Polar Bear Cafe 06
I vaguely recall somebody on GAF with a Grizzly avatar.
A Rocky montage? :lol
I vaguely recall somebody on GAF with a Grizzly avatar.
A Rocky montage? :lol
I'll definitely notice it, since I'm pretty keen on spotting this sort of thing.The way she gets framed in some upcoming episodes it's really hard not to notice honestly. Even if she's the type to not draw any attention to them, the camera does.
Well I'm not going to count my chickens before they hatch.I really like this first picture. I seriously love Irisu's character design. <3
Honestly it was getting to the point that I was maybe just going to laugh if you ended up not liking her rather than getting upset.
I don't think anyone was claiming it wasn't.Also, to relate to the previous K-On discussion, K-On was otaku-famous for sure but it was legit normal people famous. You could go around and ask young people what K-On was and they'd know.
DokiDoki Precure 01: (again)
Perhaps subsequent episodes will reveal that she's not as put-together as she appears to be, but as it stands, whatever grand realizations about hope and friendship that come to her in the face of hardship will feel hollow; a natural extension of her character as opposed to a result of growth and trial by fire.
With the new villains so adverse to each others' presence and seeming so unwaveringly and dispassionately committed to evil as Mana is to good, I expect boring things. Also, they're hella ugly.
Cure Sword still awesome, though. Now if only everyone's civilian alter egos weren't so boring...
I don't really think renting is really that large a threat to companies as you'd think. It's more that normal people are perfectly fine not owning shows and watching them on TVs. Having 10 complete series on the shelf you'll only watch once is an Otaku thing. Renting adds to it of course but it's not really any more harmful than Netflix is in the US.
It's not that simple for reasons stated above. You need to consider this in this way:
Say 1000 people watch a show. 100 are interested in actually owning it, at a certain price. 20 think it's too expensive. 80 buy it anyway. Now let's say we cut the price. Some of the 20 that thought it was too expensive will bite. Maybe some of the people that were not interested at all would be tempted. (though their reasons are more complicated than just price) but you may very well end up shifting more units while reducing your revenue substantially. There is an equilibrium to be reached there with regards to price and a lot of cyclical logic involved of course. Anime could probably afford to be cheaper but it really isn't that simple.
It's ASCII for Z so he's kayosZ, clearly a Mazinger Z or Dragonball Z fan.
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DON'T BE COY!I wonder if you noticed I have been editing "Kayo~" into your quotes whenever quoting you
DokiDoki Precure 01: (again)
Once more now that I can understand more than 30% of the dialogue.
I don't want to jump to too many conclusions, but that was definitely the most non-starter first episode in modern Precure. Of course, there are only so many things that you can do with first episodes when they're all franchise reboots bound by a yoke of tradition and requiring that specific events happen and pieces of information be conveyed in order to reconstruct the foundation from which the standard Precure formula operates, but this opener failed in the most fundamental ways that it could have--it failed to introduce an endearing protagonist worthy of emotional investment, it failed to introduce an antagonist that can serve as an entertaining foil to the protagonist, and it failed to make the first transformation seem like something momentous for the protagonist and audience.
Aida Mana is a dull Mary Sue. The episode repeatedly and conspicuously depicts how perfect she is, genkily darting from student to student to effortlessly solve their problems as their student council president (barf). She goes out of her way to help lost children find their mothers, return pieces of dropped jewellery, and is the first in a crowd to rush to the aid of someone ill. All Precure protagonists have sunny dispositions and are generally do-gooders, but they're often also flawed, clumsy, or insecure to balance the fact that they're the embodiment of the virtues promulgated by the show. Mana, however, is perfect. Her face is frozen in a perma-smile that robotically spouts optimism and good will, she's universally respected by her peers, she's the role model of the multimillionaire oujosama Alice, and she doesn't even express the least bit of shock or bewilderment at the otherworldly events unfolding around her when the monster of the week runs amok and she comes into contact with the mascots for the first time. The lack of humanity that I felt from Mana might be partially attributable to the episode's boring direction--there was no humor, no reaction faces, no energy--but the fundamentals of her character are still damning.
Precure protagonists generally apply the high-minded ideals that their struggles force them to champion toward overcoming whatever hardships or personal deficits they face at the beginning of season, but what growth can we hope to see from Mana when she begins from a position of strength and perfection? Perhaps subsequent episodes will reveal that she's not as put-together as she appears to be, but as it stands, whatever grand realizations about hope and friendship that come to her in the face of hardship will feel hollow; a natural extension of her character as opposed to a result of growth and trial by fire. Smile was so great in part because the villains were constantly using the imperfections in the characters' lives to try and demoralize them--I don't see how something like that happens in DokiDoki.
The villains, the other major component of a first episode, don't particularly bode well either. With their theme for this season being "selfishness", Ira and Mammo are depicted as working only for themselves and are bothered when they interfere in each other's missions. Villain camaraderie is one of the things that make the good Precure series good, and anyone who has seen a few of the series can attest to how much life the Desert Messengers, Bad End Trio, and Labyrinth Trio added to their respective shows with depictions of how the bad guys interacted when "off the clock". Conversely, the "bad" Precures had villains that were either entirely perfunctory and devoid of character or in bitter competition with each other (Suite, Yes 5). With the new villains so adverse to each others' presence and seeming so unwaveringly and dispassionately committed to evil as Mana is to good, I expect boring things. Also, they're hella ugly.
The Jikochu monsters themselves, while not bad, become disappointing the second you realize that they're just incredibly watered-down Desertrians from Heartcatch. The prospect of having monsters that are born from the darkness of the human heart again was exciting, but when the first monster was summoned and apparently some guy wishing he could cut in a really fucking long line was apparently EEEEEVIL enough to facilitate this, I facepalmed because you would pretty much have to be a saint to take issue with something so innocuous. This was made even worse because the guy actually realized that he was thinking bad thoughts and reneged on his temptation, but the villain enters his head by force, makes him re-think the thought, and explodes the darkness in his heart anyway. This is so much less refined than Heartcatch's approach where the villains generally just sat back and let people dig their own graves with their negative thoughts rather than forcing negativity onto them. I really hope that the show doesn't moralize to such a ridiculous degree because "selfishness" is a concept that theoretically has enough applications to create a season's worth of moral quandaries that can be explored in the surprisingly mature way that Heartcatch did. I'm really hoping that we're not stuck with some babby-tier Goofus and Gallant shit.
Only Regulus is going to read this awful wall of text so I guess I'll just stop here :lol I think I made my pessimism pretty clear long ago, so I don't want to get to the point where I'm repeating myself ad nauseum. Obviously I don't think that DokiDoki is doomed yet, but when the first episode is pretty much a perfect accumulation of the traits that have dragged down various entries in the franchise, it's reason for concern.
Cure Sword still awesome, though. Now if only everyone's civilian alter egos weren't so boring...
I read affordable as adorable. FAIL.
Mondaiji Somebody Give me a Nickname for This Show 1
This first episode was REALLY fun to watch. Izayoi is Gary Stu but likable, Asuka and You are cute, and I want to have my way with Kurousagi because man is she a beauty. This will be my kemonomimi fix until Dog Days S3 airs I guess.
Is that 'who is kayos90' thing a joke?
He's practically GIVING out his info
July 23
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Oh course , nobody is gonna open this temple when you need 7 hands to open the door !!
Am I that predictable?
I don't really think renting is really that large a threat to companies as you'd think. It's more that normal people are perfectly fine not owning shows and watching them on TVs. Having 10 complete series on the shelf you'll only watch once is an Otaku thing. Renting adds to it of course but it's not really any more harmful than Netflix is in the US.
It's not that simple for reasons stated above. You need to consider this in this way:
Say 1000 people watch a show. 100 are interested in actually owning it, at a certain price. 20 think it's too expensive. 80 buy it anyway. Now let's say we cut the price. Some of the 20 that thought it was too expensive will bite. Maybe some of the people that were not interested at all would be tempted. (though their reasons are more complicated than just price) but you may very well end up shifting more units while reducing your revenue substantially. There is an equilibrium to be reached there with regards to price and a lot of cyclical logic involved of course. Anime could probably afford to be cheaper but it really isn't that simple.
Pretty much.The shows that would shift more units at lower price points are the ones that can demand a premium. The shows that might be whim pickups bomb so hard out the gate that it's best to cut losses.
Yeah I mean you can get Jojo for something like 200JPY per episode digitally for a 3 day rent iirc.With the advent of digital most stuff is available on Bandai Channel or Animate.tv for a dabbler's price. The US continues to skate by in about the same market position as bullshit (well, manure) is to T-bones.
Confirmation that :kayos is just a plot for gaining attention. Engagement with duckroll cancelled.Ohhhhh. That comic. LOLOLOLOLOLOL. I knew what you were talking about. I was just playing around.
Because they can. But my point wasn't that it doesn't affect them at all, it's that renting isn't a Japan only factor.Hasnt renting been extremely detrimental to the market in the us? Why else did companies introduce those 30, 60, exclusivity windows to renting to netflix, redbox, blockbuster, etx?
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JUDGEMENT DESU NO
The internet. What a difficult tool to use.? Trying to figure out where you're getting this info.
What about the other members though?Hubris.
Hey, you have another reader here!
While I agree with you that the first episode was horrible in terms of having a relatable and human MC, I think there's still the chance that it was just a fault of the first episode and there is still room to build on her character. They would not only need to do that, but reconstruct some things shown by this episode that were, well, too artificial and stupid (I mean, giving a :Touma speech to the crab? give me a break).
I have only seen HC, so that and the age demographic of the franchises are my only references when judging this Precure, but they don't really need to build on that on the first episode. HC's first episode only featured one of the three villains after all, there was no hint of this "camaraderie" that was developed to a great extent later in the show. I think the "selfish" theme works in detriment of this aspect; actually, I don't think it's a good theme for the villains at all.
And yes, they look horrible, but so does everything else in the show except for the ED.
I want to see her henshin sequence, the Cure Heart one was so bland it almost seems like a joke.
I don't know if I'll keep up with this show, because I don't care that much for the classic tropes of the genre, it's clearly not targeted at me, and the most interesting prospects for me (the sakuga) is very lacking. I'll probably tune in for the inevitable episodes where good action does happen, though.
His one weakness. Research.Is that 'who is kayos90' thing a joke?
He's practically GIVING out his info
July 23
From the very beginning they placed all the responsibility on Oreki to solve the problem.What about the other members though?
His one weakness. Research.
bubububut the gamefaqs awardTYPICAL GAME JOURNALIST
Mondaiji OH YEEEEEEEEEEEEES 2
I fucking love this show. I just want more of it even though I know only a couple more episodes are out.
bubububut the gamefaqs award
TYPICAL GAME JOURNALIST
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Nothing's going on ..she is just apologising like crazy for beating you.
There a a vocaloid song for everything, eh.
DokiDoki Precure 01: (again)
Aida Mana is a dull Mary Sue.
Only Regulus is going to read this awful wall of text so I guess I'll just stop here :lol
Yeah, I forgot to mention Mana's speech to the Jikochu. I mean, come on, scolding the monster for its behavior? That would have had the chance to be funny but in the context of what we already knew about Mana's perfect goody-two-shows personality, it just kind of dug that hole a little deeper for her.
I haven't given up on Mana either, but that was a whole hell of a lot of Mary Sue in one episode and you're right that they'd have to completely ignore the character establishment that occurred in this episode to make any sort of further depth to her character believable. I'm really hoping that she's a different person privately than she is publicly, or she's going to be dull at best and insufferable at worst.
This is a classy 80s anime. Pretty awesome episode with nice gags, nice gunfights! Also![]()
What's old is new once more, it's the pivot of fashion so in the future the 80s will make a huge comeback
bubububut the gamefaqs award
If you liked Mari Okada's writing that much you should watch Black Rock Shooter next.Anohana 7-11 (End)
Now I'm crying too... even though it ended predictably. Everyone got some resolution.
Yes, the Tokyo Arc is great.or Fractale
or Lupin
or (serious answer) Hanasaku Iroha.
Amazing.kininarimasu
If there's one problem with Gintama arcs is that the sense of scale is sometimes a bit off. The Four Devas arc suffers from the same problem... but there's really only so much you can do without spending 30 minutes reintroducing characters from the past just because they should be there.I thought their absence in that story was the actual flaw. The movie really should have expanded their roles even more. It's stupid how they only appear in stories that are directly related to them in some way.
After the story about Kagura's father, they don't seem to appear as just a police force in any of the big serious stories. In that specific case, there was a battle between two groups of "terrorists" over Edo's skies and a bunch of killings connected to them, and they didn't lift a finger... I was really hoping the movie would throw them in the final battle at least, and was disappointed that it just followed the tv show at that point.
DokiDoki Precure 01: (again)
Once more now that I can understand more than 30% of the dialogue.
I don't want to jump to too many conclusions, but that was definitely the most non-starter first episode in modern Precure. Of course, there are only so many things that you can do with first episodes when they're all franchise reboots bound by a yoke of tradition and requiring that specific events happen and pieces of information be conveyed in order to reconstruct the foundation from which the standard Precure formula operates, but this opener failed in the most fundamental ways that it could have--it failed to introduce an endearing protagonist worthy of emotional investment, it failed to introduce an antagonist that can serve as an entertaining foil to the protagonist, and it failed to make the first transformation seem like something momentous for the protagonist and audience.
If you liked Mari Okada's writing that much you should watch Black Rock Shooter next.
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Even if they have a near perfect animation they are still lacking detail on some stand still scenes .. too bad.
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Typical question
Posts like this is why we have this reputation. And just as we got out of the School Days stigma too.If you liked Mari Okada's writing that much you should watch Black Rock Shooter next.
Alright, I think I'm going to finish Azumanga Daioh and Candy Boy tonight. Feeling the need to move on to some new things. Probably Arakawa Under the Bridge and Our Home's Fox Deity, though I'll probably check out an episode of the latter before committing to it just to be sure.
I don't want Candy Boy to end, though. ;_; Or Azumanga, for that matter.
Posts like this is why we have this reputation. And just as we got out of the School Days stigma too.
Arigatou.
Yukimura Kusunoki of Haganai.
But we don't actually recommend BRS TV. We went out of our way to warn the last batch of sufferers and they still watched it.
But we don't actually recommend BRS TV. We went out of our way to warn the last batch of sufferers and they still watched it.
Posts like this is why we have this reputation. And just as we got out of the School Days stigma too.