He's right though. Abby was always annoyingly "quirky" that way.We got an adult over here guys.
He's right though. Abby was always annoyingly "quirky" that way.We got an adult over here guys.
Fuck subtitles that are 3 lines long.
Finally got around to the pilot of Gotham and it was really solid. Many great things going on, and David Mazouz has totally grown into the role of Bruce Wayne at this point.
Designated Survivor
I dont know why they did that for the Lloyd plot. Seems too early in the season especially since he was an actually believable bad guy
I stopped watching when Trump won. I am basically watching the horror version of designated survivor by watching the news every night.I wonder if people are turned off by Designated Survivor by the fictitious notion of an inexperienced President doing right by the country and Congress attempting to hold him accountable
I wonder if people are turned off by Designated Survivor by the fictitious notion of an inexperienced President doing right by the country and Congress attempting to hold him accountable
... That is the first paragraph, blame THR, not me. (I just highlighted it)Lisa Joy ('Westworld') and Bryan Fuller ('American Gods') talk about picking battles with network execs and what their new series have in common: "Both our shows have a lot of cock."
Man pushing Daisies was so good, though I'm partial to Wonderfalls.TV, your own series included, is much darker these days. Do you see room for lighter dramas like Pushing Daisies?
JOY When I look at Stranger Things, even though it's horror, there's a lightness to those kids and it being the 1980s. There's room for more of that playfulness, levity and fun. But my show right now is kind of a dark exploration. (Laughs.)
FULLER I'm telling you, you have to write and direct Amazing Stories. [Fuller is developing a reboot of the anthology.] That's the goal with Amazing Stories — to get people like Lisa to give you the experience of a summer movie in the '80s.
God bless Bryan Fuller.FULLER The networks have taken on the mantle, at least in some respects, of the artist's vision. On Pushing Daisies, we couldn't show a toilet! Now both our shows have a lot of cock. Times are changing.
JOY We've got a lot. But ours are mostly flaccid, because they're dead and in cold storage.
FULLER But they're nice though. They're show-ers.
Are you allowed to show erect penises?
FULLER Yes, but you can't show it heading toward a portal of any kind.
Kevin Costner is making $500,000 per episode for Yellowstone. How do you justify that?
The statement we wanted to make was that we're open for business and we're willing to pay top-tier actors whatever their quotes are. It sends a message and that's what we want to do.
...
Of all the brands, why Spike?
Because the TV Land affiliate agreements would never allow it and they also don't have full HD penetration. The one thing that stood between Spike and getting to general entertainment was its name. Spike was too well-branded — we did too good a job of saying, "This is for men." We want to be 50-50 male-female with an 18-to-49 demo. In the Viacom world, you have networks that have specific audiences — MTV with millennials, Comedy Central with comedy, BET is focused on African-Americans and Nickelodeon is a kids and family brand — so the goal is to have "general entertainment" as part of the portfolio.
...
What are the changes you'll make?
The average Spike viewer is 43. If we can be in the early 40s, it helps set us apart from some of the other networks that are in the family. We're more upscale as we move away from all that police programming that was on Spike. You'll still see Cops, but you won't see the same volume of it. We're looking at bringing over some high-quality sitcoms for daytime, and you'll see more movies.
I wonder if people are turned off by Designated Survivor by the fictitious notion of an inexperienced President doing right by the country and Congress attempting to hold him accountable
I got maybe 5 episodes behind when it returned post Trump,
I just didn't feel like it.
Kirkman is kinda like the exact opposite of Trump which made it harder to watch.
All the different sources that provide subtitles for tv shows that insist to have many cases of 3-line long sentences. You should never see more than 2 lines of text on screen no matter what.
This is a pretty interesting article on how TV has changed creatively:
Inhumans is already cancelled?
Inhumans is already cancelled?
Oooohhh, I just realized that if you didn't know about The Mist, the thread title would seem like an Inhumans reference.
Shawn Ryan, who earlier created the award-winning police drama ”The Shield," described his time at Amazon producing the canceled drama ”Mad Dogs" as frustrating and confusing. Mr. Ryan said it was standard practice at other networks to receive one set of notes from executives a day after a cut of an episode was submitted. At Amazon, that process would often take more than a week and was followed by multiple requests for changes, he said, resulting in higher costs and delays.
...
Messrs. Price and Lewis have played outsize roles in creative decisions, staffers say. On ”The Tick," Mr. Lewis pressured people working on the show to cast his girlfriend, actress Yara Martinez, in the pilot and then to expand her role, said people close to the program.
...
Mr. Price last year encouraged subordinates to buy an idea for a series called ”12 Parties" from his fiancée, Lila Feinberg, said Amazon Studios employees. Some at the company said they were uncomfortable because of the apparent conflict of interest and because they believed a character in the series resembled Mr. Price.
Like Mr. Price, the character Richard Forman is a middle-aged Harvard graduate who wears leather jackets and has a Black Flag tattoo, according to a series proposal viewed by The Wall Street Journal. His younger girlfriend, who like Ms. Feinberg is a writer from New York, is named ”Lita."
.How does Roy Price still have his job?
No but fucking seriously how does he still have it?
Is that bad?Even its most acclaimed shows draw relatively small audiences. Fewer than one million people have watched recent seasons of ”Transparent," which won Emmys in 2015 and 2016, said an Amazon Studios employee.
Go to WSJ twitter and click through. Did the trick for me.The article above sounds interesting but I can't read it due to the subscription barrier.
Kind of surprised by an error in the article: Yara Martinez was in Alpha House, not Alphas.
I'm sad that I know this and could point it out.
https://www.vox.com/fall-tv/2017/9/...ial&utm_source=facebook&utm_content=voxdotcom
Gotham and The Orville settle into their spots. I wonder how the return next week of the other geeky shows on The CW impacts them.
Gotham and The Orville settle into their spots. I wonder how the return next week of the other geeky shows on The CW impacts them.
I was upset that rumored election special never happened.Never apologize for your Alpha House viewership. You'll fly with the angels.
Thank God Arrow is on after Gotham. Gives me two good hours of DC shows without having to choose between the two.
I'm hoping it survives as a favour to MacFarlane. In the same way that they kept the show with Kiefer (Touch or whatever it was called) on the air because they wanted to try to keep him happy.Sucks that Orville dropped 0.2 from last week. I like watching new bootleg Star Trek episodes every week, even with Seth McFarlane humor (which I don't mind half the time) sprinkled in. Hopefully it'll adjust up, or it's a temporary dip.I have no real hope, tho
Not surprising to see this about Amazon given how much grumbling there's been in the past couple of years about their slapdash management of the TV arm. It'll be interesting to see if the recent moves and scrutiny from Seattle get things on track.
More via the link.But lately, deep background complaints I'm getting are coming mostly from creators with content at Netflix. And it's been slowly increasing. The gist is that the money is great to have but there's not a lot of promotion (advertising outside of the Netflix environment and exposure within it; because there's so much volume, press attention can be limited as well with advanced features and reviews).
Some creators are annoyed (or hurt) that they don't get splashy premieres (and yes, that matters particularly when all your episodes drop on the same day and that's pretty much the end of the hype). A similar complaint: It's easy to get lost on Netflix once the show airs.
Others say the mysterious Netflix algorithms affect how much of a budget a show will get (for new and returning seasons) and even which actors need to be cast (meaning they're not exactly the ones creators want but they are the ones who will fuel suggestions to other series or movies in the Netflix archives).
A sign of impending doom? Doubtful. That budget is going up to $7 billion, not down to $5 billion. (And even if it did wow, that's a lot of money.) But those are definitely cracks in the façade. Money can cover up a lot (and keep people from complaining publicly). But if your relationships with creators start to fray and pull apart in ways that can't really be addressed because of the make-up of the infrastructure (the company is too big to be intimate and attentive; the algorithms that helped make the company big are working against your creative wants), then there's an issue.
How big that issue gets remains to be seen. You can add it to the growing pile of things we all might be talking about when it comes to talking about Netflix.
In a similar vein, Tim Goodman's column for THR:
- Are There Cracks in the Netflix Facade?More via the link.