So the Luteces build up to the 77 raffle with the coins? Interesting.
That last drowning scene is supposed to symbolize one amalgamated timeline where an "infinite" amount of Elizabeths drown Booker before Comstock exists.
ok so there's an infinite number of baptisms then? then how does liz kill an infinite number of bookers when she can't kill a million million comstocks?
You would think so, but infinity x 2 = infinity.
And like I said, one Elizabeth can't kill a million million Comstocks. It's only if all of the Elizabeths focus their powers on a single decision point.
She can. Killing an infinite amount of Comstocks doesn't reset the timeline because it means that each Comstock already existed. As Sorian says, she's preventing the probability of him ever existing, and thus preventing the probability of the events of the game ever happening, by drowning an infinite Bookers before the baptism, the earliest place which can lead to Comstock. Elizabeth is a single person at the end, but she has basically became a god, she can alter every timeline as she sees fit at any point. The Luteces' goals are to reset the timeline, and this becomes Elizabeth and Booker's goal, so they eliminate the probability of the events of the game ever occuring by creating a loop in which a specific choice will lead to the events of the game which lead to the choice never happening. So they close off the branches in which Comstock can exist by making it an improbability, because a paradox is not a probability.
EDIT: Exactly what Voice of Reason has stated.
The only thing I thought was a little strange was Elizabetha being this naive girl throughout the whole game, but then once the final battle is over she becomes this god basically that knows everything about everything.
MGS3 kept data of every soldier you killed, and how, up to a point. It's possible, but how would you check it? The next 'coin-flip' would be 123 at max also.
The only thing I thought was a little strange was Elizabeth being this naive girl throughout the whole game, but then once the final battle is over she becomes this god basically that knows everything about everything.
I'm not sure how the best way to check it would work out, but if the baptism drowning at Columbias entrance is a death, and the Songbird drowning is a death, and any death away from Anna/Liz is a death/restart then the mark for the songbird drowning would be 124 (if you didn't die up until that point), etc. Technically speaking, the game code could track the number of deaths/restarts but it'd be a question of how to best show the updated number to the player (perhaps letting you look at the bell number card in your inventory and showing how the numbers change as you died and restart).
That last drowning scene is supposed to symbolize one amalgamated timeline where an "infinite" amount of Elizabeths drown Booker before Comstock exists.
for 0.3 seconds if you do it early enough.
so they couldn't focus their attention to the booker than emerges baptised since they can kill an infinite number?
True, but to be fair they could track something like that within the game's code (though I'd imagine it would be rather difficult and not be noticed). Be more of a head trip if you could go back and look at the chalk board later in the game and see it updated with added marks based on your progress.
Because as Sorian has said there would be the probability of a Booker later going to be baptised again and the events of the game still occuring. This simply removes the probability of Comstock ever existing by making it impossible for him to exist.
I have no problem with this. Elizabeth drowning only the Bookers who accept baptism is a valid interpretation.
Every time you log it, it would be a vague number.
We know that 122 previous Booker's made it to Battleship Bay. 60 might have made it to Lady Comstock's grave (perhaps another coin flip). My point is that this number doesn't really give much context, as each dead Booker before Battleship Bay doesn't flip a coin. You could only say how many Booker's made it to a point, and you would be that latest Booker to get there.
I have no problem with this. Elizabeth drowning only the Bookers who accept baptism is a valid interpretation.
then drown every booker than every emerges from the baptism at any time since you have infinite resources to do it.
I think this begins to verge more into "Narrative/Thematic choice" rather than an actual timey-wimey thing. Sure, you could kill him when he emerges, but it doesn't have the same emotional resonance.
"before the choice is made" is the best evidence that the artistic intent was to have all bookers killed, but as levine said, "he's a slave to the story" and so am i. the only ending that makes logical sense is the one where the bad bookers are killed, more than anything else because of how the multiverse system has to work.
...
at the end of the day, these are characters are just code, im not too invested in them, im not trying to save bookers life here, but i quite honestly cannot fathom a logical story around all bookers being killed.
edit: also, multiverse stuff aside, there's the fact that we saw liz kill booker in a bad universe and the post credits scene.
Her personality changed after Comstock started torturing her. I think it is an understandable change because you do not know what he did to her except for a few tidbits.The only thing I thought was a little strange was Elizabeth being this naive girl throughout the whole game, but then once the final battle is over she becomes this god basically that knows everything about everything.
before we continue i need to know if you're of the mind that there were infinite baptism rejections/acceptances univereses. or just 2 universes for both choices
DerZuhälter;52161966 said:I think the discussion has shifted toward: Infinity/Infinity=1 and Infinity/Infinity!=1
It's undefined. The ending theory that infinity Liz's could kill infinity Comstock isn't true, it's undefined. Therefore it's an open end, and yet redundant again. It's not even an end. It's a philosophical question about math and omnipotence. Don't break your head about it.
We are dealing with a paradox here.
So the big "jump" scene where people got spooked was when you turned around and one of those odd shrieking things was standing there? Those things were disturbing in general...surprised they were not in the game more to be honest. Although they were rather easy for me I would just find a corner and light all those little bastards on fire as they came around to get me.
Sorry I disappeared for a bit. I am of the mind that they wanted to make this as easy as possible for us and that leading up to the baptism there is only one set path and from that baptism there were two possible branches that lead to an infinite amount of possibilities. In the real quantum theory there would have been an infinite number of baptisms and that woulds till work with what I believe the ending was but it seems the writing staff didn't want to deal with that so they wrote it like this.
then drown every booker than every emerges from the baptism at any time since you have infinite resources to do it.
So how does Slate not know Comstock was Booker?
If we want to be technical. Everytime we stop a Comstock set from being born, the current Elizabeth we are with would become a different person. She is a god that can affect multiple realities but she is still within the system. If we make it so she isn't the same person then she could lose that god-like ability. Let's say Comstock gets baptised in 1895 (arbitrary date, I just pulled it from my ass) then we get the scene where she loses her pinky. What if we eliminate that set but now there is a Comstock born in 1896. Elizabeth might not lose her pinky in this timeframe a year later and then we can't get the god power. Better to just eliminate it all at once just in case.
Can someone explain the letter that booker got at the start of the game? The "Don't pull the 77" Who gave it to him? and why?
Can someone explain the letter that booker got at the start of the game? The "Don't pull the 77" Who gave it to him? and why?
So how does Slate not know Comstock was Booker?
Yeah, that scene pulled the heartstrings. The other breathtaking bit was the grand reveal at the end of the mental asylum in Comstock House -- elderly Elizabeth razing New York City to the ground, and plainly regretting it. Wow, talk about chills. When she opened a tear and sent me to another reality where that wasn't happening, I felt like how Scrooge must've felt after meeting the Ghost of Christmas Future and waking up in the present the next morning. Utterly relieved -- and all too eager to prevent those horrors from coming to pass.![]()
Still manages to make me well up. Such an amazing and beautifully executed scene. Watching it in slo-mo, you can actually make out the resemblance to Booker.
i dunnnooo, the pinky seems like one of those constants. besides, we know god Elizabeth can see all the doors and travel in time so she probably has her bases covered regardless of what she does. she's dr manhattan.
So how does Slate not know Comstock was Booker?
A question, though: How did Comstock become wealthy?
Did they explain why Liz destroyed NY? I thought that maybe she wanted to get back at booker or something.
i hear you, and that's how i see it too, 2 branches into infinitely many more over time, and not instantaneously. that's why i think liz only went to that first bad split and killed booker there. it would be weird oversight imo to needlessly kill both bookers so that's the ending as i see it. simple as that really.
So how does Slate not know Comstock was Booker?
Did they explain why Liz destroyed NY? I thought that maybe she wanted to get back at booker or something.
Did anyone catch "Tainted Love" playing in the Graveyard Shift?
Did anyone catch "Tainted Love" playing in the Graveyard Shift?
I thought he did? He kept alluding it throughout his taunting in the museum.
Comstock wasn't there, but you were, etc.
A question, though: How did Comstock become wealthy? Rosalind Lutece was able to fund her tear machine because of Comstock. But clearly, had Booker not been baptised, he would've wound up in poverty. So what did Comstock do differently that led to wealth? I don't think he became wealthy via the tears, since as I understand it, the tears were created by machines funded by his wealth in the first place. And of course, it'd take tremendous resources to create the floating city of Columbia. So... How?
I really want to know how Comstock became wealthy.
I also really want to go on an F12 photo safari in a second playthrough.