The Inhumans/Fantastic Four
So this was an interesting story, with half of it being a four-part Inhumans miniseries, and the second half being a four-part Fantastic Four story arc.
So to start off, the first half of the story is awesome. A fantastic sci-fi story that really is where the Inhumans shine: on a political scale. Many of the best Inhuman stories are slow-paced, with little focus on the action. What action is focused on is typically of a "big-picture" nature, by which I mean a political view. For example: the most praised of the Inhumans stories, the Jenkins and Lee run, has very little focus on any actual fighting. Instead, the focus is on the tension of Attilan being under siege from the outside and within, and the decisions that are made by Black Bolt to succeed. In this case, the tension revolves around the Inhumans being captured by Ronan, who wishes to take revenge upon the Shi'ar and Spartoi for how the Kree have been royally fucked in the grand cosmic scheme. This is basically a spy/assassin story, with the Inhuman Royal Family being held hostage and used as weapons in this scenario. As a group of insurgents. It plays to the strength of this particular part of the Marvel Universe, and does a lot of heavy set-up for War of Kings: the relationship between the Inhumans and the Kree Empire, and three of the main kingdoms that seemingly rule cosmic Marvel: the Kree, the Spartoi, and the Shi'ar.
Basically Ronan captures Attilan, using it as a massive battleship -- something we see later on in War of Kings -- and then uses the Inhuman Royal Family as an insurgent force to kill Lilandra, Shi'ar ruler, on her day to be wed to the king of Spartax (J'sonn's father, though in this story he's referred to as Jason). Ronan explains that the Inhumans were bred to be used this way, having each one transform into an existing race within the universe. This way the Kree could plant Inhumans in various races, having insurgents everywhere. It's an interesting bit of lore, but to make a long story short, the Inhumans assassinate Lilandra at Ronan's behest. Black Bolt then challenges Ronan to a duel of honor and beats him. However, his people do not want to go back to Earth, where they were persecuted and out of place. They instead stay in Attilan -- though they do not view Ronan as their ally either -- and choose to roam space. The Royal Family returns to Earth.
The second half is that the Inhumans revisit Earth, but due to being pursued by bounty hunters, crash and are viewed as invaders by the public. Now, the reason bounty hunters were being pursued is because the Lilandra they killed was not actually Lilandra, but a decoy. One of the Inhuman Royal Guard received a vision that someone would attempt to assassinate Lilandra. Jason is framed to be the orchestrator behind it, due to the Inhumans having access passes given to them by him when they befriended him much earlier. Anyways, the FF befriend the returned Royal Family and protect them from the public. It turns out that the Royals are under attack because a secret group of Inhuman children, captured and trained by Nazis, did not want to be revealed since they were heavily inserted in politics, manipulating everything. However, this is confusing since they also state that they were kicked out of Attilan due to being persecuted and feared for their abilities.
Here's my problem with the FF side: it focuses heavily on the FF. The birth of Valeria is a huge focus. Granted, I understand why the FF are there, but I don't care about any of their storylines: just the Inhumans. The children were interesting, as they wanted the Royal Family gone so that the world would not want to build a proposed "Inhuman detection device," which would reveal the children's existence. However due to the FF's presence, with a subplot about Franklin at a boarding school, it gets bogged down with shit I don't care about.
The writing and art on both sides are fine, but the Inhumans half is significantly more interesting. Narration heavy, but the narration manages to only enhance what the art already provides: a mood, tone, and setting that is absolutely encapsulating. I've spoken about it before in a previous post:
Reading Fantastic Four/Inhumans, which collects Inhumans (2000) #1-4 and Fantastic Four #51-54. Currently still in the Inhuman half, but damn it's pretty good. Has a very unique style to it, and it takes a page from Transformers MTMtE in that, while there's a lot of dialogue, there's also a lot happening on each page. It helps to keep you from being bored while still having a lot of dialogue and/or narration. It's a very narration heavy book.
Granted that page is an action scene, but I love the narrator's voice and that's a great example of it.
It also reminds me how dirty Ronan got done in GotG, which makes me sad.
At least someone's not having any of Maximus' shit.
A lot of that sums it up. The FF half is your basic superhero stuff: dialogue that also provides narration, bright and colorful, almost cartoonish art. It's fine, but coming off of the previous half it is most certainly more lackluster than anything. I really enjoyed the Inhuman half of this story, which I heavily recommend to anyone looking for good Inhuman reads. However, I can't recommend the second half unless you are also interested in the FF at the time, which I was not. A good Inhumans story, followed by what may or may not have been a decent FF story.
Yeah, I think that's an apt comparison, particularly given both Superman and the Fantastic Four were the original cornerstones of their respective universes. They both seem very basic and simple on the surface but in reality they are complex books that are hard to get right.
I think the main issue for me right now is that I only read the FF stories that concern the Inhumans, and as a result I don't care about the FF in those instances.