My first thought too.Is that Bronson in the back?
My first thought too.Is that Bronson in the back?
I'm not taking a review from the Verge seriously.
Saying it's the best album since the mid-90s is just disrespectful on so many levels.
It's almost as if it's an opinion or something. Strange.
It's almost as if it's an opinion or something. Strange.
I want a skitless version of this , mainly a none moaning version of These walls
De La Soul - De La Soul Is Dead
Prince Paul - A Prince Among Thieves
Little Brother - The Minstrel Show
The Roots - undun
Andre 3000 - The Love Below
Lupe Fiasco - The Cool
Not all are strict concept albums like GKMC. The Roots' undun album is very similar to it though.
Anyone found that TPAB and GKMC now compliment each other?
Seeing that growth of character is so engaging. The subtle callbacks to moments from GKMC and how problems that felt very 'upfront' (for lack of a better word) have now developed in to Kendrick's subconscious away from Compton create these very real threads. The other way as well now, listening to GKMC and sort of having an idea of Kendrick's future, the challenges he'll face and his return to Compton illustrates how important some of the stories on GKMC are to his upbringing and the person he is now.
The production itself and sound of his voice are good enoughDo you think this is an album somebody not coming from the US can fully appreciate? Or are the issues being addressed in the songs too deep-rooted in a certain culture that needs to be known in order to assimilate this album for what it really is? Is that degree of knowledge high?
Thanks
Lupe Fiasco - The Cool
Panacea - The Scenic Route
Deltron - 3030
Kno - Death is Silent
The Roots - Undun
I'm a white Australian. Kendrick's lyrics are so succinct that you gain part of an understanding of the situation. The things Kendrick's dealt with due to his race/geography are relatable to things most of us have felt to some degree. Low pride, no direction in life, hopeless. I fully support everything Kendrick says based on his story.Do you think this is an album somebody not coming from the US can fully appreciate? Or are the issues being addressed in the songs too deep-rooted in a certain culture that needs to be known in order to assimilate this album for what it really is? Is that degree of knowledge high?
Thanks
http://www.theverge.com/2015/3/19/8257319/kendrick-lamar-album-review-to-pimp-a-butterfly
"To Pimp a Butterfly is the best album of the 21st century, the best hip-hop album since Notorious B.I.G.s Ready to Die and Nas Illmatic in 1994, and it cements Kendrick Lamars spot as an all-time great."
"Calling Kendrick Lamar the best rapper alive doesnt seem right. That title seems unworthy for Kendrick Lamar, not the other way around. While artists like Lil Wayne, Eminem, and Drake are happy fighting for that title, Kendrick is seemingly aiming for something far higher than that."
Such hyperbole after less than a week. But goddamn this album is amazing. Kendrick continues racking up W's.
https://twitter.com/MixedByAlihow many tracks did you work on that didn't make the record?
we recorded over 60 records
Do you think this is an album somebody not coming from the US can fully appreciate? Or are the issues being addressed in the songs too deep-rooted in a certain culture that needs to be known in order to assimilate this album for what it really is? Is that degree of knowledge high?
Thanks
Ali, who mixed the album (and is TDE's in-house mixer) did a Q&A today about the mixing process for the album. You can scroll through his timeline for interesting info.
interesting:
https://twitter.com/MixedByAli
Ali, the engineer who mixed the album (and is TDE's in-house engineer) did a Q&A today about the mixing process for the album. You can scroll through his timeline for interesting info. Lots of technical stuff but there are a few simple notes about the album's creation. I'd love to see a documentary or interview about the creation process. I'm sure they recorded some of this stuff...
interesting:
https://twitter.com/MixedByAli
I swear this album feels like a Spike Lee joint. Reminds me of random screen cuts from Do The Right Thing and School Daze...
Classical music most definitely had themes beyond creating a mood.I'm specifically addressing the lyrical content and deep messaging.
Instrumental music does not have deep messaging, it has no message. Conveying a mood is not the same thing; and not what I was discussing.
I'm specifically addressing the discussion about the lyrical content and how people have repeatedly insulted almost all other music in this thread. You can praise this album without doing that.
Classical music most definitely had themes beyond creating a mood.
Its been like only 72 hours I think.I love how 40 pages in, and the hype still isn't dead.
Its been like only 72 hours I think.
I am infatuated with this album, but that Verge review is a major d ride. Should have let the hyperbole cool overnight, wake up fresh, read it again, and realize how ridiculous some of the stuff you typed is. Correct accordingly, lot of the points and ideas in the review aren't totally crazy, just way overblown.
I am infatuated with this album, but that Verge review is a major d ride. Should have let the hyperbole cool overnight, wake up fresh, read it again, and realize how ridiculous some of the stuff you typed is. Correct accordingly, lot of the points and ideas in the review aren't totally crazy, just way overblown.
http://www.theverge.com/2015/3/19/8257319/kendrick-lamar-album-review-to-pimp-a-butterfly
"To Pimp a Butterfly is the best album of the 21st century, the best hip-hop album since Notorious B.I.G.’s Ready to Die and Nas’ Illmatic in 1994, and it cements Kendrick Lamar’s spot as an all-time great."
"Calling Kendrick Lamar the best rapper alive doesn’t seem right. That title seems unworthy for Kendrick Lamar, not the other way around. While artists like Lil Wayne, Eminem, and Drake are happy fighting for that title, Kendrick is seemingly aiming for something far higher than that."
Such hyperbole after less than a week. But goddamn this album is amazing. Kendrick continues racking up W's.
Do you think this is an album somebody not coming from the US can fully appreciate? Or are the issues being addressed in the songs too deep-rooted in a certain culture that needs to be known in order to assimilate this album for what it really is? Is that degree of knowledge high?
Thanks
Starting with 'Momma' the album picks up.Listened to only half of it so far and I'm not really feeling it.
:/
Listened to only half of it so far and I'm not really feeling it.
:/
"u"
Fuck me, what a song. ;_;