Blade Runner's high praise...where does it come from?

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This is the same excuse people use for Alien. One can acknowledge the impact a movie had at the time of release but also how poorly the movie has aged or how it stands when currently critiqued.

Not sure how many alien like films have done a better job for survival horror being a well made film that still holds up quite like alien well except the Thing. Even aliens is a hell of a lot different being an action movie.
 
Like many old movies, it doesn't hold up well. I watched it recently for the first time (I'm 35) and fuck me it's boring as bat shit.

I watched what I believe was the Director's cut. So so so boring.
 
Like many old movies, it doesn't hold up well. I watched it recently for the first time (I'm 35) and fuck me it's boring as bat shit.

I watched what I believe was the Director's cut. So so so boring.
Boring isn't much of a critique. I would find a Mozart concerto boring, but it says more about me than the quality of the music.
 
Well he didn't just happen to catch some random birds flying by right as the scene was ending. The single bird flies away because Roy had been holding it before he died.

Not, uh, particularly better. Having the robot who fetishizes humanity hold a bird that he releases when he dies borders Poe's Law territory. Thankfully, the movie has numerous parts that are better than that, but it's emblematic of the bad parts of the movie strangely hailed as good by the more zealous parts of its fanbase.
 
No stand out scenes?! Are you shitting me? Rachel's intro, the hover car ride through and over dystopian Cali's skyline, the on foot detail rich scenes on the streets, tears in the mother fucking rain!

None of that beckoned your attention and awe? None of that gripped and haunted your sub conscience?
Rachel's intro didn't really grab me at all, no lol...I mean, I enjoyed the interaction but I wasn't hooked on it or anything. Nothing was "bad", most felt uninteresting, that's all. I've already said the atmosphere and setting is ace, as I love cyberpunk and seeing where it all began was great. I definitely give it props for that. Roy's scene at the end was neat but I didn't really...feel any attachment to him as a character. I felt bad for him given his situation and what he was, but that was it really.
Jits don't understand context. This is 1982 we're talking about. As other's have posted, you've seen so much shit influenced by Blade Runner.

This is like picking out a classic NES game and wondering where the high praise comes from since there's no regenerating health, save system, or cover.
Heh, nah, I'm an adult, I'm not judging it or comparing it to modern films. I look at it simply by its merits. I understand the context of its release and that it's not trying to be a bombastic sci-fi film, I just wanted to know if it's mostly the atmosphere and the artistic tone/setting that most people are affectionate towards, and it seems that's mostly the case.

There are people in the world who dislike Blade Runner?
Lol, I didn't dislike it goddamnit. I did like it, just seemingly not to the extent that many others felt.
 
Not, uh, particularly better. Having the robot who fetishizes humanity hold a bird that he releases when he dies borders Poe's Law territory. Thankfully, the movie has numerous parts that are better than that, but it's emblematic of the bad parts of the movie strangely hailed as good by the more zealous parts of its fanbase.
Wasn't really arguing how good or bad it is, that's all subjective. Was merely pointing out that Roy had the bird in his hands for a while in the scene. You made it sound like Scott had inserted footage of some random flock of birds.
 
So I've watched bits and pieces of Blade Runner over the last decade, never sitting down to actually watch it in full until last night, finally. And honestly...I thought it was "fine". I don't think I can understand the sentiment I've seen from quite a number of people claiming it as "the best sci-fi film of all time" or something similar.

I really like Harrison Ford as an actor generally but, nothing really stood out to me in the film itself. Props for an incredible setting though. I love cyberpunk and it just oozed of atmosphere. But overall, what exactly are people looking at when they praise it so much?

There weren't really any standout scenes (that I saw anyway), what 'action' there was felt low key and strangely shot, Harrison Ford and Rachel developed a deep relationship seemingly out of nowhere, and just felt like nothing of consequence really happened in the movie. I'm not sure how else to describe it. In the end I just had a "that was it?" feeling. Guide me GAF.

Guess I am not the only one.

I'm with you guys
 
I'm with you guys
Theres no detail to any of his criticism. He needs to rewatch it. Put the iphones away and pay attention. Maybe read the plot synopsis on wikipedia beforehand and choose another cut to make things interesting. Ive seen it a few times and appreciate it more every time.
 
Theres no detail to any of his criticism. He needs to rewatch it.

If he already liked it on first view, he's a couple steps ahead of a lot of actual Blade Runner fans. So yeah - in like, a month or two (or six, whatever) he should throw in the film, maybe pick a different cut, maybe just rewatch the exact same one.

But if he liked it already (and he did) then that second viewing is probably gonna start working on him. And then we'll probably get a thread in a year where he's like "So, I used to not get why this movie was awesome, I even made a thread about it, but then I rewatched it, and guess what."

That kinda shit.
 
IMO, Blade Runner is one of those movies you have to 100% vested in. You can't chew gum, can't surf on your computer, can't check phone messages. Your eyes have to be on screen at all times or it will lose you. Same thing if you are watching Apocalypse Now, Chinatown or even The Godfather for the fist time. I don't know what it is about those movies but they seem to loose a lot of people if they are not being very attentive, unlike some other movies where you can be doing 5 other things at once and not miss much.
 
IMO, Blade Runner is one of those movies you have to 100% vested in. You can't chew gum, can't surf on your computer, can't check phone messages. Your eyes have to be on screen at all times or it will lose you. Same thing if you are watching Apocalypse Now, Chinatown or even The Godfather for the fist time. I don't know what it is about those movies but they seem to loose a lot of people if they are not being very attentive, unlike some other movies where you can be doing 5 other things at once and not miss much.

Completely agree on all those movies. The 70s greats in particular are just heavy. They must have been able to expect peoples attention and take it for granted.

I have a bad habit of checking imdb when I recognize actors but it's stupid takes me out of the movies.
 
Theres no detail to any of his criticism. He needs to rewatch it. Put the iphones away and pay attention. Maybe read the plot synopsis on wikipedia beforehand and choose another cut to make things interesting. Ive seen it a few times and appreciate it more every time.
And there is no substance to such rebuttals. You just say "well I liked it, so you must have not paid attention if you didn't".
That's a bit condescending under the best circumstances, but this is Blade Runner we're talking here, it's not exactly a super subtle film, especially with the narration.
I think it's very clear what it goes for in terms of style and theme.

And for the record, I don't think that being subtle automatically makes for a good film or that an unsubtle one is bad (in fact, I think that people tend to overrate subtlety, like, you don't want to beat people over the head with you message, but you want the audience to get it). I also think that any movie that requires you to read a wikipedia article in order to enjoy failed as film, especially if that film was made 20 years before wikipedia was created (though again, I really don't think that's required).
 
I watched it and found it boring, and didn't even get to the ending. Then I watched it again after some time had passed, and liked it a lot. I need to research it again.

The same thing happened with Apocalypse Now, actually. I tried to watch Apocalypse Now 3 times before it finally took. The first 3 times I didn't even finish it. The fourth time, I found the last 20+ minutes confusing and the ending unsatisfying. Then I watched it again (this time because I decided to write a paper on it) and I loved it.

Sometimes a movie gets in your head like a song. Like sometimes you hear a new song and hate it. But some time passes and you hear it again and this time it's familiar so instead of focusing on how different the song is, you can appreciate it for what it is. That's what happened to me with these movies.
 
I love cyberpunk
I love cyberpunk
Rachel's intro didn't really grab me at all, no lol...I mean, I enjoyed the interaction but I wasn't hooked on it or anything. Nothing was "bad", most felt uninteresting, that's all. I've already said the atmosphere and setting is ace, as I love cyberpunk and seeing where it all began was great. I definitely give it props for that. Roy's scene at the end was neat but I didn't really...feel any attachment to him as a character. I felt bad for him given his situation and what he was, but that was it really.

Heh, nah, I'm an adult, I'm not judging it or comparing it to modern films. I look at it simply by its merits. I understand the context of its release and that it's not trying to be a bombastic sci-fi film, I just wanted to know if it's mostly the atmosphere and the artistic tone/setting that most people are affectionate towards, and it seems that's mostly the case.


Lol, I didn't dislike it goddamnit. I did like it, just seemingly not to the extent that many others felt.

You wouldn't love cyberpunk if it wasn't for Blade Runner.
 
And there is no substance to such rebuttals. You just say "well I liked it, so you must have not paid attention if you didn't".
That's a bit condescending under the best circumstances, but this is Blade Runner we're talking here, it's not exactly a super subtle film, especially with the narration.
I think it's very clear what it goes for in terms of style and theme.

And for the record, I don't think that being subtle automatically makes for a good film or that an unsubtle one is bad (in fact, I think that people tend to overrate subtlety, like, you don't want to beat people over the head with you message, but you want the audience to get it). I also think that any movie that requires you to read a wikipedia article in order to enjoy failed as film, especially if that film was made 20 years before wikipedia was created (though again, I really don't think that's required).

I think critiques should be qualified is all. Saying a scene "didnt move me" or was "neat" is vague. There's a reason tears in the rain is an iconic scene and its not because it was "neat". Last time i watched on blu-ray i noticed a drop (or is it a tear?) roll down Deckard's face after Roy's death and the analogy and scene just came together perfectly for the first time for me.

I think Blade Runner is pretty slow and the plot isnt deep but the production, world, and themes are plenty deep. It's enough to make it a favorite of mine.

I recommend reading the plot synopsis because i did and was able to connect a lot of dots. GoT didnt really click with me until i was able to watch the intro and look at all the places on the map and place the events. Theres nothing wrong with supplementing a viewing with info and i think OP is preparing for that with this thread.
 
You know what? It's been a while since I last saw the film and I just finished Do Androids Dream of Electric Sheep. Time to pull out my collector's edition suitcase and pop in the final cut Bluray.
 
This is the same excuse people use for Alien. One can acknowledge the impact a movie had at the time of release but also how poorly the movie has aged or how it stands when currently critiqued.

What?
Alien doesn't need any excuses.
 
You wouldn't love cyberpunk if it wasn't for Blade Runner.

ehhhhhhhh, come on now.

Neuromancer_(Book).jpg
 
I didn't really enjoy it either. Saw the Director's Cut years ago and I also struggled to see what all the fuss was about, outside of the very cool setting and atmosphere.

Its one of those movies that I didn't like, not because it was a bad movie, but rather it just didn't appeal to me.
 
I think it is the kind of movie that requires the viewer to have a mental romance with that atmosphere. If you know what it is like to be cold and wet, but feeling comfort wrapped in a blanket cradling a glass of scotch it is more the movie for you.

The whole film is like one big dark rainy poem. It builds a world and asks you to soak it up and live in it, finding comfort in tiny warm corners.

As a kid I found it hard to watch, it wasn't fast or exciting. It finally totally clicked when I was about 20 years old.

Being interested in film it was also made interesting because of the story of how the movie got made and the various cuts that existed of it. It was like a puzzle of footage that needed to be assembled and never was until more than 2 decades later.
 
I've....read posts...you people wouldn't believe. Attack threads on fire off the shoulder of EvilLore; I watched Junior Members troll in the Blade Runner thread near the Tannhauser Gate...All those...posts...will be lost, in time, like tears in the rain....time...to die....

But seriously, folks, watch the documentary "Dangerous Days" and some of the short art direction features on the Blu Ray. It will completely put into perspective why this film is so great.

When I saw Citizen Kane for the first time I thought it was boring. I didn't realize, until watching/reading analysis on it, that it basically invented several key shots/filmic elements, as well as understanding all the historical elements behind the film. So, had I just watched and been done with it I would have assumed it's overrated garbage. But then I dug deeper and found that it seemed so bland because everything it created has continued to hold importance in the development of films today.

Give Blade Runner a chance. If not re-watching the film itself (perhaps a different cut?) watch/read some of the analysis around it. If you still can't find merit in the film, then I hate you...I mean uh...we can agree to disagree.
 
nostalgia

Lol. A great number of people and probably most people on GAF who love it were born years after the movie released and certainly weren't old enough to appreciate any serious film for more than a decade after. Movie released in 82, I was born in 84, and finally saw the film in full when I was 22 years old.

That was the original "Director's Cut" and it still blew my mind. Nostalgia? That's just fucking silly.
 
Guess I am not the only one.

Definitely not happened to me too. Took me years to figure out what it was.

Watch it again.

Then watch it a third time.

Hopefully somewhere between the 2nd and 3rd viewing, what it's actually doing will start to work on you, as opposed to what you think it's supposed to be doing.

That's not it. Its not that people are "Not getting it". We get it. We understood it. The problem was this:

You're coming into it now after its influenced film for decades. You don't have the context of what is was like when it first premiered-the look of the film was revolutionary.

Spot on. Watching Blade Runner twice (I saw two versions) was a little meh for me because I have seen those concepts touched on, attempted and treaded a thousand times over various forms of entertainment. I finally realized that its likely that I just missed it for its time, and there's no way to go back to see the film before so many other things were influenced by it.
 
That's not it. Its not that people are "Not getting it".

I didn't argue that he "didn't get it." I argued that more of it is going to work on him.

He said he liked it. He enjoyed it. He just doesn't understand why people like it to the extent they do. To which I said "watch it again."

Like I said earlier in the thread (don't know if you actually read it - the post you're quoting is from the first page, I think) he's already way ahead of a LOT of fans of the film in that he actually liked his first viewing. A lot of people didn't. And it's not because they didn't get it, either. It's not a hard movie to understand. But it presents itself differently from how it ends up actually working in a lot of cases, which is why I made the distinction between what it does as a film, and what people tend to think it's trying to do on first viewing.

I don't think it's simply a matter of copycats having dry-mined it, although that argument can be made, sure. A lot of people end up really enjoying it regardless of the 1982 context. I'd suggest most people only really appreciate that context AFTER they've already been won over by the film. And considering most people I've come across didn't enjoy the film on first watch, and didn't have that first watch until long after it's initial release, I'm not sure how much that 1982 cultural context really matters, ultimately.
 
Spot on. Watching Blade Runner twice (I saw two versions) was a little meh for me because I have seen those concepts touched on, attempted and treaded a thousand times over various forms of entertainment. I finally realized that its likely that I just missed it for its time, and there's no way to go back to see the film before so many other things were influenced by it.
But has anyone really done cyberpunk as well since then? I mean it's subjective, but when I see something influenced by Blade Runner (and I see it constantly in various mediums) all I can usually think of is how Ridley Scott and company did it better.

Also, I wasn't even alive when it was released and didn't see it until around 2003-2004, so I don't think you had to be around in 1982 in order to fully appreciate it.
 
I can't say I'm ever surprised when someone says "I finally experienced this certain thing that has been the object of praise and hype for literally decades, and frankly I was underwhelmed." To me it's always more about your expectations than the thing itself.

I saw Blade Runner when it came out, I was 13. My hype had reached fever pitch just from reading preview articles in Starlog ("new movie from the dude who made Alien!") and I have to be honest, I felt let down at the time. But from what I can recall it was mostly because I thought it was going to have more action, I thought it was really slow and boring. (Did I mention I was 13 and wanted everything to be balls to the wall at all times?) I did like the eye candy of course. But I didn't really come to truly appreciate it until a few years later, when I was more able to think about the philosophical aspects. It was pretty fucking influential and I can see how it would seem like old hat to someone seeing it now. At the time, there was nothing else like it. Tron and Blade Runner were both 1982 bleeding edge visual effects extravaganzas, but in both cases audiences as a whole didn't give a shit because the visuals weren't enough to win them over.
 
Blade Runner really needs a black and white edition. If there's one thing I like about this film it's the use of light.

I'm pretty sure some fan-editor's got that version up somewhere. I remember hearing about it before.

(it's not as easy as it seems to make something black & white. You can't just desaturate the image - a lot of care has to be taken to adjust the contrast levels accordingly. The Mad Max: Fury Road thing was cool - but I got the sense most of the work on that was done trying to cut out the dialog, as opposed to fine-tuning the imagery)
 
you also have to remember that praise for old movies like this is largely due to the inertia they got when they first came out. they were AMAZING for the time when they came out, but lots of the techniques and sfx have been bettered since, so they don't seem so impressive now... but they still have the perception of greatness.

it's the citizen kane effect

Thats more or less straight up bullshit, especially in the case of Citizen Kane. Movies which stand the test of time generally do so for reasons beyond "Hey it sure has nice looking special effects!"
 
I mean, specifically, the framing, the costumes, the lighting, the set design, and the way all of those things come together.

The problem comes when you get trite stuff like "tears in the rain" followed by birds flying away. There's trite, and then there's trite.

Was it trite for movies of the time, though? If so, please point me to other movies who had done such things beforehand, or better. This isn't specifically to defend the scene, I just want to know. Or do you mean trite in comparison to all the written fiction out there that had done it a million times before?
 
Thats more or less straight up bullshit, especially in the case of Citizen Kane. Movies which stand the test of time generally do so for reasons beyond "Hey it sure has nice looking special effects!"

It's really bullshit in this case. Blade Runner built up no inertia when it came out, it flopped. It had only a small core group of fans and it several years to get the ball rolling on VHS.
 
I thought it was pretty boring, and the "tears in rain" scene that was supposed to be the emotional climax of the whole film completely fell flat for me.

I might like it more if I watched it again, but I don't really have any desire to do so.
 
Outside of art direction and cinematography I don't think Blade Runner is that good of a film.

I had to study this film in high school so its not like I am not aware of the themes. I just don't think it explores those themes in an interesting or substantial way.

And as others have said it is a bit 80s cheese when it is trying to be an important philosophical film.

I wanted to like Blade Runner, I love slow sci-fi films like 2001, La Jette, Solaris, Stalker, but I just don't think it lives up to its reputation.
 
Blade Runner is one of those films I really respect but I just don't like it all that much. Watched the original, directors cut and the final cut more than once but it just doesn't do anything for me at all, I want to like it but I just don't. I do love Rutger Hauer though, amazing actor.
 
Its ok, the very first time I saw this, I was too young. I didn't appreciate it. I thought it was supposed to be this great Sci Fi action movie.

When I watched in again in my late 20's, It clicked. I think I was more mature, and had exposed myself to great cinema.

I regard it as the best film ever made, but that's just my opinion. The final cut is just so amazing.
 
I think that the dichotomy between 'style' (art direction, cinematography) and substance (the narrative or well plot because the setting is part of the narrative?) is not as clearly defined as people make it out to be. The mood and atmosphere a film creates is essential to the emotional experience. I guess evaluating a film purely on the basis of an emotional experience is reductive but it's the way I tend to look at films.
 
Just bought the Final Cut this past weekend. Got bored midway through the movie so I stopped and tried again the next day. By the time it was over I thought something was wrong with my disc because that couldn't have been the ending. Felt like the movie needed another 15-30 minutes of content. I guess I can praise it from an artistic perspective but I didn't really enjoy it.
 
This film is all about the atmosphere. My first watch as a teenager, I was bored to tears. Then few years later, watching final cut in 1080p, I loved it.
 
Between this and neuromancer just about anything you've ever enjoyed that's cyberpunk owes it to those two works. Akira, Final Fantasy VII, Snatcher. blade runner was as influential for cyberpunk as The Road Warrior was for the post apocalyptic wasteland.
 
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