Certainly. Directors of the calibre of Villeneuve don't make those kind of 'mistakes'. It also reflects the importance in having some idea of what cinematic language is i.e that every frame tells a story. I would guess the majority of the general public are probably oblivious to this language. Particularly if you're fed a diet of simplistic popcorn nonsense and flashy, shallow, noise laden films that are more like firework displays than a form of emotional and intellectual storytelling. There is little language in those films. It's mostly gobbledegook.When you think about how much this film cost, per frame, and how considerate Villenueve is, I doubt anything is a "mistake." The design choices might not "hit," but they are there for a reason.
You're saying that in a skeptical way?
It's just a George Lucas quote he said after he watched the first run of TPM where he was defending himself from how awful it turned out to the shocked producer.
https://www.youtube.com/watch?v=oGRv8Zu1fU8
That's not at all what they were discussing. That is really disingenuous.
No, it really is what they are talking about. They're just being polite. George Lucas's reaction to Episode 1
He's trying to justify the bad direction.
If I remember, there was another long delayed sequel where people went, 'WTF how did it cost that much' and it turned out the studio was including the cost of every attempt at a sequel since the original in the budget.
Understanding the reference, I think the question still stands. What he described is clearly an intentional design choice, no air quotes needed. A good design choice.It's just a George Lucas quote he said after he watched the first run of TPM where he was defending himself from how awful it turned out to the shocked producer.
https://www.youtube.com/watch?v=oGRv8Zu1fU8
Is there any chance the film goes well by now?
Unless it catches fire over seas, no, there isn't any chance of that.
Optimistically, Blade Runner 2049 is tracking to finish its US run between 80-90 million. To just break even the international box office will have to be around $275 million.
Unless it catches fire over seas, no, there isn't any chance of that.
Optimistically, Blade Runner 2049 is tracking to finish its US run between 80-90 million. To just break even the international box office will have to be around $275 million.
Are the discussed 150 million not the Break Even Point? Since we still have China and some other Asian markets I thought that it is not impossible :-/
John Carpeneter's the thing also flopped and was critically panned when it came out.Is there any chance the film goes well by now? And by that I mean cover the production expenses and return at least a bit of profit?
I do not care about a sequel that much, I just feel sad that this masterpiece doesnt sell and the next typical Marvel thing will break all records....
it just isnt fair...
A movie generally needs 2x its production cost to break even, more if a significant portion of the revenue is coming from overseas (the cut is less favorable). It will probably do 250-300 total.
A movie generally needs 2x its production cost to break even, more if a significant portion of the revenue is coming from overseas (the cut is less favorable). It will probably do 250-300 total.
#prayforbluray
its not going to recover from its bomb status with china and japan. You think eastern audiences will happily sit through a plodding western sci fi?
I hope the bad sales won't hurt Denis Villeneuve with budget constraint for his next movies (like for Dune)
I could see it doing well in south korea, maybe?
Finally going to see this with my parents and wife this Sunday. Pretty amped!
Oh god, this is a movie I would not want to watch sitting next to my parents..
:awkward:
Started showing Thursday here in SK. I watched the very first showing at 8 50 am at my local movie theatre. Absolutely loved it. There were around 12 people in a 250 seat screen theatre. The movie theatre has like 8 screens but has dedicated only one screen for BR2. Hope BR2 does well here...
Finally got tickets for the wife and I for the "real" IMAX in NYC (Lincoln Square) for this Sunday morning. Can't wait.
The theater looks like this though:
Sure it's 11:30 AM on a Sunday, but this seems kind of dire for a movie that just came out 6 days ago.
Finally got tickets for the wife and I for the "real" IMAX in NYC (Lincoln Square) for this Sunday morning. Can't wait.
The theater looks like this though:
Sure it's 11:30 AM on a Sunday, but this seems kind of dire for a movie that just came out 6 days ago.
Lol yeah, that's why I mentioned the day and time, I'm sure that plays a big part. But I also checked the showing for 3:15 that day and it looks about the same. :shrug:
They advertised K as an energetic and witty character.You're not kidding
https://www.youtube.com/watch?v=gCcx85zbxz4
https://www.youtube.com/watch?v=zvFp9v_InWM
From slow moody trailer with some hints of action to "epic masterpiece" and quick cut actiony montage at the end
Certainly. Directors of the calibre of Villeneuve don't make those kind of 'mistakes'. It also reflects the importance in having some idea of what cinematic language is i.e that every frame tells a story. I would guess the majority of the general public are probably oblivious to this language. Particularly if you're fed a diet of simplistic popcorn nonsense and flashy, shallow, noise laden films that are more like firework displays than a form of emotional and intellectual storytelling. There is little language in those films. It's mostly gobbledegook.
Not to say they're not enjoyable but they tell you little of what films can really say.
I don't know if mentioned already but in the UK the film has done quite well.
So I guess shitty blockbusters and Disney have completed the takeover of Hollywood
I cant believe how many people think there was something wrong with the movie and cant realize that they just simply dont like film noire
I mean a sci fi film noire should never have been expected to have widespread appeal
It has everything to do with a funny fun action comedy being way more appealing to way more people and even kind of cathartic in these fucked up times compared to a moody atmospheric artful sci-fi thriller drama about an oppressed group in a bleak dying future that can feel depressingly familiar to our ownYep, we have fluffy bullshit like Thor: Ragnarok trending for a 100m+ opening weekend while a brilliant film crashes and burns. Americans have very poor taste overall.
My showing in Norway's biggest theater was packed. I don't think these anecdotes are worth much.
Who sees movies at 1PM on a Wednesday? (Wish I could to avoid the crowd)
Yep, we have fluffy bullshit like Thor: Ragnarok trending for a 100m+ opening weekend while a brilliant film crashes and burns. Americans have very poor taste overall.
It has everything to do with a funny fun action comedy being way more appealing to way more people and even kind of cathartic in these fucked up times compared to a moody atmospheric artful sci-fi thriller drama about an oppressed group in a bleak dying future that can feel depressingly familiar to our own
The worst part of Blade Runner was having to see trailers for trash like Thor and Justice League