Have to disagree there. See, the wild psychedelic stuff is more attention grabbing and memorable, but the show isn't working on that level alone. The weird elements are grounded in a believable world full of realistic details.SomTervo said:Nyehh. Half of the time AmGods was trying to convey warmth there was really attention-grabbing music over the top of it and weird editing with OTT cinematography - thus sucking all warmth there was out of it.
Also the mundane details of human society? Dafuq? The book captured that; the show doesn't. The show is like wild highlights from a really sexy psychedelic road trip. There's none of the boredom, the changing landscape, the stupid little stories and random normal people you meet on the road - all of which the book captures so perfectly.
Yes, Wednesday is great - indeed, elements of the show are great. And you know whose work is generally 'cold' with brilliant elements? Zack Snyder. There are things in Watchmen that Snyder totally got right - Rorscach's "being captured" scene and the Comedian, for instance. These moments felt 'warm'. But the whole thing was just pretty shit.
That last sentence is exactly how I feel about AmGods.
Again, I like the spectacle and there are things it gets right. I hope it picks up.
Handmaid's Tale is better tho.
Have to disagree there. See, the wild psychedelic stuff is more attention grabbing and memorable, but the show isn't working on that level alone. The weird elements are grounded in a believable world full of realistic details.
Examples:
- the airport scene
- Wednesday in first class
- the bar lady selling Shadow the house chili
- Bilquist's date, before the bedroom
- the Russian sisters at home
- the salesman's whole chapter, on the streets of New York and with that stuffy secretary, up to the sex scene
- the old lady in her kitchen who's paid a visit by Anubis
There's a lot more than that. This show has a way of combining everyday settings with nuanced emotive performances to create situations that, to me, feel familiar and real. Even the way the camera lingers on everyday objects contributes to the effect. That way, when the fantastical elements appear, they have something to contrast against.
The commonplace TV aisle becomes the stage for a bizzarre conversation with an alt-universe Lucy. A cab ride with your typical Arab cab driver turns into a layered scene of human solidarity, and supernatural revelation, and finally passionate connection.
This kind of thing is beyond Snyder. If you asked him to take reality and show us a dark reflection where mythical beings walk among us, all of the human stuff would be shallow and perfunctory. He'd give you another Man of Steel.
Watching Ep 3 at last - yeah, rushy intro, and dialogue for the Egyptian woman directly transposed from the novel - which doesn't work whatsoever in a moving picture. It DID feel Pizzolatto-level. '8 grandchildren each as smart as tables' - who would say that shit to themselves, at least filmed like that.
The show has given us no reason to pay close attention to what the characters are wearing. The show has given us no reason to believe events are shown out of sequence.I'm surprised people missed this, or didn't pick up on the connection.
I don't understand what happened with the djinn,did he just leave or something else happened?
I thought the guy turned into one.
Hannibal is amazing. One of my favorite shows of the last decadeHoly fuck, this is Fuller of Pushing Daisies and Dead Like Me? Why the fuck didn't I make that connection. (... Probably because I watched those shows at first airing, back when I didn't pay much attention to production.)
Honestly, this feels so awful in comparison to Dead Like Me and Pushing Daisies. Those shows had pace and build up with a dash of swagger and quirk - this is all swagger and quirk sans pace and build up.
Haven't watched Hannibal. Heard it starts a bit shit but gets great? Hopefully AmGods will do the same
Hannibal is amazing. One of my favorite shows of the last decade
You'll wonder how it even existed on network TV
...Really?
Watching Ep 3 at last - yeah, rushy intro, and dialogue for the Egyptian woman directly transposed from the novel - which doesn't work whatsoever in a moving picture. It DID feel Pizzolatto-level. '8 grandchildren each as smart as tables' - who would say that shit to themselves, at least filmed like that.
However, the cosmic Egypt scene worked surprisingly well (although i still hate the over-music). Almost felt like a televisation of Sandman, which is something I never knew I wanted.
Thennn it throws you rushing into another weird trippy scene with a person we've never seen before. The establishment with Shadow was barely enough and he just doesn't seem phased by any of it. Ugh.
Anyway, I'll quit it with the stream of consciousness.
No lies detectedHot take
Pushing Daisies> all other fuller shows.
Haven't watched Hannibal. Heard it starts a bit shit but gets great? Hopefully AmGods will do the same.
It sounds like you really dislike the show so I'm wondering why you continue to put yourself through it.
are the same people who are confused by american gods the ones who told you that hannibal starts "a bit shit"?
Hannibal is amazing. One of my favorite shows of the last decade
You'll wonder how it even existed on network TV
I could be forgetting, but I'm pretty sure the opening scene was 100% made up for the show, actually.
I agree it was iffy. Probably the worst of the little vignettes so far.
All the dongs are CGI and/or prosthetics.
We got on the phone and said, our intention was to do a beautiful love scene between two men, and he was like, OK, as long as its not exploitational, and as long as you give me a beautiful cock. The funny part was somehow the visual effects guy got it in his head that its an 11-inch cock We sent this 11-inch cock to Mousa with a note Hows it hanging? expecting him to be like, Jesus Christ! But his only response was, It looks good, but should be darker!'
are the same people who are confused by american gods the ones who told you that hannibal starts "a bit shit"?
Yep. They switched bodies.
More like they just switched clothes and the guy took up being a taxi driver.
The guy was upset about his current life so the djinn gave him an opportunity to start anew. I don't think they actually body swapped.
It definitely won't be this season but I'm really curious to see how (book details). That whole plot line gave off such a different vibe than the rest of the novel. It felt like a huge tonal shift.the show handles the plot with the small town and the frozen lake and the old guy locking kids in the trunks of the cars
Really? Moreso thanI CAN'T WAIT FOR THIS PART! MOST MEMORABLE PART OF THE NOVEL
975K viewers for the premiere, which is p. good!
710K viewers for episode 2, which is still p. good.
716K viewers for episode 3, which is up a bit!
Hot take
Pushing Daisies> all other fuller shows.
975K viewers for the premiere, which is p. good!
710K viewers for episode 2, which is still p. good.
716K viewers for episode 3, which is up a bit!
p. good?
pretty good?
Hot take
Pushing Daisies> all other fuller shows.
I keep saying wtf while watching this show. So many weird stuff happening.
And here's the correct answer: it's Hannibal.here's a hotter take, it's Wonderfalls
Ironically, the jinn did grant him one wish: to stop being a down-on-his-luck sample pusher. Of course, taxi driver isn't an enormous upgrade, but at least it's not a constant downwards spiral.
Agreed, although I do think DLM is up there.
So need to watch Hannibal.
Loving these immigrant stories, basically a big F U to Trump's America.
There's a cgi erection in your first image btw
There's a cgi erection in your first image btw
Starz app gets episodes earlyHow the hell did you guys already see it?
- Promo for this week's episode.Season 1: episode 4 "Git Gone"
Alternating between the past and the present, Laura's life and death are explored-how she met Shadow, how she died, and how exactly she came to be sitting on the edge of his motel room bed.