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Winter of Anime 2013 |OT -6| How much lower can we go?!

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Instro

Member
The revelation of
queerat origins
was something pretty much everyone had figured out already, but it worked really well in the context of the previous scenes and helped to establish just how disgusting their civilization is. And I loved bringing everything full circle with Dvorak at the end.

What I like about that scene is that even though its a revelation that is pretty obvious to the audience, the idea is so completely foreign to the people in the show. What is clear to the outside observer is something that sounds absurd to the people within the society that have lived this way for generations.
 

Narag

Member
GaoGaiGar 30

HOLY EFF. How did this show go from being a monster of the week show to a no-holds-barred totally awesome battle to the death against the embodiment of evil and horror to a heartbreaking and heartwarming finale in so short a time?

I mean DANG.

When
Mamoru and company thought Gai and the others were dead, I got all choked up. Seeing a kid cry over the apparent death of his heroes is pretty hard stuff.

DANG man. DANG.

Just saying but you should proceed directly to 31.
 

Dresden

Member
first two minutes of SSY 25:

Really enjoyed how Kiroumaru was faithful to the end. In the end, the distrust for him--despite most evidence indicating otherwise--was due to him being a monster rat, and both the characters and the viewers make that same mistake. The distrust essentially stemmed from him being the Other, which is what a lifetime of systematic ostracization and extermination does to people, I guess.
 

Haly

One day I realized that sadness is just another word for not enough coffee.
It's all SpecFi.

Everything is spec fi.

BH: In one of your previous interviews, you said that all fiction is speculative. Could you elaborate?

KL: I’m not a fan of genre boundaries. I think genres are often used as a shorthand to dismiss works in a facile way. For example, if some work is labeled “chick lit,” there’s an automatic distaste for it by the presumed “serious” readers that doesn’t allow an examination of the work’s merits. Labeling a work with a genre tends to cause people to react to it differently.

BH: Some speculative fiction writers who have famously resisted such labeling come to mind: Vonnegut, Harlan Ellison…

KL: Right. For fiction to be effective, it can’t be a mere depiction of reality–not a “photograph.” (Well, even photographs don’t really depict “reality” in a strict sense.) Realist or mainstream fiction is not merely reflective of reality, but re-presents it. Fiction of all types takes some aspect of reality and maps a symbolic or metaphoric logic to it, no different from how what we call speculative fiction does it. Whether you are talking about aliens or illegal Mexican immigrants or robots or office drones, the metaphorical logic is the same. You can take any speculative work and replace its science fiction or fantasy tropes with a mainstream trope, and it’ll be exactly the same work at a deep level.

But people have different expectations, somehow, when it’s robots versus office drones. When you are talking about people acting robotic, it’s seen as a symbolic and meaningful critique of modern life. But when you’re talking about robots having sentience, then it’s childish science fiction. I think that’s silly. Mainstream fiction isn’t about reflecting “reality” exactly the way it is. It’s about transforming it though the application of a map of metaphors. So I treat all fiction as speculative, because the really speculative element is always how fresh and how interesting the applied metaphorical logic feels, and how transformative of reality the vision is.
 

firehawk12

Subete no aware
K-ON!! 27

So apparently when you're a high school girl in a slice-of-life anime you can just randomly decide to go on an overseas vacation. Never mind all that "being a minor" and "having money" stuff. Well, Mio addresses needing parental consent for the passports, but it didn't show anything. Why do I find it hard to believe that all of their parents would just let them do this? And what about money? Are they just gonna borrow a shitload of money from Mugi? That's kinda taking advantage of her though, to say the least. And why aren't Ui and Nodoka and Sawako going with them? If it's a movie, you need everybody, dammit.

I wanted to make a joke asking why they are going to Britain if Yui wants to go anywhere with yummy food, but I didn't want to anger BGBW.
Someone figured out that Yui's house would cost a million dollars to build and maintain apparently, so they're all probably very rich. :p

Everything is spec fi.
Spec fi is like magic realism. It's a way to trick people into reading about books about girls with giant breasts fighting werewolves and robots while commenting on the true nature of human subjectivity!
 
K-ON!! 27

So apparently when you're a high school girl in a slice-of-life anime you can just randomly decide to go on an overseas vacation. Never mind all that "being a minor" and "having money" stuff. Well, Mio addresses needing parental consent for the passports, but it didn't show anything. Why do I find it hard to believe that all of their parents would just let them do this? And what about money? Are they just gonna borrow a shitload of money from Mugi? That's kinda taking advantage of her though, to say the least. And why aren't Ui and Nodoka and Sawako going with them? If it's a movie, you need everybody, dammit.

I wanted to make a joke asking why they are going to Britain if Yui wants to go anywhere with yummy food, but I didn't want to anger BGBW.

It's a graduation trip, I doubt their parents
of which you see Yui's parents in the movie
would object much. The money problem I never really thought of, but it's not like they come from a poor community, and they are graduating soon. I also doubt Mugi would mind paying for it anyways if she had to, she is the one who took them to her many beach houses in the past summers. And not all of the movie takes place in London, so you definitely get your Sawako, Nodoka, Ui and Jun.

The movie also gives a reason to why they decide to go to London.
 

Varion

Member
Has there been any indication as to what the third Nanoha movie is going to be? Because, whilst there's certainly a significant time skip they could cram things into, the Nanoha franchise as a whole certainly doesn't ignore the existence of StrikerS, as it's what most of the media-mix productions are span directly off.
None whatsoever. The announcement literally seems to have been 'By the way we're making another movie, bye!'

Strikers is definitely salvageable, but it'll take a lot more work than the other two movies. The pacing and amount of fluff were big issues, but honestly, the Numbers were just boring, and reducing the series down to the length of a movie is going to make that even worse if anything. I'm up for it if they can pull it off though, but part of me would rather they just did something in the middle. I did enjoy Strikers for all its flaws, but I'm really not fond of what the franchise has been doing since in terms of new material, and Strikers was sort of the point where it started going downhill - but as you say, I can't see them retconning it too mercilessly because the currently running Vivid and Force wouldn't have a base to stand on anymore.

I'm going to wait and see anyway. Much as I love the franchise (in principle, anyway), 'third movie!' isn't enough to get me excited now they've finished with the best material.
 

PsionBolt

Member
I'll be interviewing Sword Art Online creator Reki Kawahara at Sakura-con next weekend. I'm currently coming up with questions to ask, so if you guys have any questions you'd want me to ask, let me know. I'll be sure to give credit for that, too.

Oh ho. Ask him if he had any significant involvement in Infinity Moment!

I guess a more "realistic" question would be who would win in a fight, Kirito or the guy from Accel World?

You'll have to read Accel World Vol. 10 to find out.
They get disconnected, so it's kind of a tie, but considering it was Kirito's first time playing Brain Burst and he didn't know how anything worked, it's safe enough to say that he's more overpowered than Cartman.
 

Syrinx

Member
It's a graduation trip, I doubt their parents
of which you see Yui's parents in the movie
would object much. The money problem I never really thought of, but it's not like they come from a poor community, and they are graduating soon. I also doubt Mugi would mind paying for it anyways if she had to, she is the one who took them to her many beach houses in the past summers. And not all of the movie takes place in London, so you definitely get your Sawako, Nodoka, Ui and Jun.

The movie also gives a reason to why they decide to go to London.

Yui's parents are in the movie? Interesting I guess.

And oh yeah, why aren't they bringing their instruments? Is all the music they play gonna be played back home in Japan? That's...kinda lame.

And I know why Mio wanted to go to London, but I guess the question didn't get resolved in this episode.
 

Haly

One day I realized that sadness is just another word for not enough coffee.
Spec fi is like magic realism. It's a way to trick people into reading about books about girls with giant breasts fighting werewolves and robots while commenting on the true nature of human subjectivity!

This is why you can't trust those syphy writers, always so tricksy with their misrepresentative labels.
 

Jex

Member
On the subject of From the New World's ending, there's a couple things left a bit unresolved.

What happened to all the children stolen from the nursery? The audience is just left to assume that they were recovered I guess, seems like a pretty big oversight though. The fate of Maria and Mamoru is kind of left hanging although we can assume they are dead. I would have liked a little more clarity on what was happening with Saki's powers, she apparently was able to see the future and talk with a dead person. Ultimately my last two issues are pointless in the overall scheme of the show, and its probably best left to the audience, but I do think the nursery children bit seems like and issue since it was a big reason for the group to travel to Tokyo and the end game for Squealer.

Not really issues:
it's known that squealer took the kids so it wouldn't be that hard to go find them. It's not really worth any time to mention that, hey, we found them.

I don't think Saki has any special powers, she just seems to be an extremely perceptive person and that is manifested by her 'talking' to Shun. I don't think we're meant to think she is literally talking to the dead.
 

madp

The Light of El Cantare
I'll be interviewing Sword Art Online creator Reki Kawahara at Sakura-con next weekend. I'm currently coming up with questions to ask, so if you guys have any questions you'd want me to ask, let me know. I'll be sure to give credit for that, too.

What purpose was there in making Kayaba, a sociopath who tortured and killed thousands of people and ruined the lives of thousands more, a sympathetic misunderstood genius who had a morality-transcending "bond" with Kirito? Good and evil are so clear-cut in every other aspect of the narrative that going to great lengths to humanize the main antagonist feels thematically dissonant. Why end the story with
Kirito willfully furthering the ambitions of a man who killed several of his friends when Kirito is demonstrated to be a coding/hacking genius and could have created something akin to The Seed believably in the context of his character
?
 

Haly

One day I realized that sadness is just another word for not enough coffee.
I don't think Saki has any special powers, she just seems to be an extremely person and that is manifested by her 'talking' to Shun. I don't think we're meant to think she is literally talking to the dead.

Just another case of shoddy writing and direction.
 

Jex

Member
Just another case of shoddy writing and direction.

I meant to include 'perceptive'.
I can't really disagree as it's never made particularly clear either way, but we've never been led to believe that Cantus can do magical things like turn back time or bring back the dead, it appears to operate under the laws of physics (well, made up physics but you get my point).
 

Haly

One day I realized that sadness is just another word for not enough coffee.
I can't really disagree as it's never made particularly clear either way, but we've never been led to believe that Cantus can do magical things like turn back time or bring back the dead, it appears to operate under the laws of physics (well, made up physics but youg et my point).

My reasoning is that no self respecting author would write something like "I used my psychic powers to implant a piece of my psyche in your mind so I can communicate you from the past at your critical moment of need."

If you're going to pull something like that you need to be up front about it, or else it's just a cop out, like the leaf the dryad tree gave Tristran in Stardust.
 

NeonZ

Member
Not really issues:
it's known that squealer took the kids so it wouldn't be that hard to go find them. It's not really worth any time to mention that, hey, we found them.

I don't think Saki has any special powers, she just seems to be an extremely person and that is manifested by her 'talking' to Shun. I don't think we're meant to think she is literally talking to the dead.

Am I missing something?
When did Shun "die"? I thought he had just been exiled from the village due to Cantus leak, and killing him would be pretty much impossible because his powers healed his own body in case of any damage.
 

Haly

One day I realized that sadness is just another word for not enough coffee.
Am I missing something?
When did Shun "die"? I thought he had just been exiled from the village due to Cantus leak, and killing him would be pretty much impossible since his powers fixed his own body in case of any damage.

If he didn't "die", he probably underwent some sort of metamorphosis that turn him into something something fundamentally unhuman. It wouldn't make sense given his character for him to cling onto life where it's potentially a danger to those around him. He was always the most morally sound of the group.
 

CorvoSol

Member
Mobile Suit Gundam 0083: Stardust Memory 10

Oh noez wai du dey haf 2 fayt? WAAAAI?

Seriously, what the eff Nina. That guy stole a Gundam and just fired a nuclear missile into a fleet of dudes. Why does Ko have to fight him? BECAUSE HE FIRED A NUCLEAR MISSILE INTO A FLEET OF DUDES. HE'S EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEVIL.

I mean REALLY. I know it's a rule that you HAVE to bitch about people fighting in Gundam, but could you pick a worse moment? HE FIRED a NUCLEAR WARHEAD into A MOTHER LOVING FLEET.

A NUKE YOU GAVE HIM. WHY DID YOU BUILD A NUCLEAR CAPABLE GUNDAM ANYWAY?

Oh my goodness, this episode was THE carnival of stupid. The worst part is, 10 episodes and an allegedly serious relationship in (everyone in this show behaves like my three year old nephew) Nina is still whining because her precious Gundams get hurt.

OH GEE NINA, THEY'RE ROBOTS FOR WAR. OF COURSE THEY GONNA BLOW UP.

Seriously, Ko got slapped last episode (best part of show), but it is high time Nina Purpleton got slapped.

Also, honey, I know your NAME is PURPLEton, but could you try and not wear purple for just one scene?
 
Yui's parents are in the movie? Interesting I guess.

And oh yeah, why aren't they bringing their instruments? Is all the music they play gonna be played back home in Japan? That's...kinda lame.

Yeah, you see them when Yui is getting ready to leave for the air port.

They do bring their instruments.
 

firehawk12

Subete no aware
I need to read more spec fi.
Put an abstract image on the cover, like a half-burnt out cigarette next to a pile of silver bullets and maybe a cross and you're set!

This is why you can't trust those syphy writers, always so tricksy with their misrepresentative labels.
We can't all be Tolkien. :(

You'll have to read Accel World Vol. 10 to find out.
They get disconnected, so it's kind of a tie, but considering it was Kirito's first time playing and he didn't know how anything worked, it's safe enough to say that he's more overpowered than Cartman.
I can't believe that happened. lol
 

Narag

Member
Gato isn't evil, he's just misunderstood.

Now that I've had some time to think about it and I haven't tainted myself with a Last Blitz of Zeon yet, I think Gato is the only character I liked and even then he wasn't exceptionally well developed. Still better than Kou though.

Anavel Gato
  • Nightmare of Solomon
  • Zeon Ace
  • Stole a fucking Gundam from a Federation base
  • Nuked a fleet!

Kou Araki
  • Refuses to eat his carrots.
 

BluWacky

Member
Am I missing something?
When did Shun "die"? I thought he had just been exiled from the village due to Cantus leak, and killing him would be pretty much impossible because his powers healed his own body in case of any damage.

I am really surprised at how many people think this - I thought it was clear in episode 10 but obviously it wasn't.

Shun kills himself with his powers. He says "This time I'll end it, I can't go on like this". The symbolism of his mask smashing as the final shot of the episode made it very clear that he's dead.
 

Haly

One day I realized that sadness is just another word for not enough coffee.
Now that I've had some time to think about it and I haven't tainted myself with a Last Blitz of Zeon yet, I think Gato is the only character I liked and even then he wasn't exceptionally well developed. Still better than Kou though.

Anavel Gato
  • Nightmare of Solomon
  • Zeon Ace
  • Stole a fucking Gundam from a Federation base
  • Nuked a fleet!

Kou Araki
  • Refuses to eat his carrots.
Can't argue with these here FACTS.

We can't all be Tolkien. :(

Truly, there was only one "fantasy" book ever written, the rest are either outdated myths or rip offs.
 

Nekobo

Member
It's time for another episode of Good Idea Bad Idea.

Good Idea:
Coming up with questions to ask Reki Kawahara.

Bad Idea:
Asking AnimeGAF to come up with questions to ask Reki Kawahara.

Lol I had that same line of thought, but then I was like fuck it, let's see what comes out. :)

Haha.

I assume you won't be able to ask any penetrating questions, because he's Japanese and they don't do those kind of interviews (well, come to think of it, it's not like American nerd culture producers are all that forthcoming either unless they go insane or are begging for money on Kickstarter), but I'd actually like to know what he thinks about the ethics of selling shallow power fantasies to a group of people that are essentially out of touch with reality and are desperate to have their lives affirmed and re-affirmed.

(Not to be a dick or anything! lol)

I guess a more "realistic" question would be who would win in a fight, Kirito or the guy from Accel World?

Actually, I was thinking about a similar question, albeit in a less abrasive way. I'm not a journalist or a blogger (I'm more like an unpaid freelancer that enjoys this kind of thing), so I can get away with asking difficult questions. I won't lose any sleep if I wind up getting blacklisted from anime convention lol.
 
Someone figured out that Yui's house would cost a million dollars to build and maintain apparently, so they're all probably very rich. :p

That, and not to mention the fact that Yui's parents are always out on trips to Germany and such. The Hirasawa family definitely has a lot of money.
 

Syrinx

Member
Yeah, you see them when Yui is getting ready to leave for the air port.

They do bring their instruments.

All right then.

Though if Yui was my child I would probably have reservations about that. I mean, she's scatterbrained and airheaded as all hell. The others are probably okay on their own, they mostly have good heads on their shoulders, but Yui...I have my doubts.
 

Haly

One day I realized that sadness is just another word for not enough coffee.
You would need bistromath to create the Arararararagi household.
 
Chousoku Henkei Gyrozetter 21
tumblr_mk4t1eYPKX1qbxqfpo1_500.png


Really depressingly awesome episode. THough I think their ages are way off, Touma doesnt seem 25, Kakeru seems much older than 11, and Shunsuke, 14 is a bit too low. But regardless, they did depressingly smash it out with devotion power. Shunsuke's hi-ougi is definitely up there for best one since Kakeru's. The supersonic bullet scene at the 18 minute mark is one of the series best moments to date
those dual guns, the change in perspective, and the huge blast after all those shots, mindblown.
.
 

cajunator

Banned
Chousoku Henkei Gyrozetter 21
tumblr_mk4t1eYPKX1qbxqfpo1_500.png


Really depressingly awesome episode. THough I think their ages are way off, Touma doesnt seem 25, Kakeru seems much older than 11, and Shunsuke, 14 is a bit too low. But regardless, they did depressingly smash it out with devotion power. Shunsuke's hi-ougi is definitely up there for best one since Kakeru's. The supersonic bullet scene at the 18 minute mark is one of the series best moments to date
those dual guns, the change in perspective, and the huge blast after all those shots, mindblown.
.

That car looks like a crazy mix of a 360 Modena and a Sbarro GT.
 

Jex

Member
My reasoning is that no self respecting author would write something like "I used my psychic powers to implant a piece of my psyche in your mind so I can communicate you from the past at your critical moment of need."

If you're going to pull something like that you need to be up front about it, or else it's just a cop out, like the leaf the dryad tree gave Tristran in Stardust.

I always took that to be more figurative than literal.
 

duckroll

Member
first two minutes of SSY 25:

Really enjoyed how Kiroumaru was faithful to the end. In the end, the distrust for him--despite most evidence indicating otherwise--was due to him being a monster rat, and both the characters and the viewers make that same mistake. The distrust essentially stemmed from him being the Other, which is what a lifetime of systematic ostracization and extermination does to people, I guess.

There might be some spoilers for Django Unchained in here too! Warning!

I really love how the ending put that into perspective. All the unease, speculation, and lack of certainty in the show was really played up not for a twist or for plot gimmicks, but to basically put the viewer in the perspective of the people in this alien setting. They really did a great job of indoctrinating the audience over the course of the series, so it pays off by the end.

The most disturbing part about how the show ultimately ends is that the characters basically sacrificed anyone they perceived as "not human" or "not us" just to preserve their existence and way of life. The plan to sacrifice Kiromaru, kill the "Fiend", and destroy Yakomaru's plan all made sense from the perspective of those who won this war, but any satisfaction of watching Yakomaru's defeat after hating him so much for most of the series is shattered by the realization that what we hated the most about him was also what vindicated him at the very end - he simply proved that he was just as smart as humans and had the same fears, desires, and ambitions humans have for his race at large.

The comparison with Django's plot is actually pretty disturbing. Kiromaru would actually fit well in the role of Samuel L Jackson as the "house negro" of sorts, while Yakomaru was pretty much a Django character. The story could be so easily reversed with a few minor tweaks, showing how heroic the revolution was, and the bond formed over the years between them and their Messiah - from birth.

It's hard to justify any of the specific actions on either side, because it's just so revolting and unpleasant, but I guess that reinforces how realistic this depiction of "war" is. There are no real winners morally, and the only way to move on is to try and forget the atrocities committed in the name of "justice" by the winning side.
 

firehawk12

Subete no aware
There might be some spoilers for Django Unchained in here too! Warning!

I really love how the ending put that into perspective. All the unease, speculation, and lack of certainty in the show was really played up not for a twist or for plot gimmicks, but to basically put the viewer in the perspective of the people in this alien setting. They really did a great job of indoctrinating the audience over the course of the series, so it pays off by the end.

The most disturbing part about how the show ultimately ends is that the characters basically sacrificed anyone they perceived as "not human" or "not us" just to preserve their existence and way of life. The plan to sacrifice Kiromaru, kill the "Fiend", and destroy Yakomaru's plan all made sense from the perspective of those who won this war, but any satisfaction of watching Yakomaru's defeat after hating him so much for most of the series is shattered by the realization that what we hated the most about him was also what vindicated him at the very end - he simply proved that he was just as smart as humans and had the same fears, desires, and ambitions humans have for his race at large.

The comparison with Django's plot is actually pretty disturbing. Kiromaru would actually fit well in the role of Samuel L Jackson as the "house negro" of sorts, while Yakomaru was pretty much a Django character. The story could be so easily reversed with a few minor tweaks, showing how heroic the revolution was, and the bond formed over the years between them and their Messiah - from birth.

It's hard to justify any of the specific actions on either side, because it's just so revolting and unpleasant, but I guess that reinforces how realistic this depiction of "war" is. There are no real winners morally, and the only way to move on is to try and forget the atrocities committed in the name of "justice" by the winning side.

Not for nothing, but from what I'm reading, H. G. Wells already did this. :p

Actually, I was thinking about a similar question, albeit in a less abrasive way. I'm not a journalist or a blogger (I'm more like an unpaid freelancer that enjoys this kind of thing), so I can get away with asking difficult questions. I won't lose any sleep if I wind up getting blacklisted from anime convention lol.
Ah, well, god speed to you then. lol

Or as Colbert might put it, "NAIL HIM".

You can't believe that a cliched fanfic scenario happened in a series written by a fan-fiction quality writer?
I figure there was a bridge that even he wouldn't cross. Never underestimate Kawahara.

That, and not to mention the fact that Yui's parents are always out on trips to Germany and such. The Hirasawa family definitely has a lot of money.
I'm assuming they're all upper-middle class anyway. Although remember when Yui tried to get a job to buy a guitar? That was the last time there was any semblance of reality in their world.

Did they ever run the numbers on the stuff Shaft creates, like the Araragi's or Kaname's houses?
Those aren't houses... they're more liminal spaces that exist on the fringes of space and time.
 

Haly

One day I realized that sadness is just another word for not enough coffee.
I always took that to be more figurative than literal.

I'm not sure how it was in the movie but it was quite literal in the book.

I will tell you three true things. Two of them I will tell you now, and the last is for when you need it most. You will have to judge for yourself when that will be.

Tristran ran to the stable door, then he stopped and thought. He fumbled in his tunic pocket, finding the lump of wax, which was all that remained of his candle, with a dried copper leaf sticking to it. He peeled the leaf away from the wax with care. Then he raised the leaf to his ear and listened to what it told him.
 

CorvoSol

Member
Gato isn't evil, he's just misunderstood.

Okay, but if I were a Federation scientist and that guy was out there firing nukes at my side and also trying to kill my so-called boyfriend, I don't think I'd be whining about why both of them have to fight. I'd be hoping Doesn't Eat Carrots kicked his butt.

I also don't think I'd be worried about a freaking Gundam of Mass Destruction I had designed over the life of my so-called boyfriend.

Now that I've had some time to think about it and I haven't tainted myself with a Last Blitz of Zeon yet, I think Gato is the only character I liked and even then he wasn't exceptionally well developed. Still better than Kou though.

Anavel Gato
  • Nightmare of Solomon
  • Zeon Ace
  • Stole a fucking Gundam from a Federation base
  • Nuked a fleet!

Kou Araki
  • Refuses to eat his carrots.

Yeah, Ko is pretty terrible. Nina is the worst character, though. Then Ko, then that one mean guy on the boat who wants to bone Nina and kill Ko. Really they're all awful. It's just a very crappy cast.

GTO 30

So Miyabi's entire plan was unraveled by Kikuchi and Kanzaki (just kiss already!), but the real clinch came when former rich bitch Anko (who I had confused last episode with Miyabi) went and straight up confronted her. Vice Principal Uchiyamada tried AGAIN unsuccessfully to get Onizuka fired. Fuyutsuki was very upset to see Onizuka covered in teen girls, and no Crestas were destroyed in the making of this particular episode. That we know of.

Interestingly, I'm not entirely sure that Onizuka will be dealing out Miyabi's punishment. Not this arc, anyway. He seems determined to do like the other victim of Miyabi's scheme and earn the money he lost back. Pretty sure that The Gang will be dealing out Miyabi's punishment instead.
 

Narag

Member
Okay, but if I were a Federation scientist and that guy was out there firing nukes at my side and also trying to kill my so-called boyfriend, I don't think I'd be whining about why both of them have to fight. I'd be hoping Doesn't Eat Carrots kicked his butt.

I also don't think I'd be worried about a freaking Gundam of Mass Destruction I had designed over the life of my so-called boyfriend.

Oh you'll see.
 
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