It's a callback to 911. Some people didn't abandon the buildings until ordered in fear for their jobs.
Eh, okay? Their loss.
The change is superman appears. Literally. It's the entire premise put forth in suicide squads trailer. The dcu is all about how Clark is the catalyst for escalation. The red capes are coming.
what is a 'good bunch of people'? It's not like we're dealing in hard numbers or majority rules here. There's some people who are 'unsure' enough to spray paint a statue and there's enough people who feel the other way to have a statue erected in the first place.
There's not really anything there to support the idea that the world at large would reject the notion of.honoring the super powered being that just sacrificed himself to save them
What bait? I asked you to prove a point and now you deflect. What a childish maneuver. If you can't prove that he fetishizes violence in his work other than quoting monty python, why even bring it up?
Still laughing you think mcu using "tactics" isn't fetishization with the aforementioned terrorist gun.
That makes no sense. We're talking about Batman as a character changing, which was implied to have taken place BEFORE Superman's arrival and war. Superman doesn't make Batman more brutal, sadistic, etc.
You sure you read the countering points carefully? Because you seem to have a habit of shifting the goalposts to justify points when they aren't even relevant to the whole discussion.
I was thinking 50/50 split based on what the movie presented, but I wasn't too sure given that it's hard to quantify as you mentioned. The problem I have is that Snyder doesn't give enough build up, nor show how the public perception has changed from what he originally presents. The 50/50 split ends up being 100% respect during his funeral with no development for the negative crowd.
As for your point about rejecting the notion, I would argue that they would. People have made complaints about how much power Superman represents and how it's unsettling (not to mention the Westboro parallels when some crowds had "God Hates Aliens" and "Earth Belongs to Humans"). With that hate messaging in mind, it's not out of the ordinary to expect people to be satisfied with.his death
What bait? I asked you to prove a point and now you deflect. What a childish maneuver. If you can't prove that he fetishizes violence in his work other than quoting monty python, why even bring it up?
I think you and veelk are thinking of different things. Snyder fetishizes violence and Marvek glorifies it in their own way. Two different words
It was a good thing to keep it understated imo. Not a bad way to bring in a new Batman either since everyone is already familiar with the character. After all, he was the most praised part of the film next to Wonder Woman... Even most who didn't like the film liked Batman.
Alfred implies it pretty heavily.That makes no sense. We're talking about Batman as a character changing, which was implied to have taken place BEFORE Superman's arrival and war. Superman doesn't make Batman more brutal, sadistic, etc.
That Tom, or Stan guy? The religious dude who goes down with the building - they should have made that character Lucius.
For one, in the theatrical release, I was so distracted by trying to figure out who the character was - "What is Bruce saying? Dad? That can't be it? Chad? Who?". After the TDK trilogy, just make that character Lucius - then you can have the audience connect with the death in a similar way to how Bruce would. Obviously don't cast Morgan Freeman, but have Lucius.
Why? Then you would have people complaining about how Snyder killed yet another character just for fun
That Tom, or Stan guy? The religious dude who goes down with the building - they should have made that character Lucius.
For one, in the theatrical release, I was so distracted by trying to figure out who the character was "What is Bruce saying? Dad? That can't be it? Chad? Who?". After TDK trilogy, just make that character Lucius - then you can have the audience connect with the death in a similar way to how Bruce would. Obviously don't cast Morgan Freeman, but have Lucius.
This is absolutely not true. Batman changes after Superman comes and is mentioned multiple times in the movie. Alfred throws down the newspaper of his branding and says "new rules now?" or something along those lines, to which he replies "we were always criminals". His change is recent.
- "Not today. Twenty years in Gotham, Alfred; we've seen what promises are worth. How many good guys are left? How many stayed that way?"
Not to mention he keeps a defiled Robin suit likely reminding him of what he's lost in his career. All Superman's arrival does is spark him into action to stop him from causing more damage (there are many references to Superman being about what Bruce does with his legacy), but it's implied that he was already changed.
This is a silly statement to make.Is BvS a 2.5 hour movie, a 3 hour movie, or a 5.5 hour movie?
I'm wondering, does the story even really work without having seen Man of Steel? Thinking about it, I'm not so sure how much of an isolated story it is from that.
This is a silly statement to make.
For one, yes BvS works as a standalone movie. What you need to know from MoS that relates to BvS happens in the first 15 minutes of the movie. Destruction happens at the hands of Superman vs the Kryptonians which is the catalyst for the events in BvS... that's all you need from MoS.
It's no more of a requirement than watching 5 different movies before watching Civil War. No one is going to claim that Civil War is really a 20 hour movie.
This concept is only convoluted because the person in question who is going through this is Batman... not someone like Lex Luthor.There are is a lot of convoluted and muddy story telling in this movie, the idea that Bruce watches his friends die due to this "war" that he perceives Superman bringing to earth causing a change in him is not one of them. It's like plain as day, with the way the movie opens, the whole 18 months later, Alfred's remarks....do you want them to just spell it out for you?
Well the plot was only muddled in the theatrical cut, in the Ultimate cut it's all much clearer. The stuff that is muddled are the JL tie-in and the dream/Knightmare sequences that don't lead to anywhere in this movie and are just build up for future movies... stuff that is related to this movie is relatively straightforward as presented in the UC.So I'm wondering, if you went in to see the 2.5 hour theatrical release without having seen Man of Steel, how much that would impact the sense you can make of the muddled narrative.
This concept is only convoluted because the person in question who is going through this is Batman... not someone like Lex Luthor.
If you replaced the opening scene with Lex Luthor then not a single person would talk about it and in fact praise the fact that Lex actually has some motivation to take on Superman (when currently he has shaky motivation).
As it stands the movie paints Batman as a person blinded by rage and guilt who is so blinded that he allows himself to be thoroughly manipulated by Lex. Most people hold Batman in higher intellectual and emotional regard than that so it's hard for them to believe that Batman would go through a character arc like that when it's completely believable for someone like Lex to go through the same (minus being manipulated by someone else).
The bigger issue of the opening is the utter lack of characterization his 'friends' are given.
Lots of stories do the "Here is the protagonists friend in the first scene, but, oh wait, he's dead." thing that affects them. It's a difficult thing to pull off well, so they usually do something that makes them memorable in some way to show that the protagonist remembers them. One immediate example that comes to mind is Firefly. I haven't seen the show in years, but I still remember why Malcom remembers the random kid that died. He gave him the "We're too handsome to die" speech. And he basically died at the moment he realized there was no help coming. He just stood up, looked on the battlefield, while a stray bullet kills the kid he literally just told a second ago was going to die.
Do you know who Jack is? Neither do I. He said a quick hail mary before the building collapsed on him, that's pretty much it. Bruce's only words to the guy were "Jack? Listen to me. I want you to get everyone out of the building, right now! You understand?!" And so he does that. He doesn't look like anything or anyone interesting. He doesn't have any interesting dialogue or good acting moments. I have no idea what their relationship is beyond 'friendly'. He is a generic ass character.
Batman warehouse scene was fantastic action-wise, even more brutal though. I don't remember there being blood splatter from the guy's head when the crate hit him lmao. This batman is a psycho, i did not like that very much honestly. I still think the movie did a poor job explaining his psycho heel-turn here. Gotta shout out how PERFECT Batman's introduction is though. It was basically the David Fincher Batman I always wanted. The aura of the scene was very horror-like. Basically treated batman like the underworld's boogieman.
I want Ben Affleck's solo Batman flick to be exactly like that. Hope he's picked up some Fincher-esque tricks.
Affleck's been going on about how his favorite Batman stories have been "detective ones" so if he puts his money where his mouth is it will be incredible.
Just got to the Senator meeting scene.
Did Snyder not let Cavill act or something? I am sure he's perfectly capable of it, but holy shit, the wheelchair exploded, and Superman is just staring around with a "Well....this is awkward" face. The UC generally does do a better job of giving Superman a character arc, but holy shit, that's a bad moment.
Just got to the Senator meeting scene.
Did Snyder not let Cavill act or something? I am sure he's perfectly capable of it, but holy shit, the wheelchair exploded, and Superman is just staring around with a "Well....this is awkward" face. The UC generally does do a better job of giving Superman a character arc, but holy shit, that's a bad moment.
While placing zod in the alien fluids, Lex is...crying?
wat
While placing zod in the alien fluids, Lex is...crying?
wat
No, seriously.
wut?
yeah there are times where I really fuck with this Lex Luthor like on the rooftop scene or when he's giving demands to that one guy but then you have nonsensical and goofy eccentrism like this.
I honestly have no strong feelings with how Lex Luthor should be portrayed. Do what you need to do to make the story you're telling work. But this Lex was just bizarre. He was sometimes overly confident and brash, but then also eccentric and socially awkward. The combo just doesn't work for me.
I find it a little baffling how many people didn't hear Bruce say Jack in the beginning. I remember the OT so many thought he said Dad lmao
That is not what most people seem to have walked away with, or what marketing wants you to think,
This was the one moment in both movies where Superman could finally make a mission statement about what his intentions are, why he does what he does, and they just ignore it and go the explosion route.
Alright, the Ultimate Edition...
It's a better cut of the film, notably so, but that's negated by the length. 1/8th of a day is a heck of a lot to commit to watching a film.
This has seemingly varied from person to person. I've seen a few instances where people thought the UC felt shorter than the TC simply because they enjoyed it more. Were more invested with the movie since it felt more like a movie and less like a series of random almost disconnected scenes. Schnepp mentioned something like this as well in his review. Can't remember exactly but I believe Frosty did too.
And Warehouse scene is still a spectacularly choreographed fight that we should fully credit to Rocksteady, who are the real designers of it.
Watched the BvS fight and warehouse scene again.
BvS is still a complete joke of a fight
And Warehouse scene is still a spectacularly choreographed fight that we should fully credit to Rocksteady, who are the real designers of it.
Y'all are mega desperate not to attribute anything good to Snyder, huh
People who try to tally off Batman's number of confirmed kills as if to say "Oh, he's not bad, just a few here and there" miss the point entirely.
Nolan's Batman killed people as well, plenty of them, but his rule in the Nolan movies was not "I'll never kill", but rather "I'll never murder". I talked about this in the other thread, but Nolan's Batman had a gentle heart and greatly valued life. The most significant act of taking alive was Harvey Dent. This was right after he saved the Joker's life. But he didn't murder Harvey. He pushed him off the ledge in the persuit of saving a child's life. He didn't realistically have another option, given how wounded he was and the situation at hand, and he certainly didn't intend to kill Harvey, and he felt horrible about it...but it can't be denied that Batman killed Harvey Dent. There was no uproar over that, or any of the other Batman killings because while the situation was one that resulted in death, Batman intentions were to avert it at all times.
I think there is a lot of pushback against the 'no kill' rule in live action. And I get why: It's simply speaking unrealistic to expect Batman to go through his kind of live without, in some way, dealing with death, and his no kill rule can get absurd when he's up against the kind of danger he is. Of course, that argument can be equally bounced back by pointing out that a lot of the danger is implausible to happen (like people escaping from jail over and over), if you're trying to go for a flavor of realism, so Batman's rule of not killing his villains makes more sense when he only has to stop them once before they're gone forever.
But then we have BvS Batman...Snyder made a statement before that Batman doesn't murder, he just commits a whole bunch of manslaughter. On a surface level, that's comparable to Nolan's Batman...but not actually. Both Batman's may have no problem with Manslaughter, but Nolan's Batman makes a concentrated effort to avoid death where possible. While death happens around him, he can make a convincing case that there was no other situation in which his actions would have worked. That's not the case of BvS batman. In pure technical terms, he commits manslaughter, because, for example, when he's in the car chase, his objective is to catch the car rather than kill any of these guys. The difference is that he clearly doesn't go out of his way to not kill them. It's clear that he has absolutely no regard for the lives of criminals and, by all indications, would happily murder them if he felt like that would be helpful. In fact, that's literally his objective with Superman. He's premeditating and making the objective to kill Superman. The premise of the movie is Batman trying to become a murderer. But it goes even a step further with that. With the Brand thing explained, I can only come to a conclusion that he only brands people as a sadistic power trip, because there is no reason for it otherwise.
People often praise Batman as the character of the film, and I can admit that Ben Affleck does a good job portraying him, but it depresses me to see that people praise this batman as the best incarnation of the character. I mean....people often try to associate Batman with mental illness, which makes sense, because his is a very psychological character, his rogue gallery suffering from all sorts of mental diseases and it's often a talking point that maybe Batman is as crazy as his enemies. But when people talk about that, it's mostly that suffers from a compulsion to perform feats of heroism because of what happened to him as a kid. But this batman is nothing but a cruel, sadistic, and angry bully whose more concerned with being on a power trip than actually helping anyone. It's the only explanation that makes sense with the fact that he goes out of his way to power trip while beating Superman instead of flat out killing him and then turning his position around when he realizes he can emphatize with him. Otherwise, the problem of his power, with the destruction of metropolis being a haunting reminder of what could go wrong, remains.
And that's when people usually go "But Veelk, the film makes it clear he wasn't always like that!" Who cares? There's no justification he can give that can justify his behavior in the present. Like, dude, I'm sorry that you suffered the loss of your parents, your Robin, your employees, whatever, but nothing about that makes any of this okay. Only someone of severely stunted emotional maturity would try to claim otherwise. And keep in mind, nothing has happened to him recently, as far as we know. I could forgive making bad judgements while in the midst of despair, but he lost his employees a year and a half ago and has done nothing but stewed his fury all that time and projected the blame onto a guy who wasn't to blame for it. Even moreso with the death of his parents and Robin. He's had time to process and reassess and turn his grief into something more productive.
"But Veelk, that's the point of this batman! He's a awful shitheel! Isn't that awesome?!" No. No, it's not. He's...pathetic. And he makes me angry. That, in itself, doesn't stop him from being a good character, but it really depresses me that many people frame up these qualities....cruelty, brutality, sadism.... as something to be admired. They can be fascinating to examine in well written characters, such as Walter White, and that's all good and fair but I find it a hard thing to conceive how they should be qualities to admire, and that's the vibe I get whenever someone cheers at how horrible a person Batman is in this incarnation. But even ignoring that, none of these qualities make Batman an interesting character to me. Fallen or corrupted heroes need some kind of tangible evidence of how they were once good, and what do we have? Alfred telling us "This is how it starts" and him mournfully looking at a defiled robin costume that he maintains. From the TC itself, I have no reason to believe that at any point that Batman wasn't a motherfucker from the jumping off point other than some vague remarks about how things used to be better. Better how? To what extent? For all I know, Alfred just means that Batman used to hide the bodies rather than just leaving them out in the open messily.
And without that point of contrast, all I have is this angry, fearful, piece of shit coward that wants to murder an innocent guy just because he projects the cause of his fears and insecurities onto him and only then spares him once he can in some way relate him to himself. Fuck this guy with a rebar. Especially in this poltiical atmosphere (which I normally wouldn't bring up, but given how this film outright fucking begs for it with it's parallels to 9/11, I say it's relevant), where people are routinely othered, hated, and blamed for all that is wrong with the world to the point where real and tangible acts of hostility are inflicted on them.
That's who this batman is. Fuck him. Whether his kill count is 5 or 500, he's a piece of shit.