toei is more relevant than both anyway.
Everyone knows that SHAFT's sakuga is better than KyoAni's sakuga.
quote fishing ot?
quote fishing ot?
quote fishing ot?
quote fishing ot?
quote fishing ot?
Everyone knows that SHAFT's sakuga is better than KyoAni's sakuga.
It's true, especially since they are investing so much into the true future of anime: CG POWER!
I vote "sakuga" be bannable or turned into "******".
This teacher dude who is love with hilariously dojikko sensei is awesome
I also love the way skits tie together. Like the Igo Soccer student also being Sukurai-sensei's brother, or the stained glass remaining up the top of the classroom ever since that dumb little skit about Yukka being unable to get into the classroom without anybody noticing. Also now there's crows everywhere for some reason or the other?
Kyoto Animation is a bad animation studio, and Shaft is the best!!!
says the shaft fanI vote "sakuga" be bannable or turned into "******".
"Game over, man! Game over!"
I'm sure communists have better taste in anime than that.Trolling only works when it's believable, like when I say that people who like Chuunibyou are probably communists.
Fair enough.
God Nichijou is hilarious. I've only had less than a dozen skits I skipped due to boredom. Which is admittedly a higher hit rate than Lucky Star, but I don't think I've laughed as hard before.
Is there a list somewhere of its EDs after it switches to the second cour? I get the feeling that they're changing, but I don't know what the songs are. A few sounds familiar.
I'm sure communists have better taste in anime than that.
who is everyoneStraight from the communist manifesto. It's nothing but a deconstruction of bourgeois values from the perspective of Analytical Marxists.
Skipping skits on your first watch of Nichijou is a terrible, terrible thing.
=(
Yukka's idiocy is tiring
Hipira-kun 08
So, meteor smashes the sky, becomes a plant that hatches little babies that start eating everything, then out of the hole in the sky comes a giant vacuum cleaner that eats all these babies saving the day!
"Game over, man! Game over!"
The only good sakuga is CG sakuga these days!
Is there a website or blog that explains Dennou Coil's jargon?
Wait, does AFX count as CG?
The awesome thing about animating tiles (or similar repeating patterns) is that when in motion they sort of create an illusion by not moving at all. Look at the floor when she's running towards the camera. The background is in motion but the tiles are stationary. Kinda cool.
I vote "sakuga" be bannable or turned into "******".
Trolling only works when it's believable, like when I say that people who like Chuunibyou are probably communists.
I'm sure communists have better taste in anime than that.
I'm not really talking about volume as much as pacing or punctuation. When properly employed you can have high intensity, but comedy shouldn't be P90X where it just keeps going and going for its own sake. An example of this is the Somen Lady bit where it just keeps going Additional Line to EH? to Additional Line to EH? and on and on. I mean, had those reactions been placed more smartly, they would have been much funnier. Another one is the Manga Paper Freakout which is almost like a case study on why conjunctions are good instead of putting full periods on every clause, so to speak.I always find the term "hit and miss" an odd keyword in discussion for Nichijou because I have trouble finding a comedy that "hits" (I'm guessing this means "Makes me laugh hard") on all or 99% of its more obvious, overt "gags." Yet the show in particular gets the phrase tacked onto it plenty. The exclamations are key to Nichijou's approach to exaggerating reactions to everyday events. In questioning and taking familiar events at crazy value in a normal ending. I wouldn't want it any other way (generally speaking, as there are rough and overly long skits) and I don't believe having everyone keep the volume down would necessarily make for a stronger work. If the type of reactions aren't working for someone, it's an understandable that it will only grow more as the show goes on. Having it stand as the majority makes it even more applicable to being an unresolved pattern for the viewer. Touching the possible solutions aside, it would be optimal to have more of a variety in the focus of skits besides only volume and "intensity". It works great in terms of what the show revolves around, but bettering a possibility to find different cogs of a skit to focus definitely wouldn't hurt. That would mean turning down the volume and finding a different way to display the events that doesn't involve "freak outs" every time. Nichijou doesn't involve that every time, but there is a lot of shouting.
To go on the other end of the spectrum I find Daily Lives of High School Boys has a worse time handling its type of monotone everyday humor well (regardless of same director and more, it struggles to be as good as even earlier Gintama, which excels in that very tone, many times). It also has underwhelming exclamations many times which I don't find cleverly nuanced usually, but simply flat. Yes, you can have a flat loud joke, but you can also have a flat level-tone joke (or more) just as easily.
All this said, there are a few skits that I find do stick around longer than I feel needed. The "Book Smash" is the first one that comes to mind. Some really did hold the clock in terms of execution and do cause for an active desire to be walked off-screen. I don't recall enough to shake many sticks at, but it is present and hampers on the scene itself and time for different scenes.