From Up On Poppy Hill - After Goro dropped the ball with a deeply medicore (at best) adaptation of Earthsea, Miyazaki's kid gets another chance to direct. This time he's adapting a high school romance comic set in the early 60s, which I suppose translates as being kept on a short leash, but the end result is quite well done so, hey, I guess it worked. The story is in the vein of Only Yesterday or perhaps Whisper of the Heart and time period makes for an pleasant background to the proceedings, with people being excited for the 1964 Tokyo Olympics and the song "Sukiyaki" playing on more than one occasion. Recommended, especially for Ghibli fanatics.
I recently saw a half-dozen Ghibli flicks theatrically as well.
Nausicaa and
Laputa still completely rule and were wonderful to see theatrically. Also, gotta love Joe Hisaishi's synth sounds on Nausicaa! The Disney dubs of
Totoro and
Spirited Away are adequate but still not what you could call great, though the strength of the films themselves means the flicks are still eminently enjoyable.
Princess Mononoke is still a beautiful film that I don't particularly care for; I mean, I like watching it okay and it's nice to see Miyazaki let the violence fly, but I don't think it really comes together well and it definitely suffers when being seen almost immediately after re-watching Nausicaa. Finally,
Howl's Moving Castle continues to be lovely and basically incomprehensible. Nice to watch and all but, yeah, large swaths of the finale don't make a whole lotta sense.
Skyfall was a lovely way to spend Bond's 50th anniversary of adventures on the silver screen, managing the neat trick of doing all the same old things while also putting new spins on them, all while looking terrific. Quantum of Solace grew on me over time but is still disappointing considering how badass Casino Royale was, so I'm delighted that Skyfall lived up to all my own self-imposed hype.
Man,
Wreck-It Ralph really is a pile of fun. My favorite cameo: Beard Papa, who left me leaving the theater desperately craving cream puffs. They also get bonus points for having Jerry Buckner (with Gary Garcia there in spirit) performing the end theme.
I hadn't seen
The Parallax View in a while so it was nice to re-visit the flick, admire how awesomely paranoid it is, and to see the magnificent testing montage sequence in 35mm. Meanwhile, I hadn't seen the other half of the double feature,
Three Days of the Condor at all and I basically enjoyed the hell out of it.
Finally,
Stunt Rock is the stunt rockingest film every made about stunt rocking.
Just look at the trailer and see for yourself! I'd been wanting to see this flick since seeing the epic clip show documentary Not Quite Hollywood and I was in no way disappointed. I'm now anxious to see more Brian Trenchard-Smith flicks like The Man From Hong Kong and Death Cheaters.
FnordChan