Winter no longer coming?
He has a point here. People like reviews. I dunno.In terms of 'too many' you're ignoring Sirap's input here though: if it's evergreen, there is never enough of it. There will never be enough reviewers the same way there will never be enough porn. Unless humanity starts to decline, then there might be. Wonder what he's do then, actually. Eh, that's decades away at least.
(also, Conker reviews books too)
Snip
Thanks for the help!
Also just a question for everyone. Have you ever changed a characters backstory after you thought up their design? Like for me, I sometimes like to draw a character before I describe them and when doing so for my latest character... I noticed his attire and hair made him look somewhat Japanese (though the story is not on Earth), so I instead made an entire backstory as to why this is. A powerful clan deciding to take their land and secede from their Empire, getting help from a European-esque Kingdom and thus becoming sovereign but also an ally of said Kingdom and thus people from that Kingdom began to go to this new sovereign territory and it became a melting pot. So though the character himself was born in the territory, it was to parents who originally lived in the Kingdom
Why am I explaining this? Well It ended up allowing me to create a conflict that wasn't going to be there with another character I had already made. See, another character is from the Empire the clan seceded from and thus they still harbor a ill feeling towards people from there.
Thought that was kind of interesting.
I also have no artistic skill, and sometimes use character creators for mine to give me a more solid idea of how to describe them, if that makes any sense. Here's one from Dragon Age: Inquisition I used:I do not draw my characters, but that's because my artistry would have them all look like this:
Cool idea!I also have no artistic skill, and sometimes use character creators for mine to give me a more solid idea of how to describe them, if that makes any sense. Here's one from Dragon Age: Inquisition I used:
Black Desert's was AMAZING for this. Here's a blind character from the same story:
I also have no artistic skill, and sometimes use character creators for mine to give me a more solid idea of how to describe them, if that makes any sense. Here's one from Dragon Age: Inquisition I used:
Black Desert's was AMAZING for this. Here's a blind character from the same story:
Finally getting around to submitting some of my work to the literary presses. Only doing about 5 or 6 at a time per story.
I've got stuff floating around at AGNI, Missouri Review, Eleven Eleven, Day One, and Noon. Going to do a second batch for another story tonight or tomorrow. Wish me luck!
I gotta install linux on my chromebook though. Google Chrome tends to freak out just often enough to be annoying as my current exclusive word processor.
I also have no artistic skill, and sometimes use character creators for mine to give me a more solid idea of how to describe them, if that makes any sense. Here's one from Dragon Age: Inquisition I used:
Black Desert's was AMAZING for this. Here's a blind character from the same story:
I don't know what you mean by that. *shifty eyes*
I honestly don't know though. Like: "line" and "line" on the same line, or like: X said A, Y said B? I'm not familiar with example on this, since I don't regularly read fanfiction. I occasionally humor it, since it's good exercise from the lack of having to come with a diegesis of your own.
That's very smart!
Also I got to say, as someone who will admit to reading FanFiction there is one thing that will absolutely ruin a story for me. So I'll begin reading a new FanFiction and think: "Alright, this is decently written", until you hit the first dialogue scene and you release they're one of those people. Yes, the people who for some reason decide to include multiple characters speaking in the same goddamn paragraph. I close out the tab instant after that. I hate- HATE when writers do that.
The worst part is that some writers will do it while also making a new paragraph for new dialogue. It's like, they know the correct method but refuse to always follow it. It's not hard! I swear this is like... low level stuff! I'd say most writers know that new dialogue = new paragraph.
Three school girls sat at a table in the library. Dust sat on the shelves, and light eased over their shoulders creating a pool of intermixing shadows over their barely touched text books. "She didn't?" No one heard the footsteps. "With Bobby Parasail? What a slut!" Or them stopping. "And all she wanted was a piece of gum? God, can't believe her." They leaned towards each other, words becoming sharper and the shadow beneath them darker.
Alice leaned against the bookshelf, a barrier between her and the gossip, crying her eyes out.
Kay so i get where you're coming from. I seen it used badly too, and it drives me nuts! BUT I have also seen it used well, and have experimented with it a bit myself. As a defense for when it works, it's great for compounding dialogue to a singular purpose within the paragraph rather than an actual conversation. I guess as a quick example:
Just a quick shitty example, but I think it gets the point across. Who the girls are, and who they're speaking to isn't important, but it's bundled together to give the gossip their saying a tangible thump It's one entity, so that the quick cut to Alice crying is more effective. I could also break it up as a conversation, but I don't think it would work for what I'm trying to do, because the actual flow of conversation isn't so much as important as the bundle of gossip.
Not saying everything that does it is like that, but i wanted to offer a quick defense in regards to how I think a writer could make something like that work.
"correct method"
Oh so you're one of those people.
Nah, not usually. It's just when it comes to writing dialogue that I can get annoyed. It's frustrating when you read a story and 3 different main characters speak in a single paragraph. It starts to feel like jobbled messes.
Good idea, Hope you have luck. Is that press for reviews or for publishing stories?
(What kind of writing do you do, short stories?)
I've gotten reviews published before (all for free though . . .), but I'm studying fiction. So far I've had a bit of luck getting fiction published, but I haven't sent anything out since last year. I tend to hang on to my babies, which is the worst "let's get published" strategy out there lol.
I mean there's a difference between a writer jamming dialogue together because they are inexperienced and don't know any better versus a writer doing it deliberately for some specific purpose.
Like, the reason for a ton of overly broad writing advice ("show don't tell!" "kill your darlings!" "write what you know!") is that beginning writers often make certain classes of mistake, such as not realizing that showing instead of telling can be desirable (or even possible), or getting stuck on a neat thing that doesn't actually work for the story, or not thinking about their personal lived experiences and how to incorporate them into their writing, and the overly broad writing advice can help with that. At a certain point, that advice can become a hindrance if they stick too closely to it, but it starts out useful, which is why it keeps getting eternally repeated.
I think, to the poster's point, that there are a lot of beginning writers in fanfic and that something like lumped dialogue is vastly more likely to be a mistake than a deliberate flouting of convention towards some greater purpose. And I think many writing mistakes are likely to co-occur in beginning writers, such that the lumped dialogue means it's likely that many other aspects of the story will be poorly done. So yeah, seems legit to me to drop a story like that given that kind of mistake.
I mean my proliferation strategy hasn't really been working out well either, so who knows what works at this point?
"considered the dominant readable form without straining the reader's reading capability too much where he might otherwise stop reading".
Better?
I like Stephen King's version used in On Writing. Which is a passive-style story told in a series of connected paragraphs, and then the final line is the punch-line as proper dialogue, which serves as a humanizing structure and illustrates irony.
Ron Jonson uses the same structure in The Psychopath Test as well, which has some great examples of irony, if the reason for it wasn't macabre in context.
On a sidenote, there might a silent lurker who has seen me try to post the same shitty fanfic drawing before I changed my mind again.
I suppose you could describe the first two as "style" if you wanted to, but I don't think that's a useful way of thinking about them.
I mean unless you believe there are no mistakes in writing at all, then it's reasonable to suppose that someone might jam dialogue together by mistake, right? I imagined three possible scenarios:
-ignorance, where the writer is a complete beginner and doesn't know that the convention is to change paragraphs when a new person speaks.
-error, where the writer does know the convention and intends to follow it but forgets or messes it up, and then doesn't catch it in editing.
-purposeful, where the writer knows the convention but deliberately chooses not to follow it because not following it improves the work.
I suppose you could describe the first two as "style" if you wanted to, but I don't think that's a useful way of thinking about them.
Have you tried nepotism?
I mean unless you believe there are no mistakes in writing at all, then it's reasonable to suppose that someone might jam dialogue together by mistake, right? I imagined three possible scenarios:
-ignorance, where the writer is a complete beginner and doesn't know that the convention is to change paragraphs when a new person speaks.
-error, where the writer does know the convention and intends to follow it but forgets or messes it up, and then doesn't catch it in editing.
-purposeful, where the writer knows the convention but deliberately chooses not to follow it because not following it improves the work.
I suppose you could describe the first two as "style" if you wanted to, but I don't think that's a useful way of thinking about them.
As i see people who've been published in high profile places get published again in the places I got rejected to, I can't help but think "I bet that's cause you were in some fancy place, so of course THIS story must be good." But I try really really hard to steer away from that. Not a healthy or good attitude to have.
I am, like I do every year since 2010.Anyone prepping for Nano this year?
I am, like I do every year since 2010.
Yep!!! Always, or else I can't do it!!!=ODo you have much of an outline before you start usually?
Yeah that would be cool.I've also thought about that. My friend really thinks I should do a collection of fairy tails for adults or something. Might be neat.
TL;DR: How close can you get to another story before inspiration becomes plagiarism?
Anyone prepping for Nano this year?
I know it is early but I'm hoping I can go in hot this year.
I do enjoy the process even if I never go back and revise the damn things; its such a buzz hitting that 50k mark.
Anyone prepping for Nano this year?
I know it is early but I'm hoping I can go in hot this year.
I do enjoy the process even if I never go back and revise the damn things; its such a buzz hitting that 50k mark.
So I finally finished my first draft of chapter 1 and...I hate it. :|
Ah well it's only the first draft so I can fix it up a bit before moving onto chapter 2, hoping that will go smoothly.
You also might consider, assuming you're not planning to rip chapter one's guts out, just moving on and fixing it later. Sometimes it's good to just get it all on the page and see how you feel after. You might just be too hard on it right now and feel differently, or have a better idea of what's wrong with it, later.
Agreed with this. I know a guy who writes a chapter and revises and revises and revises and I'm damn near convinced he'll never actually finish a novel.You also might consider, assuming you're not planning to rip chapter one's guts out, just moving on and fixing it later. Sometimes it's good to just get it all on the page and see how you feel after. You might just be too hard on it right now and feel differently, or have a better idea of what's wrong with it, later.