Paltheos
Member
After much recommending, I leapt into Sound! Euphonium this week. After a largely uninteresting first episode where our heroine mopes about and befriends generic moe and genki girls... the show improves dramatically on episode 2! I'm almost caught up with everyone now - I went through this one relatively quickly and there's allot of positive things I can say about it. The production quality is fantastic, it's paced and edited really well, the plot developments link up really well with Kumiko and flow well together. And... a ton of other stuff. Like how Kumiko has a ton of different faces that she shows to different people but none of them feel disjointed. How allot of the cast obviously just serve a role in the greater story or main cast but don't feel empty enough to just be props but at the same time the show doesn't waste time developing them - The developments are weaved together into the regular pacing so the experience doesn't feel disjointed. (basically I'm praising it for not screwing up)
Things I don't like: The show trying to sell Katou and Kawashima as main characters. They're innocuous at best, serving soundboards for Kumiko (as many of the characters do) or as means of communicating a musician's growth/trials (again, as others). I don't give a shit about Katou having a crush on trombone-kun because it's not relevant to the main story at all and Katou's not nearly that interesting. Also, why did Taki-sensei have the whole club decide *on the spot* whether they were going for nationals or not? Isn't that the sort of thing you give people a little time to decide on? Really minor >_> but that always bothered me.
Eupho's p. cool though. I see why it was so popular last year. It doesn't have that spark that the best slice of life shows have but it's very engaging and obviously very well put-together.
Things I don't like: The show trying to sell Katou and Kawashima as main characters. They're innocuous at best, serving soundboards for Kumiko (as many of the characters do) or as means of communicating a musician's growth/trials (again, as others). I don't give a shit about Katou having a crush on trombone-kun because it's not relevant to the main story at all and Katou's not nearly that interesting. Also, why did Taki-sensei have the whole club decide *on the spot* whether they were going for nationals or not? Isn't that the sort of thing you give people a little time to decide on? Really minor >_> but that always bothered me.
Eupho's p. cool though. I see why it was so popular last year. It doesn't have that spark that the best slice of life shows have but it's very engaging and obviously very well put-together.