deadhorse32
Bad Art
First impressions are good
http://www.incontention.com/?p=1650
McCarthy raves:
Rourke creates a galvanizing, humorous, deeply moving portrait that instantly takes its place among the great, iconic screen performances. An elemental story simply and brilliantly told, Darren Aronofsky’s fourth feature is a winner from every possible angle.
Rourke is simply staggering as Ram. The camera is rarely off him, and one doesn’t want it to be, so entirely does he express the full life of this man with his every word and gesture … As vibrant — and as naked — as she was in last year’s “Before the Devil Knows You’re Dead,” Tomei is in top, emotionally forthright form as she charts a life passage similar to Ram’s, if much less extreme.
Farber has a few more qualms about the film itself, but is generally won over:
Although the film teeters on the brink of sentimentality, it never topples into the slush, and this is a tribute to the rigorous direction as well as the astringent performances. Still, there are mawkish moments … “Wrestler” oscillates between hard-edged naturalism and stock melodrama but ends on an understated note of melancholy that seems just right.
Rourke dispenses with all vanity to plumb the depths of this well-meaning but severely damaged man. Tomei delivers one of her most arresting performances, again without any trace of vanity. Wood’s part is smaller, but she captures the scalding anger of a woman neglected for most of her life. The supporting players add to the authenticity of the atmosphere. That authenticity is the hallmark of the production, with vivid cinematography and set design.
http://www.incontention.com/?p=1650