SCULLIBUNDO
Banned
WB had a lot of story suggestions for Cuaron when making the film (spoilers):
http://io9.com/all-the-ways-hollywood-tried-to-ruin-gravity-1442130153
http://io9.com/all-the-ways-hollywood-tried-to-ruin-gravity-1442130153
WB had a lot of story suggestions for Cuaron when making the film (spoilers):
http://io9.com/all-the-ways-hollywood-tried-to-ruin-gravity-1442130153
Please, the action scenes were fucking incredible. Personally, i loved the music. The end theme with the chanting I can do without but the music during the action scenes was bad-ass. Imax 3D the way to go
WB had a lot of story suggestions for Cuaron when making the film (spoilers):
http://io9.com/all-the-ways-hollywood-tried-to-ruin-gravity-1442130153
Toa, you may want to spoiler tag that shit.
WB had a lot of story suggestions for Cuaron when making the film (spoilers):
http://io9.com/all-the-ways-hollywood-tried-to-ruin-gravity-1442130153
I can't think of another movie that will lose as much at home. People that pass on the big screen will wonder what the big deal was.
Best transition from studio screen to movie since Sunshine's FOX Searchlight -> Sun transition.
Sorry, can't stop comparing the two movies. I love them both so much. Such beautiful space spectacles. This is exactly how I thought Sunshine's third act would be like. A mix of those 2 movies would make me so happy.
Gravity doesn't completely shit itself during the last act though...
He was emotionally distant, which he isn't in other roles. I usually like him, but he should respond appropriate to the situation. He was just too cool in a certain scene. A few nuances of panic or regret would have solved that.
Yeah, but was the field really needed that many times? Once, to get stuff going would have sufficed. After that it was a constant reminder that logic wasn't the biggest priority in the movie. And while it provided some nice visuals, it tried to build up tension when there was already more than enough. It distracted from the characters, from the obstacles they had to overcome. It was just too much - and didn't make a lot of sense in the end.
Why is the debris field not always on the same hight? It's not a killer that's following Sandra Bullock. Otherwise why did it not affect the station 90 min before, but only when she was on it?
I saw this on a 3D Imax. I... I just... can't...
- This film is monumental, historical, even. It puts some seriously revolutionary cincematographic ideas into practice that will be copied and imitated in the future no doubt. The opening 15 minutes sequence, the orbital cameras, the masterful use of 3D, the sound design, the emphasis on inmersion and first person perspective, one of the few "from videogame to cinema" influences that I think that has benefitted movies. Gravity will be studied in film schools, mark my words.
- This does not means that this movie is beyond reproach, for it has its weakness, mainly its script, but seriously, It is irrelevant on the big scheme of things. There are certain movies where the script must be done masterfully in order to work. This is simply not one of them. It could have been mute, for its most part, and it would have mattered little. Nasa speak, and people getting into stress situations doesn't bode for a much compelling dialoge, me thinks.
- This movie reminds me a bit of Ico. Its plot is simplistic, its dialoge almost non-existant and corny and times, and its message is a very straightfoward one: people finding the will to live, not to merely keeping theirselves alive by inertia. But this is a case where the storytelling superceeds the message. I do not share, whoever, the notion that there was some kind of religious message being hamfisted. At all. It was very poetically conveyed, and it wasn't a religious, but rather a deeply humanistic message. The couple of shoots focusing into the Ortodox icon and the Buddha statue were just a reminder of how faith, on its purest form helps with this kind of situation. Hence how Cuaron shot these scenes: same angle, same situation, different religious idols. They matter little. Faith is potrayed as useful resource for survival (she has to believe that she is going to get alive from this ordeal afterall to keep herself going). But it is faith on itself and how we humans employs what matters, while its specific subject of adoration is kept irrelevant during the movie.
- When I finished it watching Gravity, on the final scene, I was overwhelmed, on a catarthic state. I looked around the theater, and both my friends and I were on curling positions, our bodies were tense, tired as if we have just been there up there in the Soyuz, fighting for our lives, with our coats over our legs, trying to shield ourselves from the cold vaccuum of the space, shaking and trembling after a movie which was less of a movie and more of a shocking experience. But we were on Earth instead. On Earth. Alive. I felt a downpour of gratitude. Of inmense, trascendental gratitude, for just being alive, on Earth, where life is possible. Yes, this is a very simple message, but damn if it was not beautifully conveyed. Thank you, Mr. Cuaron.
WB had a lot of story suggestions for Cuaron when making the film (spoilers):
http://io9.com/all-the-ways-hollywood-tried-to-ruin-gravity-1442130153
When you go into the process, yes, there are a lot of ideas. People start suggesting other stuff. "You need to cut to Houston, and see how the rescue mission goes. And there is a ticking clock with the rescue mission. You have to do flashbacks with the backstory." But we were very clear that this was the film that we wanted to make.
The whole thing of the flashbacks. A whole thing with... a romantic relationship with the Mission Control Commander, who is in love with her. All of that kind of stuff. What else? To finish withStuff like that.a whole rescue helicopter, that would come and rescue her.
So while the process goes, everybody gets a little nervous. A little anxious. "Are you sure you don't need this? Are you sure we don't need to pump up the action value, like having an enemy, like a missile strike?"
Looooooooooool.
GRAVITY SPOILERS
We've got the sequel plot, gentlemen.
The ending is really the opening of Gr2vity. She looks up and there's a salvo of missiles flying at her. Her only way out...IS TO GO BACK INTO SPACE
Best transition from studio screen to movie since Sunshine's FOX Searchlight -> Sun transition.
Sorry, can't stop comparing the two movies. I love them both so much. Such beautiful space spectacles. This is exactly how I thought Sunshine's third act would be like. A mix of those 2 movies would make me so happy.
He was emotionally distant, which he isn't in other roles. I usually like him, but he should respond appropriate to the situation. He was just too cool in a certain scene. A few nuances of panic or regret would have solved that.
WB: The action...it needs more upping.
Thank goodness the director knew better.
Let's all be thankful Warner Bros relented and allowed Cuaron to make the movie as is. Most studios would've steamrolled him.
It doesn't always work out, creatively and/or financially, but Warner Bros does ultimately put a lot of faith in their directors. At least, relative to the industry.
I heard somewhere that Cooney had a lot to do with that, no? His influence and someone told me his money is in this movie too. Not sure if any of that is true.
Clooney's character felt like a toned-down version of Sterling Archer to me. (This wasn't a bad thing.)
Now I really want Archer to do a "Gravity" ep."Ryan. Ryan. RYYYYYYYAAAAAAN!"
"WHAT?!"
"..danger zone."